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Get my Guitar found the latest prices on the EarthQuaker Devices Ghost Echo Reverb V3 Guitar Effects Pedal.
You hear that EVP, bud? It’s the updated, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is EarthQuaker Devices spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the “Attack” knob, for everything from a quick rockabilly slapback, to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback, or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound. The “Dwell” control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The “Depth” sets the intensity of the reverb, which you probably know as the wet/dry mix, but EarthQuaker likes to think of it more as how scary the overall effect is. The Ghost Echo is true bypass and built one at a time by a team of friendly ghosts in the never-ending hall of funhouse mirrors that is Akron, Ohio, USA. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations. Dwell: Adjusts the length of the decay. This will start to self-oscillate around 3 O’clock, the pitch of the oscillations can be changed by turning the Attack control. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted. V3 UpdatesUpgraded op-amps for better performance and lower noise than v1 and v2Stronger reverb signal with 2x the output of the v1 and v2 Ghost EchoRecalibrated “Dwell” control capable of self-oscillations when all the way upNew artworkSilent relay-based switching | EarthQuaker Devices Ghost Echo Reverb V3 Guitar Effects Pedal
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Get my Guitar found the latest prices on the Dreadbox Treminator Warm OTA Multi-Waveform LFO Amplitude Modulation/Tremolo Effects Pedal Black.
Dreadbox Treminator takes its inspiration from a synthesizer last signal flow stage called the VCA (voltage-controlled amplifier). Dreadbox took this simple circuit and adapted it into an expressive guitar pedal and combined it with an LFO controlled by envelope generators. The result was Treminator. | Dreadbox Treminator Warm OTA Multi-Waveform LFO Amplitude Modulation/Tremolo Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Black.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Black
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Get my Guitar found the latest prices on the Danelectro 3699 Fuzz Effects Pedal Red.
"Danelectro owner Steve Ridinger founded FOXX pedals in the 1970s. His Tone Machine was a huge hit right out of the gate, priced at $49. Today they cost $600+! Now he brings back his original Tone Machine with some important tweaks, including making the octave way more pronounced. The octave is foot-switchable, the tone is warmer and there is a ""mids boost"" toggle that counteracts the mid cut of the original pedal. | Danelectro 3699 Fuzz Effects Pedal Red"
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Get my Guitar found the latest prices on the Morley ABY Pro Selector Switch Pedal.
The Morley ABY Pro Selector pedal allows you to route one instrument to two output sources. Select between either output sources or use both at same time. It features isolated channels, so there's no crosstalk or bleed-through. And the ABY Pro uses Ebtech custom isolation transformers to prevent ground loops. The silent switching eliminates “pops” when switching, and the Polarity Reverse and Ground Lift switches provide quiet operation. It also offers LED indication, cold-rolled steel housing, powers from 9V battery or adapter. | Morley ABY Pro Selector Switch Pedal
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Get my Guitar found the latest prices on the Keeley GC-2 Limiting Amplifier Guitar Compression Pedal.
"The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as a very musical studio-grade compressor in stomp box format It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that this compressor is well suited for guitar, keyboards, drum machines, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and very transparent. Where Keeley's older compressors were based on the CA3080 or the LM13700 and are perfect for that ""Compressor Effect"", the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency. Not only can it handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz. No detail in your guitar's tone will be lost. The Keeley GC-2 will be a sound investment in your tone, you now have genuine rack-mount quality at your feet. Compression and ThresholdWhen musicians use the new Keeley Compressor - GC-2 they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit, it's that easy! Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down for no (1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an above-Threshold hard-knee limiter. Attack and ReleaseThere is a certain figure that just sounds good as far as compression goes; and that's 125 dB/second. With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content. Attack times are generally speaking, about 100 times faster than release times. Tone Control and BlendNone - You don't need a tone control or a blend control on a compressor. In fact, it's not a good idea in our opinion. If you want a blend control, you are undoing your compressor. Instead, set the Threshold high and only let peaks be processed and then set the Compression Ratio to 2:1 or 4:1. Much smarter. Tone control? None here. It has tone for days, and there is no need to add treble response back into the mix. It's ultra slick, feed-forward compression design helps maintain high-end treble response like no other design. Lastly, Tone Controls and Blend Controls can only add noise in a compressor. Studio-grade compression in a pedalUser-friendly controls so you can find your perfect soundAttack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dBRelease Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB | Keeley GC-2 Limiting Amplifier Guitar Compression Pedal"
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Get my Guitar found the latest prices on the EarthQuaker Devices Ledges Tri-Dimensional Reverberation Machine Effects Pedal Grey.
EarthQuaker Ledges is a compact, three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From warm, lush reverb tones to the farthest sonic reaches of the reverb cosmos, Ledges can do it all. Ledges was created for no-nonsense musicians who need access to a wide variety of fantastic sounds and don’t want to mess with menu diving, extra footswitches or MIDI controllers. Ledges offers three distinct, rich reverbs that cover all the bases—Room, Hall and the almost infinitely regenerating Plate—with user-assignable expression control and six presets to easily switch between settings. Presets can even save expression pedal assignments, making it easier than ever to save and switch between six unique reverb sounds. Ledges has three unique reverb modes: Room, Hall and Plate. Each mode uses a different algorithm, tuned to give specific spatial qualities, while still sitting perfectly in the mix. Looking for harsh or muddy tones? Keep looking, cause you won’t find them here. Room (R) has the darkest tone of the three modes. At the shortest length setting, it’s like a small, boxy room, reminiscent of '80s reverb. As you bring the length up, the reflections become distant and brighter; similar to playing in a large tile room. If you hit the strings harder, it has an almost spring reverb character without becoming completely washed out. Hall’s (H) shortest length setting picks up where the longest length of Room leaves off. Hall shifts from a large hall to a massive cathedral with loads of soft, distant reflections that build up faster and trail off longer. Plate (P) goes from a traditional, large plate to a nearly infinite pad of reflections that create a regenerative freeze-like effect that gradually decays. At the shortest length setting, the decay of the Plate picks up where Hall leaves off. At the longest length setting, the highest frequencies of the reverb are recirculated, generating a nearly infinite ambient pad of bouncy reflections underneath your initial attack that can go to the verge of self-oscillation. The recirculated pad can be further fine-tuned with the damping control to sit just right in the mix. Pro tip: Ledges is buffered bypass to allow the reverb to naturally decay when bypassed. You can create a dense ambient pad, bypass the pedal and play over top of your naturally decaying micro-loop. Get 2 or 3 ledges and make a mini reverb version of frippertronics! Ledges boasts six presets and on-the-fly footswitch preset switching, with expression control that can be mapped to different controls and can also be saved as a preset. With Ledges, saving, recalling and overwriting presets is incredibly simple and intuitive. Three unique reverb modes with the ability to save and recall six presets and user-assignable expression controlThis digital unit offers an all-encompassing reverb experienceMode R: Room, shortest reverb settingMode H: Hall, medium reverb settingMode P: Plate, longest reverb settingTwo global operating modes which are indicated by the color of the Save/Recall switch:Green = Live ModeRed = Preset Mode Ledges comes factory set to start up in Live Mode | EarthQuaker Devices Ledges Tri-Dimensional Reverberation Machine Effects Pedal Grey
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Get my Guitar found the latest prices on the CopperSound Pedals Daedalus Reverb Effects Pedal.
Much like the engineer that its name derives from, Daedalus was methodically designed and crafted. As opposed to using a chip, CopperSound designers wanted to built the reverb off the newest Belton 3 brick. So that’s where they started. In its infancy, it was a simple one-knob reverb. Over several months, Daedalus grew its wings. The addition of the Depth knob was the first step. Then came an expression jack. This jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable (sold separately). The Blend knob was then added to give the user control over the amount of external effect being placed into the decay. The Pre Amp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop. Enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players. The Pre Amp knob also adds volume to the decay and the length of the decay. Making it a dual purpose knob. The last thing left was to fine comb the wings. This was achieved by adding the Reverb II knob. This addition allows for two separate reverb levels of independent footswitches. Set one for shorter, traditional reverb sounds and the second for longer, drawn out reverb sounds. Both Reverb knobs work with the rest of the controls. REVERB – Controls the overall amount of reverb. Similar to a wet/dry mix knob, only the initial note is always heard. DEPTH – Controls the length of the reverb decay. BLEND – Determines how much of the external pedal, that’s inserted into the FX is heard. REVERB II – Controls the overall amount of reverb when the right footswitch is engaged. PRE AMP – Increases the size of the reverb even further. Also, gives extra volume to any effect that’s placed in the FX loop. EXPRESSION (FX LOOP) – Plug in a TRS splitter cable to place any effect into the decay of the reverb. With a volume pedal in the loop, the treadle now controls the reverb knob. The reverb knob setting now becomes the treadle toe down position. TIP = Send, RING = Return | CopperSound Pedals Daedalus Reverb Effects Pedal
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Get my Guitar found the latest prices on the Providence Red Rock OD / Overdrive Effects Pedal.
"The Red Rock Overdrive delivers warm overdrive with plenty of sustain for a wide-ranging expressive voice ideal for use with single-coil pickups. However, an input gain section that is similar to guitar amp circuits allows level compensation for pickups of differing output as well as boost. FAT SwitchA FAT switch that boosts the low frequencies can be used to deliver an even fatter, more powerful sound. Wide Dynamic RangeInternal circuitry doubles the 9-volt supply voltage to 18 volts, achieving wider dynamic range than conventional overdrive effects.S.C. T CircuitIn standard ""true bypass"" circuits the instrument signal passes through two switch contacts when bypassed. The ROD-1 Single Contact True Bypass configuration ensures that the signal only passes through one switch contact when bypassed, for unmatched signal quality as well as reliability.D.C.G. CircuitDue to the adoption of the new double-contact grounding circuit (D.C.G. Circuit), by inserting a monaural plug into the output jack, the shield (sleeve) of the plug provides two points of contact to the pedal's ground circuit. By increasing the area of the point of contact, it becomes more difficult for a loose connection to occur, and provides the additional advantage of improved sound quality. Multi-function LEDIn addition to indicating the pedal's on/off status, the ROD-1 LED provides effective visual battery power monitoring. When the battery voltage drops below 7 volts the LED will become dimmer and begin to go out. The effect will still operate at this voltage, but to ensure optimum performance the battery should be replaced as soon as possible. Warm overdrive tones ideal for single-coil pickupsInput gain section allows level compensationFAT Switch boosts low frequenciesWide Dynamic RangeS.C. T Circuit and D.C.G. CircuitMulti-function LED | Providence Red Rock OD / Overdrive Effects Pedal"
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Get my Guitar found the latest prices on the Source Audio One Series Vertigo Tremolo Guitar Pedal.
The Vertigo offers three distinct tremolo effects. Normal tremolo delivers a divine renewal of the thumping “opto trem” amplitude modulation found in vintage Blackface Fenders. Harmonic revives the haunting sway of the Fender Super’s “Vibrato” effect from the early '60s—this vintage tremolo ping-pongs between a low and high frequency boost, creating a swinging phaser-ish effect. Finally, the sweetly overdriven Bias tremolo creates the swampy “bias wiggle” of early tube bias modulation. The Vertigo takes the tonal possibilities a step further with its Shape knob, which allows users to morph the LFO wave shape from square, to sine or opto, to saw tooth. Out of the box, the Vertigo Tremolo offers tremendous tonal range, but beneath the surface resides a treasure chest of swirling effect possibilities. Connect the Vertigo to the Neuro Mobile App (a free download for Android or iOS devices) and access Source Audio’s free library of progressive tremolo patterns and hybrid modulation effects - each can be uploaded directly to the pedal. The Neuro App also offers an additional set of adjustable parameters including parametric EQ, wet/dry mix, tap tempo, and stereo separation. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), giving you the power to save up to 128 presets. 3 Flavors of TremoloStereo Input and Output JacksUniversal BypassExpression Control | Source Audio One Series Vertigo Tremolo Guitar Pedal
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Get my Guitar found the latest prices on the Dreadbox Komorebi Analog Chorus/Flanger Effects Pedal Salmon.
The Komorebi chorus/flanger effects pedal features a fully analog BBD-based signal path for experimental sounds. A fun way to add character to guitar, bass and synth parts, this is a handy stompbox equally suited for a pedalboard or paired with a Eurorack. The Komorebi pedal includes a buffered CMOS bypass, three CV patch points for use with modular synths and three LFO wave shapes which are easily accessible via the front panel. Fully analog BBD-based signal pathExperimental chorus and flanger effectsA fun way to add character to guitar, bass and synth partsHandy on a pedalboard or paired with a EurorackThree CV patch points for use with modular synthsThree LFO wave shapes accessible via the front panelAmount knob: Assigns LFO or static to the BBDStatic knob: Sets the initial delay time (2–40ms)Buffered CMOS bypassRequires 9V DC power supply (not included) | Dreadbox Komorebi Analog Chorus/Flanger Effects Pedal Salmon
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Get my Guitar found the latest prices on the J.Rockett Audio Designs Hot Rubber Monkey (HRM) Overdrive Effects Pedal Black and Silver.
The Hot Rubber Monkey from Rockett Pedas is a re-creation of the overdriven sounds of the legendary D-style ODS amp, but with the HRM EQ mod. | J. Rockett Audio Designs Hot Rubber Monkey (HRM) Overdrive Effects Pedal Black and Silver
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Get my Guitar found the latest prices on the Dreadbox Kinematic Compressor/Filter Effects Pedal Indigo.
The Kinematic pedal from Dreadbox is a compressor, overdrive and envelope filter in a single stompbox, allowing you to go from subtle overdriven textures to searing fuzz with the turn of a knob. The Kinematic includes a 2-way toggle for going between Comp Color and Env Filter modes, as well as a Filter knob that acts as a frequency boost in Comp Color mode and low-pass filter control in Env Filter mode. An Envelope knob controls the ratio in Comp Color mode and autowah sensitivity in Env Filter mode. The pedal also features three patch points for use with modular synths and a buffered CMOS bypass. Requires 9VDC power supply (not included). Compressor, overdrive and envelope filter in a single stompboxGo from subtle overdriven textures to searing fuzz with the turn of a knob2-way toggle for going between Comp Color and Env Filter modesFilter knob acts as frequency boost in Comp Color mode and low-pass filter control in Env Filter modeEnvelope knob controls the ratio in Comp Color mode and autowah sensitivity in Env Filter mode3 patch points for use with modular synthsBuffered CMOS bypassRequires 9V DC power supply (not included) | Dreadbox Kinematic Compressor/Filter Effects Pedal Indigo
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Get my Guitar found the latest prices on the Keeley 30ms Automatic Double Tracker Effects Pedal.
Keeley 30ms Automatic Double Tracker. The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals“Since the early days of automatic double tracking pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the de facto way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at same time,” said chief engineer Robert Keeley.“The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes.”The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or through two amplifiers in stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. Lastly the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create really new effects. In Stereo Double Tracker Pro mode the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp and flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. The user can program by internal switches the wet output to have either dry and effected sounds, or just the effect, giving them true double tracking in stereo, live. Dimension, Abby Mode and Slapback modes30ms of delay timeTuning, Time, Reverb and Level controls | Keeley 30ms Automatic Double Tracker Effects Pedal
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Get my Guitar found the latest prices on the Source Audio One Series Gemini Chorus Guitar Pedal.
The Gemini Chorus offers three types of deep, hypnotic chorus. Classic mode creates a single-voiced effect that conjures subtle and creamy tones from the first wave of 1970s chorus pedals. The thick and rich Dual Chorus provides a smooth, yet animated double voiced effect. The lush and spacious Quad chorus recaptures that ‘80s vibe with its less-than-subtle rack system sound. Once you’ve found your chorus, dial in the sweet spot with the onboard Mix and Tone controls. Out of the box, the Gemini offers tremendous tonal range, but beneath the hood resides a much deeper level of power and flexibility. Every pedal in the One Series line is compatible with the Neuro Mobile App (a free download for iOS, and coming soon, Android. Link the Gemini to the Neuro App and access Source Audio’s free library of additional phaser, flanger and chorus algorithms–each can be downloaded directly to your Gemini Chorus. The Neuro App also offers an extended set of adjustable parameters, including Feedback, Output Level, embeddable Tremolo, a Parametric EQ, Advanced Signal Routing and more. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), giving you the power to save up to 128 presets. 3 flavors of chorusStereo input and Output jacksUniversal bypassExpression controlTap tempo | Source Audio One Series Gemini Chorus Guitar Pedal
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Get my Guitar found the latest prices on the CopperSound Pedals Loma Prieta Harmonic Tremolo Effects Pedal.
Derived from the infamous earthquake of 1989, Loma Prieta is a gritty, harmonic tremolo with four wave-shape modes (Sine, Square, Ramp Up, and Ramp Down), determined to rumble the ground beneath your feet. Each mode can be used in conjunction with our momentary “Shift” Footswitch, which engages Tap Tempo, as well as Lo-Fi, Feedback Distortion, and Double-Time effects. The onboard Grit control allows you to add some sweet-sounding dirt to the tremolo circuit, with enough gain on tap to strike a 10 on the Richter scale. The EXP input allows you to easily control the rate of the tremolo using a standard expression pedal, or plug a mono patch cable into the EXP Input, and flip the internal DIP switch to engage external Tap Tempo. The mini toggle switch on Loma’s top side allows you to go from Harmonic Tremolo to a more standard style of trem; this is reflected by the Tap Tempo LED (Red for Harmonic, Yellow for Standard). Emulate the earthquake itself. | CopperSound Pedals Loma Prieta Harmonic Tremolo Effects Pedal
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Get my Guitar found the latest prices on the Providence Heat Blaster Distortion Effects Pedal.
The Heat Blaster HBL-4 provides aggressive distortion from classic rock to modern hard rock. The HBL-4 is an even more powerful distortion pedal than its predecessor boasting even richer harmonics. Its edgy, aggressive sound now more closely resembles that of a high gain tube amp while still retaining every picking nuance. Bass Boost SwitchThis boosts the low-frequency range and achieves extra low end impact with humbucking and single-coil pickups. It's more helpful with single-coil pickups to create tight bottom sound. Wide Dynamic RangeInternal circuitry doubles the 9-volt supply voltage to 18 volts, achieving wider dynamic range and more amp-like sound than conventional distortion effects.S.C.T. CircuitIn a normal True-Bypass circuit, in bypass mode the audio signal passes through two switch contacts. The S.C.T. Circuit now makes it possible to further reduce any change or deterioration in sound quality and gives the feeling that the footswitch circuit is removed entirely from your signal chain.D.C.G. CircuitDue to the adoption of the new double-contact grounding circuit (D.C.G. Circuit), by inserting a monaural plug into the output jack, the shield (sleeve) of the plug provides two points of contact to the pedal's ground circuit. By increasing the area of the point of contact, it becomes more difficult for a loose connection to occur, and provides the additional advantage of improved sound quality. Multi-function LEDIn addition to indicating the pedal's on/off status, the HBL-4 LED provides effective visual battery power monitoring. When the battery voltage drops below 7 volts the LED will become dimmer and begin to go out. The effect will still operate at this voltage, but to ensure optimum performance the battery should be replaced as soon as possible. S.C. T and D.C.G. circuitsLevel, Tone, Drive, Bass Boost controlsMulti-function LED1/4 in. phone jack x 2 (INPUT and OUTPUT), DC 9V input jack (AC adaptor jack)9 V battery or AC adaptor power supplyDC 9V, 8 mA approx. power consumption | Providence Heat Blaster Distortion Effects Pedal
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Get my Guitar found the latest prices on the ZVEX Fuzz Factory Vertical Effects Pedal.
The ZVex Vertical Fuzz Factory fuzz effects pedal is packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to inter-modulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. | ZVEX Fuzz Factory Vertical Effects Pedal
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Get my Guitar found the latest prices on the Morley 20/20 Bad Horsie Wah Effects Pedal.
"Morley brings the legendary Bad Horsie wah to a new generation of players with the 20/20 Bad Horsie Wah. This innovative pedal packs Morley's signature effect into a pedalboard-friendly enclosure and enhances it with a contour mode for crafting your perfect wah tone. The 20/20 Bad Horsie Wah features Morley's renowned electro-optical design, which replaces problematic potentiometers with an optical circuit for a smooth, consistent sweep and years of reliability. A buffer circuit prevents tone loss from long cable runs, ensuring your natural tone shines through. Whether you're a shredder, funkster or blues hound, the 20/20 Bad Horsie Wah delivers the control and inspiration to take your playing to new heights. Dual Modes Provide a World of Tonal PossibilitiesThe 20/20 Bad Horsie Wah gives you not one but two distinct wah voices. The Bad Horsie mode produces Morley's famous throaty wah tone, perfect for expressive solos and rhythm work. The contour mode offers an adjustable frequency range so you can fine-tune the pedal to your liking. Simply turn the contour knob to increase treble for a ""quacky"" vintage sound or decrease treble for a subtle, mellow sweep. A level knob provides up to 20dB of clean boost in either mode, allowing you to balance your levels or push your amp into overdrive. Optical Circuitry Means Years of Reliable PerformanceAt the heart of the 20/20 Bad Horsie Wah is Morley's innovative electro-optical design, which uses an optical sensor and emitter rather than a traditional potentiometer. This optical circuit is smooth, quiet and durable, providing consistent performance night after night. The optical design also features Morley's spring-loaded switchless activation so you can engage and disengage the wah simply by stepping on and off the pedal. No more accidentally hitting a switch mid-solo. Roadworthy and Ready to RockMorley built the 20/20 Bad Horsie Wah to handle the rigors of the road and the demands of the stage. Its cold-rolled steel housing is virtually indestructible and the quick clip battery door makes changing batteries a breeze even in low light. Glow-in-the-dark details, including the treadle pad and logo, provide visibility on unlit stages. And with a buffer circuit to maintain your tone, the 20/20 Bad Horsie Wah is a wah you can depend on to inspire greatness at every show. | Morley 20/20 Bad Horsie Wah Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the EarthQuaker Devices Sea Machine Super Chorus Guitar Effects Pedal V3.
The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That’s a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that’ll help you reel in the big one. The Sea Machine ain’t no one-trick seahorse. A variable waveshape LFO (adjustable via the Shape control) modulates your chorus tone from a smooth triangle shape, to a rough and choppy square wave, and an extended delay line allows you to dive deeper into uncharted modulated waters than ever before. Other LFO controls include Rate, which sets the speed of the LFO, and Depth, which sets how strongly the LFO modulates the delay time. The delay line has controls for Dimension, Animate and Intensity. The Dimension control adds a slightly detuned slapback at low levels, reverb-like ambience at mid-levels, and a trippy echo-resonance that leads to self-oscillation when cranked. The Animate control is the real pearl in the Sea Machine’s oyster, if you will. This controls how far the pitch swings. At lower settings, you’ll hear slight detuning for a subtle double-tracked thickening effect, á la traditional chorus pedals. As you increase the Animate control, the pitch swings further and further away from the root note for an effect that lies somewhere between chorus and vibrato, before landing at full tilt on sonar-like oscillations that sound more like a giant monster-movie beast awaking from its undersea slumber than any effects pedal we’ve ever heard. Finally, the Intensity control rounds out the delay line, adjusting the blend between the modulated and dry signals. With this mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you’re a bass player who fancies themselves a fan of the classic '80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven. EarthQuaker has designed the Sea Machine to work well following fuzz/overdrive/distortion pedals without getting muddy, lowering in output, or breaking up, because they like running distortion pedals into things. Also, when engaged, the Sea Machine’s transparent buffer leaves the all-analog dry signal unaltered and crystal clear. The Sea Machine is true-bypass, uses silent relay-based switching, and is built one at a time in the belly of the great white whale along the shores of the Ohio & Erie Canal in Akron, Ohio, USA. Improved circuitry for better performance, cleaner sound, and lower noise More range added to almost every control from subtle modulation to extreme oscillationSilent relay-based switchingHandmade in the USA2017 updatesImproved circuitry for better performance, cleaner sound, and lower noiseMore range added to almost every control from subtle modulation to extreme oscillationSilent relay-based switching | EarthQuaker Devices Sea Machine Super Chorus Guitar Effects Pedal V3
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Source Audio Zio Analog Front End Boost Effects Pedal Black.
The ZIO Analog Front End Boost effects pedal from Source Audio is an all-analog preamp/boost pedal with one simple goal: make everything sound better. ZIO features a choice of four preamp modes, each with its own distinct circuit design and tonal characteristics. This tone enhancer offers +20dB of additional boost and is the ideal tool for pushing an edge-of-breakup amplifier into low-gain bliss with enhanced body and punch, eliminating floppy low-end and tightening the sound of a high-gain amplifier or bolstering the signal loss that occurs with large pedalboards and long cable runs. ZIO’s simple control set makes it easy to find the perfect base tone for any guitar/amp combo and ensures that the dry signal hitting your pedals and amp remains strong and consistent. 3-Position tone switchBypass/mute switch | Source Audio Zio Analog Front End Boost Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Pigtronix Emanator Delay Effects Pedal Black and Red.
The Pigtronix Emanator effects pedal is an analog delay pedal that uses a pair of genuine bucket brigade IC chips to achieve up to 600ms of warm, glowing echo. The straightforward 3-knob control layout provides easy access to a wide variety of sounds, from vintage studio slapback echo to epic, long delays with enough feedback on tap to achieve self-oscillation. The Emanator possesses improved headroom and overall fidelity due to the high-voltage MN3005 BBD chips used in the delay line. Out of production since the mid ’80s, these legendary ICs have been reissued in all of their analog glory and put to use in this eminently convenient and compact echo machine. Analog delay pedal with dual bucket brigade IC chips3-knob control layoutHigh-voltage MN3005 BBD chip for improved headroom and overall fidelity | Pigtronix Emanator Delay Effects Pedal Black and Red
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the LR Baggs Align Chorus Acoustic Effects Pedal.
In the same way a choir enhances the foundation of a melody, the LR Baggs Align Chorus complements your acoustic guitar rather than placing the effect in the limelight. With the purity of LR Baggs’ circuitry and the effect in side chain, the Chorus adds fullness behind your guitar without any signal degradation. The Align Chorus was designed with simple and intuitive controls that help you dial in a pleasing effect quickly and easily. A unique Size control blends two chorus voicings that interact with one another as you turn the knob. It’s essentially like adding more instruments as you increase the size. Additionally, a Tone control shapes only the affected signal, enabling you to dial in the perfect balance for your instrument. | LR Baggs Align Chorus Acoustic Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Source Audio One Series Lunar Phaser Guitar Pedal.
The Lunar Phaser offers three styles of swirling stereo phase modulation. Choose from Vibe, a thumping Uni-Vibe effect; Classic, a resonant and creamy 4-stage phaser and Multi, a highly animated, yet smooth and satisfying 8-stage phaser. Explore the sonic landscape even further by sweeping the Shape knob to gradually morph the LFO wave shape from a smooth, undulating sine wave to an aggressive and choppy square wave. Out of the box, the Lunar Phaser provides tremendous tonal range, but under the hood this pedal is a powerhouse of control and flexibility. Every stompbox in the One Series line is compatible with the Neuro Mobile App (a free download for iOS and (coming soon) Android). The App offers an extensive list of additional phaser, flanger, and chorus algorithms—each can be downloaded directly to your Lunar Phaser. The Neuro App also features an extended set of adjustable parameters including the Frequency (the center point of the modulation), Output Level, embeddable Tremolo, Low Retain, a Parametric EQ, Advanced Signal Routing and more. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), giving you the power to save up to 128 presets. 3 flavors of phase modulationStereo input and output jacksUniversal bypassExpression controlTap tempo | Source Audio One Series Lunar Phaser Guitar Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the LR Baggs Align Acoustic Preamp/Equalizer Effects Pedal.
Acoustic Pedal Suite Crafted for the Acoustic PlayerCreated specifically for acoustic musicians, the Align Series integrates studio processing tools, a high-fidelity preamplifier with foundational tone-shaping EQ, LR Baggs' proprietary acoustic reverb, and the most pristine, all-discrete active DI. This highly versatile pedal series expands your tonal palette with a vast range of control that’s uniquely tailored to complement and enrich the voice of your acoustic instruments. Acoustic Preamplifier with 6-Band EQ and Anti-feedback Notch Filter. Based on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combines the company's signature, high-graded FET gain stage with powerful tone-shaping EQ that injects richness and balance to any acoustic pickup signal. A 6-band EQ shapes the frequencies found most useful for improving acoustic guitar pickups with the flexibility needed to cover other acoustic instruments effectively. Multi-instrumentalists can incorporate dedicated EQ pedals for level matching a variety of instruments and tailoring a specific EQ for each one. | LR Baggs Align Acoustic Preamp/Equalizer Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the EarthQuaker Devices Aurelius Tri-Voice Chorus Effects Pedal Sparkly Teal and Golden Yellow.
The EarthQuaker Devices Aurelius is not your run of the mill chorus pedal. This compact, beautifully cased wonder is a three-mode chorus with six programmable presets and an expression control. Inspired by the 1970s CE-1 chorus ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. Choose from vibrato, chorus and rotary mode and manipulate their width, rate and balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Three-mode chorus with the ability to save and recall six presetsFine-tuned to give you an all-encompassing chorus and vibrato experienceRotary mode captures the sound of a Leslie speaker's rotating baffle systemLifetime warranty | EarthQuaker Devices Aurelius Tri-Voice Chorus Effects Pedal Sparkly Teal and Golden Yellow
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Walrus Audio Fathom Multi-Function Reverb Luna Series v2 Effects Pedal Metallic Black.
The Walrus Audio Luna Fathom multi-function reverb Luna Series effects pedal features four unique reverb algorithms—Hall, Plate, Lo-Fi and Sonar—and three levels of modulation. Controls include a Dampen knob to suppress high frequencies, X knob to adjust algorithm-specific parameters (Pre-delay and octave up/down mix), smart-bypass switching, Sustain switch to momentarily increase the reverb time to near infinite, wet/dry mix knob and time adjustment. Walrus Audio Luna SeriesIt's the year 3000, and a colony of scientists has been on Mars for 100 years to prepare for an influx of human life, developing new ways to harvest resources and innovate technology. At the same time, the solar system's wealthiest families have begun using private resources to make settlements for humanity on the red planet. The U.N.-funded science project and the private Martian colonies have lived in harmony on the planet for almost 100 years. On a resource collaboration effort between the two states, a massive misinterpretation of the truth set both colonies against each other in a battle they both believed was being fought for the best way forward. Tension has mounted, grown and climaxed in this Sci-Fi battle of epic proportions. The Walrus Audio Luna Series brings five classic effects from their lineup to create soundscapes as epic and complex as the art story. Collect them all to create a panoramic masterpiece illustrated by Christi Du Toit. Four unique reverb algorithms: Hall, Plate, Lo-Fi and SonarThree levels of modulationDampen knob to suppress high frequenciesX knob adjusts algorithm specific parameters (Pre-delay and octave up/down mix)Full wet/dry mixSustain switch momentarily increases the reverb time to near infiniteTrails and no trails modeSmart bypass switchingTop-mounted power and I/O jacks | Walrus Audio Fathom Multi-Function Reverb Luna Series v2 Effects Pedal Metallic Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Keeley Blues Disorder Overdrive & Distortion Effects Pedal Black/Blue.
The Keeley Blues Disorder Overdrive & Distortion pedal gives you a versatile palette of analog overdrive and distortion tones perfect for any serious guitarist. Keeley combined two distinct drive circuits to craft four signature sounds in one innovative stompbox. With the turn of a switch, you can move between a smooth, Blues Breaker-inspired overdrive and a harder-edged distortion for heavier styles. The Blues Disorder's simple but clever design lets you swap tone stacks and gain stages to create hybrid overdrive flavors all your own. Two Complete Drive Circuits, Endless Tonal PossibilitiesAt its heart, the Blues Disorder contains separate overdrive and distortion circuits that you can activate independently or blend together. The overdrive side provides a soft, tube-like clipping reminiscent of a cranked Bluesbreaker amp. Switch to the distortion circuit for a harder, more aggressive tone ideal for heavier genres. Or, combine them for overdriven tones with a touch of grit. Two toggle switches give you instant access to the overdrive, distortion or a mix of both. The tonal variations are nearly endless. Tailor Your Tone With Interchangeable Tone StacksNot only does the Blues Disorder offer two types of drive, it provides two distinct tone stacks to shape your sound. In overdrive mode, the active tone circuit boosts midrange frequencies for a classic Bluesbreaker-inspired tone. Switch to distortion mode and a more transparent high-frequency filter lets the natural tone of your pickups shine through. Swap between the tone stacks in either drive mode for different voicings. You have the versatility to craft your perfect overdrive or distortion tone with the turn of a single switch. Buffered or True Bypass SwitchingThe Blues Disorder's buffered bypass prevents the tone-sucking signal loss associated with long cable runs and large pedalboards. For vintage pedals or a pure analog signal path, easily engage the true bypass mode. Simply hold down the footswitch for two seconds to toggle between buffered and true bypass. Either way, you'll enjoy noiseless, click-free switching and the best tone for your setup. Road-Ready and Built to LastLike all Keeley pedals, the Blues Disorder is handcrafted in the USA to exacting standards using premium components. Its rugged aluminum chassis and footswitches are built to withstand years of stomping. For any guitarist chasing the perfect overdrive or distortion, the Keeley Blues Disorder should be at the top of your list. Two complete analog drive circuits: hard-clipping distortion and soft clipping overdriveToggle tone stacks and gain stages: create hybrid overdrives by swapping Drive and Tone circuitsTrue Bypass or Buffered Bypass: use buffer to improve rig's tone, switch to true bypass in two secondsKeeley pedals engineered in tone lab and sonically perfected with studio and touring musicians | Keeley Blues Disorder Overdrive & Distortion Effects Pedal Black/Blue
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the EarthQuaker Devices Bit Commander V2 Pedal.
The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of vintage synths. Like all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves. Analog, true bypass and hand made one at a time in Akron, Ohio. Four voice analog octave synthesizerSub-octave thumpPulsing octave downLightly squared base toneSwelling transformer based octave upFilter controlSilent soft-touch switching*All-analog dry signal pathHand made one at a time in the republic of Akron OhioLifetime guarantee | EarthQuaker Devices Bit Commander V2 Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the LR Baggs Align Session Acoustic Saturation/Compressor/EQ Effects Pedal.
Acoustic Pedal Suite Crafted for the Acoustic PlayerCreated specifically for acoustic musicians, the LR Baggs Align Series integrates studio processing tools, a high-fidelity preamplifier with foundational tone-shaping EQ, the company's proprietary acoustic reverb, and the most pristine, all-discrete active DI. This highly versatile pedal series expands your tonal palette with a vast range of control that’s uniquely tailored to complement and enrich the voice of your acoustic instruments. Acoustic Pedal featuring Saturation and Compression EQInspired by the LR Baggs Handcrafted Video Sessions and the company's experience in some of Nashville’s great studios, the Align Session brings the company's signature studio sound to your live rig. Session circuitry enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear. The engineers captured this studio magic and put it into a compact, easy-to-use acoustic pedal that will transform your live sound. Often used by studio engineers in post-production, saturation adds warmth, dimension, and pleasing harmonics while smoothing the signal for an enhanced mix. The Session’s proprietary saturation is voiced specifically for the acoustic guitar and transports studio analog warmth and inspiring playability to the stage. Unlike standard compression that can squash the entire range of your signal, the Session’s Comp EQ features 3 narrowly focused bands of compression that tame common problematic frequencies and uncover the voice of your guitar. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real-time to your dynamics. The harder you strum, the more they compress and vice versa. Analog Saturation enhances warmth and harmonic contentCompression / EQ smoothes out common problem frequenciesAdjustable gain for both passive and active pickups | LR Baggs Align Session Acoustic Saturation/Compressor/EQ Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Orange Amplifiers Micro Dark 20W Tube Hybrid Amp Head.
"The Orange Amplification Micro Dark is a 20W hybrid amplifier head with more gain and less size than ever before. Building on the success of the Micro Terror and Dark series, the Micro Dark packs Orange's signature overdrive and a 12AX7 preamp tube into a lunchbox-sized chassis to deliver high-gain tone in a portable package. High-Gain Preamp Provides Authentic Tube SaturationAt the heart of the Micro Dark is a valve-driven preamp section with a single 12AX7 tube to produce creamy tube overdrive and rich harmonic distortion. The ECC83 tube adds warmth, depth and character to high gain tones, giving shredders and metalheads the saturated distortion they crave from an authentic tube amp. Simple Controls Offer Versatile Tone-ShapingDon't let the Micro Dark's miniature size fool you into thinking it lacks tonal versatility. With just gain, shape and volume controls, dialing in your perfect tone is intuitive and straightforward. The shape control varies the midrange response to produce bass-heavy tones rich in low end, scooped metal tones with emphasized highs or anything in between. Crank the gain knob and unleash the beast within for face-melting overdrive and distortion that seems impossibly huge from such a tiny amp. Optional Cabinet and FX Loop Expand CapabilitiesAlready loaded with a headphone output complete with CabSim circuitry for silent practice, the Micro Dark offers even more functionality with the optional PPC108 1x8 cabinet and effects loop. Pair the Micro Dark with the PPC108 cab for a portable yet gig-ready rig or use the FX loop to incorporate your favorite pedals. Record directly via the headphone out or mic'd cabinet for high-gain tones in the studio. All the Essentials in a Diminutive PackageEverything you need for practice, performance or recording high-gain guitar tones is packed into the Orange Micro Dark's miniature chassis. Authentic tube overdrive, versatile tone shaping and connectivity options make this little beast an ideal companion for shredders and rockers on the go. Experience mammoth tone from a mighty mini amp with the Orange Micro Dark. Power: 20W (hybrid)Tube: one 12AX7 (preamp)Single channelControls: Gain, shape, volumeImpedance: 8–16 ohmsTransparent FX loopHeadphone out with CabSim circuitCarrying handleDimensions: 6.5"" x 5.3"" x 3.74""Weight: 1.72 lb. | Orange Amplifiers Micro Dark 20W Tube Hybrid Amp Head"
Store: Guitar Center
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Get my Guitar found the latest prices on the EarthQuaker Devices Ghost Echo Reverb V3 Guitar Effects Pedal.
You hear that EVP, bud? It’s the updated, extra spook-tacular, Ghost Echo calling out from beyond the void! The Ghost Echo is EarthQuaker Devices spooky take on the haunted amp-top spring reverberation units of yesteryear. This creepy analog/digital spring reverb emulation machine boasts a terrifying 30ms – 150ms of pre-delay, controllable via the “Attack” knob, for everything from a quick rockabilly slapback, to viscous pools of ectoplasmic reverberations. When playing staccato, you’ll hear the tortured trails of the reverb, resulting in more of a slapback, or echo sound. Legato playing will reveal a massive ambient “depth” that fattens up the sound. The “Dwell” control sets the length and thickness of the decay, which is to say that it controls how long the disembodied spirits of notes no longer with us float through the ether. At the maximum setting it will descend into an infinite loop of self-oscillation. The “Depth” sets the intensity of the reverb, which you probably know as the wet/dry mix, but EarthQuaker likes to think of it more as how scary the overall effect is. The Ghost Echo is true bypass and built one at a time by a team of friendly ghosts in the never-ending hall of funhouse mirrors that is Akron, Ohio, USA. Attack: Adjusts the length of the pre-delay, from 30ms at minimum to about 150ms at maximum. When the Dwell is set to self-oscillate, this will change the pitch of the oscillations. Dwell: Adjusts the length of the decay. This will start to self-oscillate around 3 O’clock, the pitch of the oscillations can be changed by turning the Attack control. Depth: Mixes in the wet signal with the dry, unity is around noon and everything after is boosted. V3 UpdatesUpgraded op-amps for better performance and lower noise than v1 and v2Stronger reverb signal with 2x the output of the v1 and v2 Ghost EchoRecalibrated “Dwell” control capable of self-oscillations when all the way upNew artworkSilent relay-based switching | EarthQuaker Devices Ghost Echo Reverb V3 Guitar Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Dreadbox Treminator Warm OTA Multi-Waveform LFO Amplitude Modulation/Tremolo Effects Pedal Black.
Dreadbox Treminator takes its inspiration from a synthesizer last signal flow stage called the VCA (voltage-controlled amplifier). Dreadbox took this simple circuit and adapted it into an expressive guitar pedal and combined it with an LFO controlled by envelope generators. The result was Treminator. | Dreadbox Treminator Warm OTA Multi-Waveform LFO Amplitude Modulation/Tremolo Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Black.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Danelectro 3699 Fuzz Effects Pedal Red.
"Danelectro owner Steve Ridinger founded FOXX pedals in the 1970s. His Tone Machine was a huge hit right out of the gate, priced at $49. Today they cost $600+! Now he brings back his original Tone Machine with some important tweaks, including making the octave way more pronounced. The octave is foot-switchable, the tone is warmer and there is a ""mids boost"" toggle that counteracts the mid cut of the original pedal. | Danelectro 3699 Fuzz Effects Pedal Red"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Morley ABY Pro Selector Switch Pedal.
The Morley ABY Pro Selector pedal allows you to route one instrument to two output sources. Select between either output sources or use both at same time. It features isolated channels, so there's no crosstalk or bleed-through. And the ABY Pro uses Ebtech custom isolation transformers to prevent ground loops. The silent switching eliminates “pops” when switching, and the Polarity Reverse and Ground Lift switches provide quiet operation. It also offers LED indication, cold-rolled steel housing, powers from 9V battery or adapter. | Morley ABY Pro Selector Switch Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Keeley GC-2 Limiting Amplifier Guitar Compression Pedal.
"The Keeley Compressor GC-2 Limiting Amplifier is built around the exotic and extremely high fidelity THAT Corp. 4320. Think of it as a very musical studio-grade compressor in stomp box format It uses high performance Voltage Controlled Amplifiers, on board true-RMS detector, and ultra high performance op-amps to bring you the very best quality. This type of compressor gives you precise control and very musical results. This along with a full frequency range means that this compressor is well suited for guitar, keyboards, drum machines, really, anything you can throw at it. The Keeley GC-2 Limiting Amplifier is both musical and very transparent. Where Keeley's older compressors were based on the CA3080 or the LM13700 and are perfect for that ""Compressor Effect"", the new Keeley GC-2 is a different style compressor, aimed at being the ultimate in low noise and transparency. Not only can it handle astonishingly large signals, it has an incredible bandwidth of over 20 KHz. No detail in your guitar's tone will be lost. The Keeley GC-2 will be a sound investment in your tone, you now have genuine rack-mount quality at your feet. Compression and ThresholdWhen musicians use the new Keeley Compressor - GC-2 they will be greeted with a sound that is more easily amplified and heard. Using the effect as a limiting amplifier saves your speakers from clipping and distortion. Set the Threshold to look for peaks in your signal and limit distortion from your amplifier or damage to your speakers. Simply watch the Threshold Indicator light to see what type of playing you want to limit, it's that easy! Next set the Compression Ratio Control to determine how much squash you want when the signal is above Threshold. Set Compression all of the way down for no (1:1) compression and use the Gain control as a boost! Set Compression all of the way up for an above-Threshold hard-knee limiter. Attack and ReleaseThere is a certain figure that just sounds good as far as compression goes; and that's 125 dB/second. With feed forward compressors that use this type of true-RMS detector you use a single time constant parameter. The timing capacitor gives you attack and release times that are adaptive to your playing level or the signal input to the compressor. Bottom line: Attack and Release times vary on program content. Attack times are generally speaking, about 100 times faster than release times. Tone Control and BlendNone - You don't need a tone control or a blend control on a compressor. In fact, it's not a good idea in our opinion. If you want a blend control, you are undoing your compressor. Instead, set the Threshold high and only let peaks be processed and then set the Compression Ratio to 2:1 or 4:1. Much smarter. Tone control? None here. It has tone for days, and there is no need to add treble response back into the mix. It's ultra slick, feed-forward compression design helps maintain high-end treble response like no other design. Lastly, Tone Controls and Blend Controls can only add noise in a compressor. Studio-grade compression in a pedalUser-friendly controls so you can find your perfect soundAttack Time: typically 15ms for 10dB, 5ms for 20dB, 3ms for 30dBRelease Time: typically 8ms for 1dB, 40ms for 5dB, 80ms for 10dB, 160ms for 20dB, 240ms for 30dB | Keeley GC-2 Limiting Amplifier Guitar Compression Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the EarthQuaker Devices Ledges Tri-Dimensional Reverberation Machine Effects Pedal Grey.
EarthQuaker Ledges is a compact, three-mode reverb with the ability to save and recall six presets and user-assignable expression control with loads of customizable options. From warm, lush reverb tones to the farthest sonic reaches of the reverb cosmos, Ledges can do it all. Ledges was created for no-nonsense musicians who need access to a wide variety of fantastic sounds and don’t want to mess with menu diving, extra footswitches or MIDI controllers. Ledges offers three distinct, rich reverbs that cover all the bases—Room, Hall and the almost infinitely regenerating Plate—with user-assignable expression control and six presets to easily switch between settings. Presets can even save expression pedal assignments, making it easier than ever to save and switch between six unique reverb sounds. Ledges has three unique reverb modes: Room, Hall and Plate. Each mode uses a different algorithm, tuned to give specific spatial qualities, while still sitting perfectly in the mix. Looking for harsh or muddy tones? Keep looking, cause you won’t find them here. Room (R) has the darkest tone of the three modes. At the shortest length setting, it’s like a small, boxy room, reminiscent of '80s reverb. As you bring the length up, the reflections become distant and brighter; similar to playing in a large tile room. If you hit the strings harder, it has an almost spring reverb character without becoming completely washed out. Hall’s (H) shortest length setting picks up where the longest length of Room leaves off. Hall shifts from a large hall to a massive cathedral with loads of soft, distant reflections that build up faster and trail off longer. Plate (P) goes from a traditional, large plate to a nearly infinite pad of reflections that create a regenerative freeze-like effect that gradually decays. At the shortest length setting, the decay of the Plate picks up where Hall leaves off. At the longest length setting, the highest frequencies of the reverb are recirculated, generating a nearly infinite ambient pad of bouncy reflections underneath your initial attack that can go to the verge of self-oscillation. The recirculated pad can be further fine-tuned with the damping control to sit just right in the mix. Pro tip: Ledges is buffered bypass to allow the reverb to naturally decay when bypassed. You can create a dense ambient pad, bypass the pedal and play over top of your naturally decaying micro-loop. Get 2 or 3 ledges and make a mini reverb version of frippertronics! Ledges boasts six presets and on-the-fly footswitch preset switching, with expression control that can be mapped to different controls and can also be saved as a preset. With Ledges, saving, recalling and overwriting presets is incredibly simple and intuitive. Three unique reverb modes with the ability to save and recall six presets and user-assignable expression controlThis digital unit offers an all-encompassing reverb experienceMode R: Room, shortest reverb settingMode H: Hall, medium reverb settingMode P: Plate, longest reverb settingTwo global operating modes which are indicated by the color of the Save/Recall switch:Green = Live ModeRed = Preset Mode Ledges comes factory set to start up in Live Mode | EarthQuaker Devices Ledges Tri-Dimensional Reverberation Machine Effects Pedal Grey
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Get my Guitar found the latest prices on the CopperSound Pedals Daedalus Reverb Effects Pedal.
Much like the engineer that its name derives from, Daedalus was methodically designed and crafted. As opposed to using a chip, CopperSound designers wanted to built the reverb off the newest Belton 3 brick. So that’s where they started. In its infancy, it was a simple one-knob reverb. Over several months, Daedalus grew its wings. The addition of the Depth knob was the first step. Then came an expression jack. This jack allows the user to insert any pedal into the decay of the reverb using a TRS Y cable (sold separately). The Blend knob was then added to give the user control over the amount of external effect being placed into the decay. The Pre Amp is the “special sauce” here. It has the ability to add volume to whatever pedal is in the expression loop. Enough volume that the external pedal is almost as loud as the initial reverberated note. This can be very useful for swells and experimental players. The Pre Amp knob also adds volume to the decay and the length of the decay. Making it a dual purpose knob. The last thing left was to fine comb the wings. This was achieved by adding the Reverb II knob. This addition allows for two separate reverb levels of independent footswitches. Set one for shorter, traditional reverb sounds and the second for longer, drawn out reverb sounds. Both Reverb knobs work with the rest of the controls. REVERB – Controls the overall amount of reverb. Similar to a wet/dry mix knob, only the initial note is always heard. DEPTH – Controls the length of the reverb decay. BLEND – Determines how much of the external pedal, that’s inserted into the FX is heard. REVERB II – Controls the overall amount of reverb when the right footswitch is engaged. PRE AMP – Increases the size of the reverb even further. Also, gives extra volume to any effect that’s placed in the FX loop. EXPRESSION (FX LOOP) – Plug in a TRS splitter cable to place any effect into the decay of the reverb. With a volume pedal in the loop, the treadle now controls the reverb knob. The reverb knob setting now becomes the treadle toe down position. TIP = Send, RING = Return | CopperSound Pedals Daedalus Reverb Effects Pedal
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Get my Guitar found the latest prices on the Providence Red Rock OD / Overdrive Effects Pedal.
"The Red Rock Overdrive delivers warm overdrive with plenty of sustain for a wide-ranging expressive voice ideal for use with single-coil pickups. However, an input gain section that is similar to guitar amp circuits allows level compensation for pickups of differing output as well as boost. FAT SwitchA FAT switch that boosts the low frequencies can be used to deliver an even fatter, more powerful sound. Wide Dynamic RangeInternal circuitry doubles the 9-volt supply voltage to 18 volts, achieving wider dynamic range than conventional overdrive effects.S.C. T CircuitIn standard ""true bypass"" circuits the instrument signal passes through two switch contacts when bypassed. The ROD-1 Single Contact True Bypass configuration ensures that the signal only passes through one switch contact when bypassed, for unmatched signal quality as well as reliability.D.C.G. CircuitDue to the adoption of the new double-contact grounding circuit (D.C.G. Circuit), by inserting a monaural plug into the output jack, the shield (sleeve) of the plug provides two points of contact to the pedal's ground circuit. By increasing the area of the point of contact, it becomes more difficult for a loose connection to occur, and provides the additional advantage of improved sound quality. Multi-function LEDIn addition to indicating the pedal's on/off status, the ROD-1 LED provides effective visual battery power monitoring. When the battery voltage drops below 7 volts the LED will become dimmer and begin to go out. The effect will still operate at this voltage, but to ensure optimum performance the battery should be replaced as soon as possible. Warm overdrive tones ideal for single-coil pickupsInput gain section allows level compensationFAT Switch boosts low frequenciesWide Dynamic RangeS.C. T Circuit and D.C.G. CircuitMulti-function LED | Providence Red Rock OD / Overdrive Effects Pedal"
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Get my Guitar found the latest prices on the Source Audio One Series Vertigo Tremolo Guitar Pedal.
The Vertigo offers three distinct tremolo effects. Normal tremolo delivers a divine renewal of the thumping “opto trem” amplitude modulation found in vintage Blackface Fenders. Harmonic revives the haunting sway of the Fender Super’s “Vibrato” effect from the early '60s—this vintage tremolo ping-pongs between a low and high frequency boost, creating a swinging phaser-ish effect. Finally, the sweetly overdriven Bias tremolo creates the swampy “bias wiggle” of early tube bias modulation. The Vertigo takes the tonal possibilities a step further with its Shape knob, which allows users to morph the LFO wave shape from square, to sine or opto, to saw tooth. Out of the box, the Vertigo Tremolo offers tremendous tonal range, but beneath the surface resides a treasure chest of swirling effect possibilities. Connect the Vertigo to the Neuro Mobile App (a free download for Android or iOS devices) and access Source Audio’s free library of progressive tremolo patterns and hybrid modulation effects - each can be uploaded directly to the pedal. The Neuro App also offers an additional set of adjustable parameters including parametric EQ, wet/dry mix, tap tempo, and stereo separation. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), giving you the power to save up to 128 presets. 3 Flavors of TremoloStereo Input and Output JacksUniversal BypassExpression Control | Source Audio One Series Vertigo Tremolo Guitar Pedal
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Get my Guitar found the latest prices on the Dreadbox Komorebi Analog Chorus/Flanger Effects Pedal Salmon.
The Komorebi chorus/flanger effects pedal features a fully analog BBD-based signal path for experimental sounds. A fun way to add character to guitar, bass and synth parts, this is a handy stompbox equally suited for a pedalboard or paired with a Eurorack. The Komorebi pedal includes a buffered CMOS bypass, three CV patch points for use with modular synths and three LFO wave shapes which are easily accessible via the front panel. Fully analog BBD-based signal pathExperimental chorus and flanger effectsA fun way to add character to guitar, bass and synth partsHandy on a pedalboard or paired with a EurorackThree CV patch points for use with modular synthsThree LFO wave shapes accessible via the front panelAmount knob: Assigns LFO or static to the BBDStatic knob: Sets the initial delay time (2–40ms)Buffered CMOS bypassRequires 9V DC power supply (not included) | Dreadbox Komorebi Analog Chorus/Flanger Effects Pedal Salmon
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Get my Guitar found the latest prices on the J.Rockett Audio Designs Hot Rubber Monkey (HRM) Overdrive Effects Pedal Black and Silver.
The Hot Rubber Monkey from Rockett Pedas is a re-creation of the overdriven sounds of the legendary D-style ODS amp, but with the HRM EQ mod. | J. Rockett Audio Designs Hot Rubber Monkey (HRM) Overdrive Effects Pedal Black and Silver
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Get my Guitar found the latest prices on the Dreadbox Kinematic Compressor/Filter Effects Pedal Indigo.
The Kinematic pedal from Dreadbox is a compressor, overdrive and envelope filter in a single stompbox, allowing you to go from subtle overdriven textures to searing fuzz with the turn of a knob. The Kinematic includes a 2-way toggle for going between Comp Color and Env Filter modes, as well as a Filter knob that acts as a frequency boost in Comp Color mode and low-pass filter control in Env Filter mode. An Envelope knob controls the ratio in Comp Color mode and autowah sensitivity in Env Filter mode. The pedal also features three patch points for use with modular synths and a buffered CMOS bypass. Requires 9VDC power supply (not included). Compressor, overdrive and envelope filter in a single stompboxGo from subtle overdriven textures to searing fuzz with the turn of a knob2-way toggle for going between Comp Color and Env Filter modesFilter knob acts as frequency boost in Comp Color mode and low-pass filter control in Env Filter modeEnvelope knob controls the ratio in Comp Color mode and autowah sensitivity in Env Filter mode3 patch points for use with modular synthsBuffered CMOS bypassRequires 9V DC power supply (not included) | Dreadbox Kinematic Compressor/Filter Effects Pedal Indigo
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Get my Guitar found the latest prices on the Keeley 30ms Automatic Double Tracker Effects Pedal.
Keeley 30ms Automatic Double Tracker. The stereo effect pedal offers an array of studio style doubling effects used for creating thicker, fuller sounding instruments. Also included in the effect pedal is a reverb that simulates the famous chamber in Studio Two. The Keeley 30ms is designed to work with guitar, bass, keyboard, even vocals“Since the early days of automatic double tracking pioneered by Ken Townsend and John Lennon at Abbey Road Studios, this technique has become the de facto way of creating recordings that sound bigger and fuller by making it sound like two guitars, or singers, or instrumentalists are playing at same time,” said chief engineer Robert Keeley.“The Keeley 30ms Automatic Double Tracker offers musicians the ability to take these techniques with them out on the road with a wide range of tools needed for crafting unique double tracking schemes.”The Keeley Engineering 30ms Automatic Double Tracker pedal can be used in mono with a built in “Abbey Verb” reverb control, or in stereo as the Double Tracker Pro. The 30ms offers altered and detuned effects like a chorus pedal might sound, only without the regularity of a LFO oscillator in Dimension Mode. In this mode you have the ability to create up to two different voices for a stereo double tracked field. The user controls the tuning and delay for results that are stunning mono or through two amplifiers in stereo. Abbey Mode offers something more similar to a conventional chorus in that it simulates synched tape decks running in parallel with varying tape speeds. Stereo or mono this mode gives players a wide, lush sound without sounding like a conventional chorus pedal. Lastly the team at Keeley created a unique Slapback Mode for rockabilly sounds. The Slapback is now a double tracked echo with the two altered voices. Add the Keeley Abbey Verb to this mode to create really new effects. In Stereo Double Tracker Pro mode the unit drops the reverb channel in favor of complete control over the double tracked voices. Each of the two voices can be tuned up to 30 cents sharp and flat. Those voices are then delayed by up to 30 milliseconds for subtle to very distinctive doubling sounds. The user can program by internal switches the wet output to have either dry and effected sounds, or just the effect, giving them true double tracking in stereo, live. Dimension, Abby Mode and Slapback modes30ms of delay timeTuning, Time, Reverb and Level controls | Keeley 30ms Automatic Double Tracker Effects Pedal
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Get my Guitar found the latest prices on the Source Audio One Series Gemini Chorus Guitar Pedal.
The Gemini Chorus offers three types of deep, hypnotic chorus. Classic mode creates a single-voiced effect that conjures subtle and creamy tones from the first wave of 1970s chorus pedals. The thick and rich Dual Chorus provides a smooth, yet animated double voiced effect. The lush and spacious Quad chorus recaptures that ‘80s vibe with its less-than-subtle rack system sound. Once you’ve found your chorus, dial in the sweet spot with the onboard Mix and Tone controls. Out of the box, the Gemini offers tremendous tonal range, but beneath the hood resides a much deeper level of power and flexibility. Every pedal in the One Series line is compatible with the Neuro Mobile App (a free download for iOS, and coming soon, Android. Link the Gemini to the Neuro App and access Source Audio’s free library of additional phaser, flanger and chorus algorithms–each can be downloaded directly to your Gemini Chorus. The Neuro App also offers an extended set of adjustable parameters, including Feedback, Output Level, embeddable Tremolo, a Parametric EQ, Advanced Signal Routing and more. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), giving you the power to save up to 128 presets. 3 flavors of chorusStereo input and Output jacksUniversal bypassExpression controlTap tempo | Source Audio One Series Gemini Chorus Guitar Pedal
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Get my Guitar found the latest prices on the CopperSound Pedals Loma Prieta Harmonic Tremolo Effects Pedal.
Derived from the infamous earthquake of 1989, Loma Prieta is a gritty, harmonic tremolo with four wave-shape modes (Sine, Square, Ramp Up, and Ramp Down), determined to rumble the ground beneath your feet. Each mode can be used in conjunction with our momentary “Shift” Footswitch, which engages Tap Tempo, as well as Lo-Fi, Feedback Distortion, and Double-Time effects. The onboard Grit control allows you to add some sweet-sounding dirt to the tremolo circuit, with enough gain on tap to strike a 10 on the Richter scale. The EXP input allows you to easily control the rate of the tremolo using a standard expression pedal, or plug a mono patch cable into the EXP Input, and flip the internal DIP switch to engage external Tap Tempo. The mini toggle switch on Loma’s top side allows you to go from Harmonic Tremolo to a more standard style of trem; this is reflected by the Tap Tempo LED (Red for Harmonic, Yellow for Standard). Emulate the earthquake itself. | CopperSound Pedals Loma Prieta Harmonic Tremolo Effects Pedal
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Get my Guitar found the latest prices on the Providence Heat Blaster Distortion Effects Pedal.
The Heat Blaster HBL-4 provides aggressive distortion from classic rock to modern hard rock. The HBL-4 is an even more powerful distortion pedal than its predecessor boasting even richer harmonics. Its edgy, aggressive sound now more closely resembles that of a high gain tube amp while still retaining every picking nuance. Bass Boost SwitchThis boosts the low-frequency range and achieves extra low end impact with humbucking and single-coil pickups. It's more helpful with single-coil pickups to create tight bottom sound. Wide Dynamic RangeInternal circuitry doubles the 9-volt supply voltage to 18 volts, achieving wider dynamic range and more amp-like sound than conventional distortion effects.S.C.T. CircuitIn a normal True-Bypass circuit, in bypass mode the audio signal passes through two switch contacts. The S.C.T. Circuit now makes it possible to further reduce any change or deterioration in sound quality and gives the feeling that the footswitch circuit is removed entirely from your signal chain.D.C.G. CircuitDue to the adoption of the new double-contact grounding circuit (D.C.G. Circuit), by inserting a monaural plug into the output jack, the shield (sleeve) of the plug provides two points of contact to the pedal's ground circuit. By increasing the area of the point of contact, it becomes more difficult for a loose connection to occur, and provides the additional advantage of improved sound quality. Multi-function LEDIn addition to indicating the pedal's on/off status, the HBL-4 LED provides effective visual battery power monitoring. When the battery voltage drops below 7 volts the LED will become dimmer and begin to go out. The effect will still operate at this voltage, but to ensure optimum performance the battery should be replaced as soon as possible. S.C. T and D.C.G. circuitsLevel, Tone, Drive, Bass Boost controlsMulti-function LED1/4 in. phone jack x 2 (INPUT and OUTPUT), DC 9V input jack (AC adaptor jack)9 V battery or AC adaptor power supplyDC 9V, 8 mA approx. power consumption | Providence Heat Blaster Distortion Effects Pedal
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Get my Guitar found the latest prices on the ZVEX Fuzz Factory Vertical Effects Pedal.
The ZVex Vertical Fuzz Factory fuzz effects pedal is packed with knobs that let you control everything from tight, radically fuzzy sounds that gate off instantly when you stop playing, to inter-modulating oscillations that fight for control of your guitar as your notes decay, to shortwave radio sounds, ripping velcro and octave-like fuzz. | ZVEX Fuzz Factory Vertical Effects Pedal
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Get my Guitar found the latest prices on the Morley 20/20 Bad Horsie Wah Effects Pedal.
"Morley brings the legendary Bad Horsie wah to a new generation of players with the 20/20 Bad Horsie Wah. This innovative pedal packs Morley's signature effect into a pedalboard-friendly enclosure and enhances it with a contour mode for crafting your perfect wah tone. The 20/20 Bad Horsie Wah features Morley's renowned electro-optical design, which replaces problematic potentiometers with an optical circuit for a smooth, consistent sweep and years of reliability. A buffer circuit prevents tone loss from long cable runs, ensuring your natural tone shines through. Whether you're a shredder, funkster or blues hound, the 20/20 Bad Horsie Wah delivers the control and inspiration to take your playing to new heights. Dual Modes Provide a World of Tonal PossibilitiesThe 20/20 Bad Horsie Wah gives you not one but two distinct wah voices. The Bad Horsie mode produces Morley's famous throaty wah tone, perfect for expressive solos and rhythm work. The contour mode offers an adjustable frequency range so you can fine-tune the pedal to your liking. Simply turn the contour knob to increase treble for a ""quacky"" vintage sound or decrease treble for a subtle, mellow sweep. A level knob provides up to 20dB of clean boost in either mode, allowing you to balance your levels or push your amp into overdrive. Optical Circuitry Means Years of Reliable PerformanceAt the heart of the 20/20 Bad Horsie Wah is Morley's innovative electro-optical design, which uses an optical sensor and emitter rather than a traditional potentiometer. This optical circuit is smooth, quiet and durable, providing consistent performance night after night. The optical design also features Morley's spring-loaded switchless activation so you can engage and disengage the wah simply by stepping on and off the pedal. No more accidentally hitting a switch mid-solo. Roadworthy and Ready to RockMorley built the 20/20 Bad Horsie Wah to handle the rigors of the road and the demands of the stage. Its cold-rolled steel housing is virtually indestructible and the quick clip battery door makes changing batteries a breeze even in low light. Glow-in-the-dark details, including the treadle pad and logo, provide visibility on unlit stages. And with a buffer circuit to maintain your tone, the 20/20 Bad Horsie Wah is a wah you can depend on to inspire greatness at every show. | Morley 20/20 Bad Horsie Wah Effects Pedal"
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Get my Guitar found the latest prices on the EarthQuaker Devices Sea Machine Super Chorus Guitar Effects Pedal V3.
The Sea Machine is a chorus pedal with as many modulation possibilities as there are fish in the ocean. That’s a lot of fish. And a lot of modulation. From subtle, shimmery chorus sounds, to wobbly, seasick, warbly pitch-bent detuning that rocks the boat, the Sea Machine is the audio bait that’ll help you reel in the big one. The Sea Machine ain’t no one-trick seahorse. A variable waveshape LFO (adjustable via the Shape control) modulates your chorus tone from a smooth triangle shape, to a rough and choppy square wave, and an extended delay line allows you to dive deeper into uncharted modulated waters than ever before. Other LFO controls include Rate, which sets the speed of the LFO, and Depth, which sets how strongly the LFO modulates the delay time. The delay line has controls for Dimension, Animate and Intensity. The Dimension control adds a slightly detuned slapback at low levels, reverb-like ambience at mid-levels, and a trippy echo-resonance that leads to self-oscillation when cranked. The Animate control is the real pearl in the Sea Machine’s oyster, if you will. This controls how far the pitch swings. At lower settings, you’ll hear slight detuning for a subtle double-tracked thickening effect, á la traditional chorus pedals. As you increase the Animate control, the pitch swings further and further away from the root note for an effect that lies somewhere between chorus and vibrato, before landing at full tilt on sonar-like oscillations that sound more like a giant monster-movie beast awaking from its undersea slumber than any effects pedal we’ve ever heard. Finally, the Intensity control rounds out the delay line, adjusting the blend between the modulated and dry signals. With this mix of standard and unique controls, everything from subtle warble, classic Leslie, seasick pitch bends, strangled alien sounds, stunted arpeggiations and many more far out sounds are available. Or you could just use it as a chorus. That works, too. Oh, and if you’re a bass player who fancies themselves a fan of the classic '80s post-punk bass sound, the Sea Machine is pretty much just like (tone) heaven. EarthQuaker has designed the Sea Machine to work well following fuzz/overdrive/distortion pedals without getting muddy, lowering in output, or breaking up, because they like running distortion pedals into things. Also, when engaged, the Sea Machine’s transparent buffer leaves the all-analog dry signal unaltered and crystal clear. The Sea Machine is true-bypass, uses silent relay-based switching, and is built one at a time in the belly of the great white whale along the shores of the Ohio & Erie Canal in Akron, Ohio, USA. Improved circuitry for better performance, cleaner sound, and lower noise More range added to almost every control from subtle modulation to extreme oscillationSilent relay-based switchingHandmade in the USA2017 updatesImproved circuitry for better performance, cleaner sound, and lower noiseMore range added to almost every control from subtle modulation to extreme oscillationSilent relay-based switching | EarthQuaker Devices Sea Machine Super Chorus Guitar Effects Pedal V3
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Get my Guitar found the latest prices on the Source Audio Zio Analog Front End Boost Effects Pedal Black.
The ZIO Analog Front End Boost effects pedal from Source Audio is an all-analog preamp/boost pedal with one simple goal: make everything sound better. ZIO features a choice of four preamp modes, each with its own distinct circuit design and tonal characteristics. This tone enhancer offers +20dB of additional boost and is the ideal tool for pushing an edge-of-breakup amplifier into low-gain bliss with enhanced body and punch, eliminating floppy low-end and tightening the sound of a high-gain amplifier or bolstering the signal loss that occurs with large pedalboards and long cable runs. ZIO’s simple control set makes it easy to find the perfect base tone for any guitar/amp combo and ensures that the dry signal hitting your pedals and amp remains strong and consistent. 3-Position tone switchBypass/mute switch | Source Audio Zio Analog Front End Boost Effects Pedal Black
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Get my Guitar found the latest prices on the Pigtronix Emanator Delay Effects Pedal Black and Red.
The Pigtronix Emanator effects pedal is an analog delay pedal that uses a pair of genuine bucket brigade IC chips to achieve up to 600ms of warm, glowing echo. The straightforward 3-knob control layout provides easy access to a wide variety of sounds, from vintage studio slapback echo to epic, long delays with enough feedback on tap to achieve self-oscillation. The Emanator possesses improved headroom and overall fidelity due to the high-voltage MN3005 BBD chips used in the delay line. Out of production since the mid ’80s, these legendary ICs have been reissued in all of their analog glory and put to use in this eminently convenient and compact echo machine. Analog delay pedal with dual bucket brigade IC chips3-knob control layoutHigh-voltage MN3005 BBD chip for improved headroom and overall fidelity | Pigtronix Emanator Delay Effects Pedal Black and Red
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Get my Guitar found the latest prices on the LR Baggs Align Chorus Acoustic Effects Pedal.
In the same way a choir enhances the foundation of a melody, the LR Baggs Align Chorus complements your acoustic guitar rather than placing the effect in the limelight. With the purity of LR Baggs’ circuitry and the effect in side chain, the Chorus adds fullness behind your guitar without any signal degradation. The Align Chorus was designed with simple and intuitive controls that help you dial in a pleasing effect quickly and easily. A unique Size control blends two chorus voicings that interact with one another as you turn the knob. It’s essentially like adding more instruments as you increase the size. Additionally, a Tone control shapes only the affected signal, enabling you to dial in the perfect balance for your instrument. | LR Baggs Align Chorus Acoustic Effects Pedal
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Get my Guitar found the latest prices on the Source Audio One Series Lunar Phaser Guitar Pedal.
The Lunar Phaser offers three styles of swirling stereo phase modulation. Choose from Vibe, a thumping Uni-Vibe effect; Classic, a resonant and creamy 4-stage phaser and Multi, a highly animated, yet smooth and satisfying 8-stage phaser. Explore the sonic landscape even further by sweeping the Shape knob to gradually morph the LFO wave shape from a smooth, undulating sine wave to an aggressive and choppy square wave. Out of the box, the Lunar Phaser provides tremendous tonal range, but under the hood this pedal is a powerhouse of control and flexibility. Every stompbox in the One Series line is compatible with the Neuro Mobile App (a free download for iOS and (coming soon) Android). The App offers an extensive list of additional phaser, flanger, and chorus algorithms—each can be downloaded directly to your Lunar Phaser. The Neuro App also features an extended set of adjustable parameters including the Frequency (the center point of the modulation), Output Level, embeddable Tremolo, Low Retain, a Parametric EQ, Advanced Signal Routing and more. Plus, every One Series pedal is fully MIDI compatible when coupled with the Neuro Hub (formerly Soundblox Hub), giving you the power to save up to 128 presets. 3 flavors of phase modulationStereo input and output jacksUniversal bypassExpression controlTap tempo | Source Audio One Series Lunar Phaser Guitar Pedal
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Get my Guitar found the latest prices on the LR Baggs Align Acoustic Preamp/Equalizer Effects Pedal.
Acoustic Pedal Suite Crafted for the Acoustic PlayerCreated specifically for acoustic musicians, the Align Series integrates studio processing tools, a high-fidelity preamplifier with foundational tone-shaping EQ, LR Baggs' proprietary acoustic reverb, and the most pristine, all-discrete active DI. This highly versatile pedal series expands your tonal palette with a vast range of control that’s uniquely tailored to complement and enrich the voice of your acoustic instruments. Acoustic Preamplifier with 6-Band EQ and Anti-feedback Notch Filter. Based on the circuit of the esteemed Para Acoustic DI, the Align Equalizer combines the company's signature, high-graded FET gain stage with powerful tone-shaping EQ that injects richness and balance to any acoustic pickup signal. A 6-band EQ shapes the frequencies found most useful for improving acoustic guitar pickups with the flexibility needed to cover other acoustic instruments effectively. Multi-instrumentalists can incorporate dedicated EQ pedals for level matching a variety of instruments and tailoring a specific EQ for each one. | LR Baggs Align Acoustic Preamp/Equalizer Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the EarthQuaker Devices Aurelius Tri-Voice Chorus Effects Pedal Sparkly Teal and Golden Yellow.
The EarthQuaker Devices Aurelius is not your run of the mill chorus pedal. This compact, beautifully cased wonder is a three-mode chorus with six programmable presets and an expression control. Inspired by the 1970s CE-1 chorus ensemble pedal, this digital unit has been tirelessly tweaked and fine-tuned to give you an all-encompassing chorus and vibrato experience like nothing else. Choose from vibrato, chorus and rotary mode and manipulate their width, rate and balance to achieve your ideal sound. Shift seamlessly from one mode to another to cop a blend that is all your own. Three-mode chorus with the ability to save and recall six presetsFine-tuned to give you an all-encompassing chorus and vibrato experienceRotary mode captures the sound of a Leslie speaker's rotating baffle systemLifetime warranty | EarthQuaker Devices Aurelius Tri-Voice Chorus Effects Pedal Sparkly Teal and Golden Yellow
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Walrus Audio Fathom Multi-Function Reverb Luna Series v2 Effects Pedal Metallic Black.
The Walrus Audio Luna Fathom multi-function reverb Luna Series effects pedal features four unique reverb algorithms—Hall, Plate, Lo-Fi and Sonar—and three levels of modulation. Controls include a Dampen knob to suppress high frequencies, X knob to adjust algorithm-specific parameters (Pre-delay and octave up/down mix), smart-bypass switching, Sustain switch to momentarily increase the reverb time to near infinite, wet/dry mix knob and time adjustment. Walrus Audio Luna SeriesIt's the year 3000, and a colony of scientists has been on Mars for 100 years to prepare for an influx of human life, developing new ways to harvest resources and innovate technology. At the same time, the solar system's wealthiest families have begun using private resources to make settlements for humanity on the red planet. The U.N.-funded science project and the private Martian colonies have lived in harmony on the planet for almost 100 years. On a resource collaboration effort between the two states, a massive misinterpretation of the truth set both colonies against each other in a battle they both believed was being fought for the best way forward. Tension has mounted, grown and climaxed in this Sci-Fi battle of epic proportions. The Walrus Audio Luna Series brings five classic effects from their lineup to create soundscapes as epic and complex as the art story. Collect them all to create a panoramic masterpiece illustrated by Christi Du Toit. Four unique reverb algorithms: Hall, Plate, Lo-Fi and SonarThree levels of modulationDampen knob to suppress high frequenciesX knob adjusts algorithm specific parameters (Pre-delay and octave up/down mix)Full wet/dry mixSustain switch momentarily increases the reverb time to near infiniteTrails and no trails modeSmart bypass switchingTop-mounted power and I/O jacks | Walrus Audio Fathom Multi-Function Reverb Luna Series v2 Effects Pedal Metallic Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Keeley Blues Disorder Overdrive & Distortion Effects Pedal Black/Blue.
The Keeley Blues Disorder Overdrive & Distortion pedal gives you a versatile palette of analog overdrive and distortion tones perfect for any serious guitarist. Keeley combined two distinct drive circuits to craft four signature sounds in one innovative stompbox. With the turn of a switch, you can move between a smooth, Blues Breaker-inspired overdrive and a harder-edged distortion for heavier styles. The Blues Disorder's simple but clever design lets you swap tone stacks and gain stages to create hybrid overdrive flavors all your own. Two Complete Drive Circuits, Endless Tonal PossibilitiesAt its heart, the Blues Disorder contains separate overdrive and distortion circuits that you can activate independently or blend together. The overdrive side provides a soft, tube-like clipping reminiscent of a cranked Bluesbreaker amp. Switch to the distortion circuit for a harder, more aggressive tone ideal for heavier genres. Or, combine them for overdriven tones with a touch of grit. Two toggle switches give you instant access to the overdrive, distortion or a mix of both. The tonal variations are nearly endless. Tailor Your Tone With Interchangeable Tone StacksNot only does the Blues Disorder offer two types of drive, it provides two distinct tone stacks to shape your sound. In overdrive mode, the active tone circuit boosts midrange frequencies for a classic Bluesbreaker-inspired tone. Switch to distortion mode and a more transparent high-frequency filter lets the natural tone of your pickups shine through. Swap between the tone stacks in either drive mode for different voicings. You have the versatility to craft your perfect overdrive or distortion tone with the turn of a single switch. Buffered or True Bypass SwitchingThe Blues Disorder's buffered bypass prevents the tone-sucking signal loss associated with long cable runs and large pedalboards. For vintage pedals or a pure analog signal path, easily engage the true bypass mode. Simply hold down the footswitch for two seconds to toggle between buffered and true bypass. Either way, you'll enjoy noiseless, click-free switching and the best tone for your setup. Road-Ready and Built to LastLike all Keeley pedals, the Blues Disorder is handcrafted in the USA to exacting standards using premium components. Its rugged aluminum chassis and footswitches are built to withstand years of stomping. For any guitarist chasing the perfect overdrive or distortion, the Keeley Blues Disorder should be at the top of your list. Two complete analog drive circuits: hard-clipping distortion and soft clipping overdriveToggle tone stacks and gain stages: create hybrid overdrives by swapping Drive and Tone circuitsTrue Bypass or Buffered Bypass: use buffer to improve rig's tone, switch to true bypass in two secondsKeeley pedals engineered in tone lab and sonically perfected with studio and touring musicians | Keeley Blues Disorder Overdrive & Distortion Effects Pedal Black/Blue
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the EarthQuaker Devices Bit Commander V2 Pedal.
The Bit Commander is a monophonic analog guitar synthesizer with four octaves of vintage square wave synth tones. Its no-nonsense interface makes it easy to add or subtract octaves to create a wide variety of sounds without having to dial in envelopes or oscillators. Ripping sub-octave thump, pulsing octave down, a lightly squared base tone and a swelling transformer based octave up all join together to make a single guitar sound like an army of vintage synths. Like all analog octave effects, there are some basic rules to follow that will get you the most enjoyment from your Bit Commander. Use the neck pickup and play single notes. The best tracking occurs from the 7th fret up on all the strings. Below the 7th will still track but there will be occasional glitches and stutters. The lower the note, the harder it is for the Bit Commander to register. The use of Bass and lower registers on keyboards will yield unexpected, sometimes pleasing, sometimes disgusting results. These are not mistakes or flaws, it is the nature of analog octaves. Analog, true bypass and hand made one at a time in Akron, Ohio. Four voice analog octave synthesizerSub-octave thumpPulsing octave downLightly squared base toneSwelling transformer based octave upFilter controlSilent soft-touch switching*All-analog dry signal pathHand made one at a time in the republic of Akron OhioLifetime guarantee | EarthQuaker Devices Bit Commander V2 Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the LR Baggs Align Session Acoustic Saturation/Compressor/EQ Effects Pedal.
Acoustic Pedal Suite Crafted for the Acoustic PlayerCreated specifically for acoustic musicians, the LR Baggs Align Series integrates studio processing tools, a high-fidelity preamplifier with foundational tone-shaping EQ, the company's proprietary acoustic reverb, and the most pristine, all-discrete active DI. This highly versatile pedal series expands your tonal palette with a vast range of control that’s uniquely tailored to complement and enrich the voice of your acoustic instruments. Acoustic Pedal featuring Saturation and Compression EQInspired by the LR Baggs Handcrafted Video Sessions and the company's experience in some of Nashville’s great studios, the Align Session brings the company's signature studio sound to your live rig. Session circuitry enhances your acoustic pickup and imparts the rich sonic character that you’d expect from an experienced audio engineer using some of the world’s finest studio gear. The engineers captured this studio magic and put it into a compact, easy-to-use acoustic pedal that will transform your live sound. Often used by studio engineers in post-production, saturation adds warmth, dimension, and pleasing harmonics while smoothing the signal for an enhanced mix. The Session’s proprietary saturation is voiced specifically for the acoustic guitar and transports studio analog warmth and inspiring playability to the stage. Unlike standard compression that can squash the entire range of your signal, the Session’s Comp EQ features 3 narrowly focused bands of compression that tame common problematic frequencies and uncover the voice of your guitar. The low, mid, and high frequency compressors are essentially “touch-sensitive” EQs that respond in real-time to your dynamics. The harder you strum, the more they compress and vice versa. Analog Saturation enhances warmth and harmonic contentCompression / EQ smoothes out common problem frequenciesAdjustable gain for both passive and active pickups | LR Baggs Align Session Acoustic Saturation/Compressor/EQ Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the Orange Amplifiers Micro Dark 20W Tube Hybrid Amp Head.
"The Orange Amplification Micro Dark is a 20W hybrid amplifier head with more gain and less size than ever before. Building on the success of the Micro Terror and Dark series, the Micro Dark packs Orange's signature overdrive and a 12AX7 preamp tube into a lunchbox-sized chassis to deliver high-gain tone in a portable package. High-Gain Preamp Provides Authentic Tube SaturationAt the heart of the Micro Dark is a valve-driven preamp section with a single 12AX7 tube to produce creamy tube overdrive and rich harmonic distortion. The ECC83 tube adds warmth, depth and character to high gain tones, giving shredders and metalheads the saturated distortion they crave from an authentic tube amp. Simple Controls Offer Versatile Tone-ShapingDon't let the Micro Dark's miniature size fool you into thinking it lacks tonal versatility. With just gain, shape and volume controls, dialing in your perfect tone is intuitive and straightforward. The shape control varies the midrange response to produce bass-heavy tones rich in low end, scooped metal tones with emphasized highs or anything in between. Crank the gain knob and unleash the beast within for face-melting overdrive and distortion that seems impossibly huge from such a tiny amp. Optional Cabinet and FX Loop Expand CapabilitiesAlready loaded with a headphone output complete with CabSim circuitry for silent practice, the Micro Dark offers even more functionality with the optional PPC108 1x8 cabinet and effects loop. Pair the Micro Dark with the PPC108 cab for a portable yet gig-ready rig or use the FX loop to incorporate your favorite pedals. Record directly via the headphone out or mic'd cabinet for high-gain tones in the studio. All the Essentials in a Diminutive PackageEverything you need for practice, performance or recording high-gain guitar tones is packed into the Orange Micro Dark's miniature chassis. Authentic tube overdrive, versatile tone shaping and connectivity options make this little beast an ideal companion for shredders and rockers on the go. Experience mammoth tone from a mighty mini amp with the Orange Micro Dark. Power: 20W (hybrid)Tube: one 12AX7 (preamp)Single channelControls: Gain, shape, volumeImpedance: 8–16 ohmsTransparent FX loopHeadphone out with CabSim circuitCarrying handleDimensions: 6.5"" x 5.3"" x 3.74""Weight: 1.72 lb. | Orange Amplifiers Micro Dark 20W Tube Hybrid Amp Head"
Store: Guitar Center
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