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Get my Guitar found the latest prices on the JHS Pedals Little Black Buffer Pedal.
There are so many reasons to add the JHS Pedals Little Black Buffer to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding the Little Black Buffer to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting the JHS Little Black Buffer on your board will give you your tone back. Simple and Effective Signal-Splitting DeviceThere are a ton of applications for adding a Little Black Buffer to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the this pedal, you’ll never be without one again. Here are just a few options. Keeps Your Tone Clear, Powerful and PristineYou’re going to want this quality buffer in your signal chain. The Little Black Buffer is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers. Convenient Low-Profile DesignA device such as the Little Black Buffer is content to be a workhorse piece of gear that quietly does its job in the background. That’s why JHS Pedals designed this little guy to be compact, sturdy, and simple to integrate into your rig. Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chainsRetains the original tone of your guitar without tone loss from other gear in your signal chainSmall size is ideal for saving pedalboard spaceCan easily be mounted underneath your boardBuilt ruggedBlack powder coating keeps the buffer hidden in the background | JHS Pedals Little Black Buffer Pedal
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Get my Guitar found the latest prices on the JHS Pedals Little Black Amp Box Pedal.
If your amp has a “send/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the Little Black Amp Box to saturate your preamp section and get some cranked tube tone at bedroom levels! Connect the input to your SEND and the output to your RETURN to saturate your preamp sectionThis pedal does not require powerMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Little Black Amp Box Pedal
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Get my Guitar found the latest prices on the JHS Pedals Kodiak Tremolo Guitar Effects Pedal.
"Part of JHS Pedals' tap tempo series, the Kodiak Tremolo effects pedal features all the bells and whistles you need to create the biggest tremolo growl. Based around classic VOX and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap tempo and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. Let’s take a look at all the features this brown beast bears. The Kodiak has five simple controls: Volume, Speed, Mix, Ratio and Wave. The Volume control enables you to set the overall volume however you like it—either dialed back, at unity or boosted. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the onboard tap tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Ratio control gives you the ability to dial in faster speeds that are perfectly synced with the BPM of your tap. You can choose from quarter notes, eighth notes, ""triplets"" or sixteenth notes. The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time signatures for a different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey and spend lots of time with your new bear friend to really get to know what it has to offer. The Kodiak tremolo guitar effects pedal also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak. Requires standard 9V DC negative powerConsumes 10mADimensions: 2.6"" x 4.8"" x 1.6"" | JHS Pedals Kodiak Tremolo Guitar Effects Pedal"
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Get my Guitar found the latest prices on the JHS Pedals Kilt V2 Overdrive Effects Pedal.
When the opportunity to work with Stu G came about (legendary guitarist, writer, producer and founding member of UK band Delirious), JHS Pedals engineers couldn’t pass it up. Right out of the gate, Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 JHS refined it to be a compact and versatile tone-machine. The Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora-style dirt box that gives you more tonal options than you might ever be able to use. The designers use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz/distortion and everything found in-between. When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup. G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything. For the V2 JHS added the ability to switch the G2 toggle with a Red Remote. This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact. | JHS Pedals Kilt V2 Overdrive Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan
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Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Black.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals Haunting Mids EQ Effects Pedal.
"Are you on the search for scary-good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, the designers at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective sweepable-mids EQ pedal that can turn any amp or pedal into a ghastly monster. With its ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo/Hi toggle is like a ""Q"" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. ""Lo"" is a softer and wider peak for slightly subtler affect as you tweak the Mids/Sweep knobs. ""Hi"" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids/Sweep knobs. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every ""djent,"" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig. The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost. So go and wake the undead with the ghostly sounds of the Haunting Mids! Simple yet effective tool to boost/cut the perfect amount of midrange frequenciesSweepable midrange frequency to find the perfect EQ to slice through any mixTurn any amp or pedal into a totally different ghastly monsterDon’t forget the Volume BOOOOOOst | JHS Pedals Haunting Mids EQ Effects Pedal"
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Get my Guitar found the latest prices on the JHS Pedals Hall Reverb Effects Pedal White.
The JHS Pedals Hall Reverb effects pedal is inspired by the sounds of large spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing, and help you explore new sounds at an accessible price point. Massive reverberation effects for expansive, otherworldly soundThree simple controls and one toggleSuited for experts and beginners | JHS Pedals Hall Reverb Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue
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Get my Guitar found the latest prices on the JHS Pedals Flanger Effects Pedal White.
The JHS Pedals flanger effects pedal is inspired by the classic analog flangers of the past, like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger, delivering that iconic sound at an accessible price. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. Classic analog flanger soundThree simple controls and one toggleSuited for experts and beginners | JHS Pedals Flanger Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal.
There are two ways to look at the JHS Pedals Emperor Analog Chorus/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1, but it's also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of '80s-style analog chorus pedals and the designers added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig, or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all. So Much ModulationThe designers call the Emperor an analog chorus/vibrato. That’s just because calling it a true analog chorus/pitch vibrato with tap tempo/waveform selection/rotary speaker simulation/true stereo output/and more pedal would have been a pain to write every time. Updated Tone Shaping CapabilitiesMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. JHS replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus/vibrato pedals. In-Depth Tempo ControlTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects. A Few ExtrasWhen designing the Emperor, JHS conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation. The glorious tones of a real-deal, 3207 chipset bucket brigade topologyMini toggle switch selects between chorus and vibrato effectsThree available waveform types (sine, square, and triangle)Intuitive controls for Volume, EQ, Speed, and DepthControl the rate with the onboard Speed knob or tap tempo footswitchInternal Tap/Exp mini switch controls the side-mounted Tap/Exp TRS jackUse an external source to control the rate in the Tap Out setting LED indicator notifies you of the effect’s tempo, even when disengagedPlugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the EmperorInternal switch changes from buffered to true-bypass operationHigh-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss | JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Colour Box V2 Preamp Pedal.
"The Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The most significant improvements are:• Addition of an Output transformer• Safely Passes 48v Phantom Power• EQ Shift Knobs for precision EQ control• Hi/Lo Switch for ultra clean headroom• 100% available clean signal even on acoustic guitar• Silent switching, aka no ""switch-pop""• Runs on standard 9V DC Neg power• Let's take a look at the features and controls of the Colour Box V2The Gain section in red has three controls: Master, Pre-Vol and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a ""drive"" or ""gain"" control, adding more grit, distortion and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18dB, 2nd is +23dB, 3rd is +28dB, 4th is +33dB, 5th is +39dB. The Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion and fuzz sounds. In addition to the Hi/Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high-output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz and Bass 120Hz, while the Treble, Middle and Bass knobs boost or cut with +/- 17dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above, and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4"" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.""In 2012, I had a crazy idea for a tone-shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of ""direct-in"" electric guitar recordings that I loved. Bands like the Beatles, Spoon, Wilco and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.""I wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation and re-works, this concept evolved into something far beyond what we had imagined.""In 2014, as we filmed the first demo videos at Abbey Road Studios in London, and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so muc | JHS Pedals Colour Box V2 Preamp Pedal"
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Get my Guitar found the latest prices on the JHS Pedals Colour Box V2 10-Year Anniversary Colorway Preamp Pedal Blue.
"The JHS Colour Box V2 preamp pedal is a powerful tool designed to bring the classic sounds of ""direct-in"" electric guitar recordings to your pedalboard. Inspired by legendary recordings from bands like The Beatles and Steely Dan, the Colour Box V2 acts as a complete studio-grade preamp, EQ and distortion generator, giving players access to a wide range of tones. With the addition of a Hi/Lo switch for clean headroom, expanded EQ controls and the ability to pass 48V phantom power, this pedal goes beyond guitars, working with microphones, bass, synths and more. Its versatility and pristine tone have made it a favorite of artists and engineers alike, featured on recordings by U2, Wilco, The National and more. Complete Control With Hi/Lo Gain and Output TransformerAt the heart of the Colour Box V2 is its gain section, which allows you to shape your tone with incredible precision. The Master, Pre-Vol and Step controls work together to offer everything from clean preamp tones to overdriven distortion. The Hi/Lo switch gives you control over headroom, with Lo mode offering ultraclean sounds, while Hi mode provides more saturation and grit. An added output transformer and –20dB pad (for XLR inputs) ensure that the pedal handles anything from high-output microphones to direct instrument inputs with ease. Studio-Grade EQ With Precision Shift ControlsThe Colour Box V2's EQ section offers three-band tone shaping with Treble, Middle and Bass controls. The three new Shift knobs allow for precision control of the frequency ranges affected by each band. Whether you're boosting high-mids for cutting lead tones or shaping the low end for thick rhythm sounds, the EQ controls give you studio-level flexibility. The pedal also includes a Hi-Pass filter, enabling you to cut low-end frequencies from 60Hz to 800Hz with ease, perfect for cleaning up your sound in live or recording environments. Multi-Instrument Compatibility for Endless PossibilitiesOne of the standout features of the Colour Box V2 is its ability to work with multiple instruments and microphones. Its combination XLR and 1/4"" input, along with the INST/XLR switch, allows you to seamlessly switch between using the pedal with a guitar, synth, bass or even a vocal microphone. Whether you're re-amping a bass line, adding grit to your vocals or giving your guitar a vintage Neve console sound, the Colour Box V2 delivers studio-grade performance in any setting. Hi/Lo gain switch for ultraclean or saturated tones Expanded EQ controls with precision shift knobsOutput transformer and –20dB padMulti-instrument compatibility with XLR and 1/4"" input | JHS Pedals Colour Box V2 10-Year Anniversary Colorway Preamp Pedal Blue"
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Get my Guitar found the latest prices on the JHS Pedals Cheese Ball Fuzz Effects Pedal.
"Long ago in a mysterious time known as ""the 1990s,"" a pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Shields (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is JHS's faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff-style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale. The Cheese Ball runs on 9V DC negative center power The JHS Cheese Ball is an homage to one of the most excellent fuzz/distortion pedals ever created. Rediscover the finest aged cheese in the pedal world. | JHS Pedals Cheese Ball Fuzz Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Charlie Brown V4 Overdrive Effects Pedal.
Every guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45.Vintage British Crunch for Your PedalboardMore and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4.Marshall-Style Tone StackTo really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive. Turns any amp into a gritty JTM45 stackGo from ‘60s-style crunch to thick and liquid rock tones with a twist of the Drive knobDrive and Volume control interact the same as a master volume amp headBack off your guitar’s volume to control your gain levels without losing clarityFine-tune your tone with controls for Bass, Middle, and TrebleActive controls boost and cut their selected frequenciesStacks beautifully with overdrive pedals for even more shades of grit | JHS Pedals Charlie Brown V4 Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Buffered Splitter Pedal.
Need to split your signal? Don’t want to settle for a passive device that will kill your tone and cause signal loss? This is what you need! This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Easily split your signal however you needUse one output to send your clean signal to a mixer, separate amp, etc... and send the other output through your board like normalUse one output to send a constant signal to your tuner and the other for your normal chain. This can help you defeat those volume pedal “tuner out” horrorsRequires standard 9V DC Negative power Consumes less than 100mAMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Buffered Splitter Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Bonsai 9-Way Screamer Overdrive Effects Pedal.
The Bonsai 9-way Screamer Overdrive Pedal from JHS Pedals is a tone chaser's dream come true. This innovative overdrive pedal packs nine classic overdrive pedals from the '70s through 2000s into one convenient stompbox. With the turn of a knob, you can switch between overdrive modes modeled after rare, vintage pedals like the Ibanez TS808, Maxon OD808, TS-10 and EXAR OD-1. JHS Pedals painstakingly analyzed and replicated each pedal to capture every nuance of the originals. Whether you're looking for subtle breakup, singing sustain or face-melting distortion, the Bonsai has you covered. Nine Legendary Overdrives in One PedalThe Bonsai lets you explore nine of the most sought-after overdrive pedals in history with the turn of a single knob. It provides spot-on replications of overdrive classics from Ibanez, Maxon, EXAR and JHS Pedals' own mods. Turn the knob to switch between modes like the warm, compressed TS808, the higher-gain TS-10 made famous by John Mayer or the searing hot mode of the TS-7. With so many modes to choose from, the Bonsai is an overdrive addict's dream. Painstakingly Recreated Vintage CircuitsJHS Pedals went to great lengths analyzing and recreating the components and circuitry of each overdrive pedal modeled in the Bonsai. They used audio precision analyzers and other methods to capture the sound and feel of the original pedals, accounting for component drift in the vintage units. The result is a pedal that provides the authentic experience of playing through rare, vintage overdrive pedals from decades past. Simple Interface, Enormous Tonal RangeDespite housing nine different overdrive pedals, the Bonsai features an incredibly simple interface. A single rotary knob lets you switch between modes, while standard Level, Tone and Drive knobs control your overdrive sound. The Bonsai gives you an enormous range of overdrive tones—from subtle breakup to all-out distortion—without complicated controls or menus to navigate. | JHS Pedals Bonsai 9-Way Screamer Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black.
The Berkeley 1973 Fresh Fuzz Replica pedal from JHS is a recreation of the classic stompbox launched in 1973 by Seamoon Inc. Initially, a fragile plastic enclosure design caused these Bakelite pedals to shatter when guitarists stomped on them, so Seamoon began recasing them in metal enclosures within a few months. Despite inaccurate reviews that the Fresh Fuzz was “thin sounding,” it gained popularity and has been used extensively by artists like Tom Scholz (Boston) and guitar virtuoso Eric Johnson. This is a tribute to the rarer single op-amp 741 version. | JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals AT+ Andy Timmons Signature Overdrive Effects Pedal.
The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. Does the AT+ sound the same as the original AT?Yes! The drive channel of the AT+ is identical to the company's original AT pedal. No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused. Two channels are better than oneNew to the AT+ is an independent foot-switchable Boost—essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel. | JHS Pedals AT+ Andy Timmons Signature Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Artificial Blonde Madison Cunningham Artist Signature Vibrato/Modulation Tone Effects Pedal Blue Nova.
The Artificial Blonde from JHS Pedals is the signature vibrato pedal of American guitarist Madison Cunningham. At its core, the Artificial Blonde is a very simplistic approach to Madison’s signature sound: a never off, always on, slightly 3D pitch vibrato sound. The secondary footswitch switches between the two speed/depth preset sections. It’s a true pitch vibrato modulation pedal with two easy-to-access modes for live use. Simply put, this is Madison Cunningham in a box: just add a clean Fender-style amp and tune your guitar strings down. | JHS Pedals Artificial Blonde Madison Cunningham Artist Signature Vibrato/Modulation Tone Effects Pedal Blue Nova
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal.
The Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life. Furious-Sounding Amp in a BoxTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.- Turns any amp into a screaming Marshall stack- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob- Drive and Volume control interact the same as a master volume amp head- Back off your guitar’s volume to control your gain levels without losing clarityMarshall-Style Tone StackAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!- Fine-tune your tone with controls for Bass, Middle, and Treble- Active controls boost and cut their selected frequencies | JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Active ABY Switcher Pedal.
The JHS Pedals Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly. Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged. Hit the right “Y” footswitch, and BOTH channels are engaged for full stereo output. Because the Active A/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum. With an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A/B/Y will be the one pedal that you can never leave home without! | JHS Pedals Active ABY Switcher Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Screamer Effects Pedal White.
The JHS Pedals 3 Series Screamer effects pedal delivers the best of the classic JHS Tube Screamer “Strong Mod” in an accessible package. Enjoy more clean headroom, better usability as a boost, more versatile drive and tone controls, as well as a more pleasing frequency response. The 3 Series Screamer has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. It runs on 9V DC negative center power and consumes 12mA. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and careful attention to every detail. | JHS Pedals 3 Series Screamer Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Reverb Effects Pedal.
The JHS Pedals 3 Series Reverb is an extremely versatile reverb pedal that lets guitarists explore a myriad of spacious sounds. With just three knobs—verb, EQ and decay—you have access to everything from subtle room effects to endless washes of ambiance. The EQ control allows you to sweep between bright, shimmering '80s-inspired sounds and darker, vintage-voiced textures. Engage the pre-delay switch to keep your initial pick attack from getting lost in the effect. Intuitive Controls, Maximum VersatilityDon't let its minimalist design fool you—the 3 Series Reverb packs a ton of tonal range into its compact stompbox form. The verb knob dials in the overall amount of reverb, allowing you to go from just a hint of space all the way to cavernous depths. The EQ knob shapes the tone, emphasizing high, mid or low frequencies. At its brightest settings, the 3 Series Reverb conjures classic '80s rack units, while darker tones evoke vintage spring reverb units. The decay knob determines how long the reverb effect sustains, ranging from short, slapback-like echoes to endlessly cascading ambiance. High-Quality Components, Affordable PriceJHS Pedals handmakes the 3 Series Reverb in Kansas City, USA, using premium components to ensure professional grade sound quality and road-worthy durability. Despite its high-end construction, the 3 Series Reverb comes at an extremely affordable price, putting lush, versatile reverb within reach of players at any level. Pre-Delay Switch Keeps Transients IntactThe 3 Series Reverb includes a pre-delay switch that adds a short delay before the reverb effect kicks in. Engaging the pre-delay switch helps preserve the clarity and attack of your initial pick stroke by preventing it from getting lost in the wash of reverb. Whether you want a subtle ambient shimmer or an all-encompassing cathedral-like echo, the 3 Series Reverb delivers. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. | JHS Pedals 3 Series Reverb Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Overdrive Effects Pedal White.
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. | JHS Pedals 3 Series Overdrive Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Octave Reverb Effects Pedal White.
The JHS Pedals 3 Series Octave Reverb draws its inspiration from the “Shimmer” effect invented by Brian Eno in the early 1980s, and popularized in U2’s The Unforgettable Fire. The effect mixes ambient reverb and octave effects in the reverb’s decay, allowing the guitar to create pads and textures that fill out ambient space. Toggle the Up switch to layer in upper octave sounds, while toggling Down layers in lower octave sounds. It runs on 9V DC negative center power and consumes 65 mA. The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at an approachable price point. Inspired by Brian Eno’s classic “Shimmer” effect of the ’80sMixes ambient reverb and octaveCreates pads and textures to fill the ambient spaceVerb, Octave and Decay controlsMade in Kansas City, Missouri | JHS Pedals 3 Series Octave Reverb Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Harmonic Trem Effects Pedal White.
"The JHS Pedals 3 Series Harmonic Trem celebrates the circuit introduced in 1960 by Leo Fender to the Bandmaster and Vibrasonic amps, which he called the “Harmonic Tremolo."" The amp’s signal was split into high-frequency and low-frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle the Up switch for a great-sounding amp trem, while toggling Down delivers a harmonic trem effect. It runs on 9V DC negative center power and consumes 65 mA. The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at an approachable price point. Inspired by Leo Fender’s 1960 “Harmonic Tremolo” circuitToggle Up for amp trem; Toggle Down for harmonic tremVolume, Rate and Depth controlsOutput switches between high-frequency and low-frequency components for a dreamy effectMade in Kansas City, Missouri | JHS Pedals 3 Series Harmonic Trem Effects Pedal White"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Fuzz Effects Pedal White.
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. | JHS Pedals 3 Series Fuzz Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Distortion Effects Pedal White.
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. | JHS Pedals 3 Series Distortion Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Delay Effects Pedal White.
The JHS Pedals 3 Series Delay is an analog delay effects pedal packed with a range of vintage and modern delay sounds in an easy-to-use package. Guitarists will love the intuitive controls that make dialing in rich, rhythmic echoes a breeze. Whether you're looking for warm, saturated repeats or clear, pristine delays, the 3 Series Delay delivers. With controls for Time, Repeats and Mix, you can go from subtle ambiance to wild self-oscillation with the turn of a knob. Vintage-Inspired Circuitry for Lush, Musical DelaysAt the heart of the 3 Series Delay is an all-analog delay circuit based on vintage designs from the '70s and '80s. This results in organic, lush echoes with a natural warmth and musicality modern digital delays can't match. The 3 Series Delay's delay time ranges from 30ms to 600ms, allowing for everything from tight slapback echoes to ambient washes of sound. Simple, Intuitive Controls for Crafting Your Perfect Delay SoundWith just three knobs, the 3 Series Delay is easy to dial in and tweak on the fly. The Time knob sets the delay interval from 30ms up to 600ms. The Repeats control determines how many echoes are heard, from a single repeat up to near-endless oscillations. The Mix knob blends the delayed signal with your direct tone, allowing you to set the delay as a subtle ambiance or make it the focus of your sound. Road-Ready Design Built to Withstand the Rigors of TouringDespite its affordable price, the 3 Series Delay is built to professional standards with a durable, powder-coated enclosure and high-quality components selected for maximum reliability. Footswitches and jacks are rated for over 100, 000 stomps and plugs, so this pedal is ready to handle the demands of touring and gigging musicians. Unbeatable Value from a Premier Boutique Pedal BuilderJHS Pedals is known worldwide for their premium quality effects pedals and the 3 Series Delay lives up to their reputation. With lush, musical delays, intuitive controls and a rugged build, the 3 Series Delay offers amazing performance and tone for its price point. Guitarists looking to add an inspiring analog delay to their setup need look no further than the JHS Pedals 3 Series Delay. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. | JHS Pedals 3 Series Delay Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Compressor Effects Pedal White.
The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. A powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. | JHS Pedals 3 Series Compressor Effects Pedal White
Store: Guitar Center
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Get my Guitar found the latest prices on the JHS Pedals Little Black Buffer Pedal.
There are so many reasons to add the JHS Pedals Little Black Buffer to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding the Little Black Buffer to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting the JHS Little Black Buffer on your board will give you your tone back. Simple and Effective Signal-Splitting DeviceThere are a ton of applications for adding a Little Black Buffer to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the this pedal, you’ll never be without one again. Here are just a few options. Keeps Your Tone Clear, Powerful and PristineYou’re going to want this quality buffer in your signal chain. The Little Black Buffer is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers. Convenient Low-Profile DesignA device such as the Little Black Buffer is content to be a workhorse piece of gear that quietly does its job in the background. That’s why JHS Pedals designed this little guy to be compact, sturdy, and simple to integrate into your rig. Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chainsRetains the original tone of your guitar without tone loss from other gear in your signal chainSmall size is ideal for saving pedalboard spaceCan easily be mounted underneath your boardBuilt ruggedBlack powder coating keeps the buffer hidden in the background | JHS Pedals Little Black Buffer Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Little Black Amp Box Pedal.
If your amp has a “send/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the Little Black Amp Box to saturate your preamp section and get some cranked tube tone at bedroom levels! Connect the input to your SEND and the output to your RETURN to saturate your preamp sectionThis pedal does not require powerMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Little Black Amp Box Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kodiak Tremolo Guitar Effects Pedal.
"Part of JHS Pedals' tap tempo series, the Kodiak Tremolo effects pedal features all the bells and whistles you need to create the biggest tremolo growl. Based around classic VOX and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap tempo and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. Let’s take a look at all the features this brown beast bears. The Kodiak has five simple controls: Volume, Speed, Mix, Ratio and Wave. The Volume control enables you to set the overall volume however you like it—either dialed back, at unity or boosted. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the onboard tap tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Ratio control gives you the ability to dial in faster speeds that are perfectly synced with the BPM of your tap. You can choose from quarter notes, eighth notes, ""triplets"" or sixteenth notes. The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time signatures for a different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey and spend lots of time with your new bear friend to really get to know what it has to offer. The Kodiak tremolo guitar effects pedal also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak. Requires standard 9V DC negative powerConsumes 10mADimensions: 2.6"" x 4.8"" x 1.6"" | JHS Pedals Kodiak Tremolo Guitar Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kilt V2 Overdrive Effects Pedal.
When the opportunity to work with Stu G came about (legendary guitarist, writer, producer and founding member of UK band Delirious), JHS Pedals engineers couldn’t pass it up. Right out of the gate, Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 JHS refined it to be a compact and versatile tone-machine. The Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora-style dirt box that gives you more tonal options than you might ever be able to use. The designers use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz/distortion and everything found in-between. When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup. G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything. For the V2 JHS added the ability to switch the G2 toggle with a Red Remote. This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact. | JHS Pedals Kilt V2 Overdrive Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan
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Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Black.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals Haunting Mids EQ Effects Pedal.
"Are you on the search for scary-good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, the designers at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective sweepable-mids EQ pedal that can turn any amp or pedal into a ghastly monster. With its ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo/Hi toggle is like a ""Q"" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. ""Lo"" is a softer and wider peak for slightly subtler affect as you tweak the Mids/Sweep knobs. ""Hi"" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids/Sweep knobs. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every ""djent,"" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig. The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost. So go and wake the undead with the ghostly sounds of the Haunting Mids! Simple yet effective tool to boost/cut the perfect amount of midrange frequenciesSweepable midrange frequency to find the perfect EQ to slice through any mixTurn any amp or pedal into a totally different ghastly monsterDon’t forget the Volume BOOOOOOst | JHS Pedals Haunting Mids EQ Effects Pedal"
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Get my Guitar found the latest prices on the JHS Pedals Hall Reverb Effects Pedal White.
The JHS Pedals Hall Reverb effects pedal is inspired by the sounds of large spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing, and help you explore new sounds at an accessible price point. Massive reverberation effects for expansive, otherworldly soundThree simple controls and one toggleSuited for experts and beginners | JHS Pedals Hall Reverb Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue
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Get my Guitar found the latest prices on the JHS Pedals Flanger Effects Pedal White.
The JHS Pedals flanger effects pedal is inspired by the classic analog flangers of the past, like the Electro-Harmonix Electric Mistress, the Tycobrahe Pedalflanger and the MXR M117 Flanger, delivering that iconic sound at an accessible price. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. Classic analog flanger soundThree simple controls and one toggleSuited for experts and beginners | JHS Pedals Flanger Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal.
There are two ways to look at the JHS Pedals Emperor Analog Chorus/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1, but it's also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of '80s-style analog chorus pedals and the designers added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig, or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all. So Much ModulationThe designers call the Emperor an analog chorus/vibrato. That’s just because calling it a true analog chorus/pitch vibrato with tap tempo/waveform selection/rotary speaker simulation/true stereo output/and more pedal would have been a pain to write every time. Updated Tone Shaping CapabilitiesMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. JHS replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus/vibrato pedals. In-Depth Tempo ControlTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects. A Few ExtrasWhen designing the Emperor, JHS conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation. The glorious tones of a real-deal, 3207 chipset bucket brigade topologyMini toggle switch selects between chorus and vibrato effectsThree available waveform types (sine, square, and triangle)Intuitive controls for Volume, EQ, Speed, and DepthControl the rate with the onboard Speed knob or tap tempo footswitchInternal Tap/Exp mini switch controls the side-mounted Tap/Exp TRS jackUse an external source to control the rate in the Tap Out setting LED indicator notifies you of the effect’s tempo, even when disengagedPlugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the EmperorInternal switch changes from buffered to true-bypass operationHigh-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss | JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Colour Box V2 Preamp Pedal.
"The Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The most significant improvements are:• Addition of an Output transformer• Safely Passes 48v Phantom Power• EQ Shift Knobs for precision EQ control• Hi/Lo Switch for ultra clean headroom• 100% available clean signal even on acoustic guitar• Silent switching, aka no ""switch-pop""• Runs on standard 9V DC Neg power• Let's take a look at the features and controls of the Colour Box V2The Gain section in red has three controls: Master, Pre-Vol and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a ""drive"" or ""gain"" control, adding more grit, distortion and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18dB, 2nd is +23dB, 3rd is +28dB, 4th is +33dB, 5th is +39dB. The Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion and fuzz sounds. In addition to the Hi/Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high-output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz and Bass 120Hz, while the Treble, Middle and Bass knobs boost or cut with +/- 17dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above, and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4"" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.""In 2012, I had a crazy idea for a tone-shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of ""direct-in"" electric guitar recordings that I loved. Bands like the Beatles, Spoon, Wilco and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.""I wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation and re-works, this concept evolved into something far beyond what we had imagined.""In 2014, as we filmed the first demo videos at Abbey Road Studios in London, and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so muc | JHS Pedals Colour Box V2 Preamp Pedal"
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Get my Guitar found the latest prices on the JHS Pedals Colour Box V2 10-Year Anniversary Colorway Preamp Pedal Blue.
"The JHS Colour Box V2 preamp pedal is a powerful tool designed to bring the classic sounds of ""direct-in"" electric guitar recordings to your pedalboard. Inspired by legendary recordings from bands like The Beatles and Steely Dan, the Colour Box V2 acts as a complete studio-grade preamp, EQ and distortion generator, giving players access to a wide range of tones. With the addition of a Hi/Lo switch for clean headroom, expanded EQ controls and the ability to pass 48V phantom power, this pedal goes beyond guitars, working with microphones, bass, synths and more. Its versatility and pristine tone have made it a favorite of artists and engineers alike, featured on recordings by U2, Wilco, The National and more. Complete Control With Hi/Lo Gain and Output TransformerAt the heart of the Colour Box V2 is its gain section, which allows you to shape your tone with incredible precision. The Master, Pre-Vol and Step controls work together to offer everything from clean preamp tones to overdriven distortion. The Hi/Lo switch gives you control over headroom, with Lo mode offering ultraclean sounds, while Hi mode provides more saturation and grit. An added output transformer and –20dB pad (for XLR inputs) ensure that the pedal handles anything from high-output microphones to direct instrument inputs with ease. Studio-Grade EQ With Precision Shift ControlsThe Colour Box V2's EQ section offers three-band tone shaping with Treble, Middle and Bass controls. The three new Shift knobs allow for precision control of the frequency ranges affected by each band. Whether you're boosting high-mids for cutting lead tones or shaping the low end for thick rhythm sounds, the EQ controls give you studio-level flexibility. The pedal also includes a Hi-Pass filter, enabling you to cut low-end frequencies from 60Hz to 800Hz with ease, perfect for cleaning up your sound in live or recording environments. Multi-Instrument Compatibility for Endless PossibilitiesOne of the standout features of the Colour Box V2 is its ability to work with multiple instruments and microphones. Its combination XLR and 1/4"" input, along with the INST/XLR switch, allows you to seamlessly switch between using the pedal with a guitar, synth, bass or even a vocal microphone. Whether you're re-amping a bass line, adding grit to your vocals or giving your guitar a vintage Neve console sound, the Colour Box V2 delivers studio-grade performance in any setting. Hi/Lo gain switch for ultraclean or saturated tones Expanded EQ controls with precision shift knobsOutput transformer and –20dB padMulti-instrument compatibility with XLR and 1/4"" input | JHS Pedals Colour Box V2 10-Year Anniversary Colorway Preamp Pedal Blue"
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Get my Guitar found the latest prices on the JHS Pedals Cheese Ball Fuzz Effects Pedal.
"Long ago in a mysterious time known as ""the 1990s,"" a pedal company was created in England. Its ideas were off the beaten path, and its sounds were otherworldly. Despite existing only a few short years, these creations became the things of legend and one product in particular cast the biggest shadow. With such artists as The Edge (U2), Jimmy Page, Radiohead, Kevin Shields (My Bloody Valentine), Jeff Tweedy (Wilco), Gary Moore and many others using the out-of-production units, their Used market prices have begun to rise more and more, sometimes into the $800 range. The Cheese Ball is JHS's faithful and extremely accurate recreation of the original circuit, it is a tribute to one of the most fascinating brands and circuits of all time! The Cheese Ball has your standard Volume, Gain, and Tone knobs found on most distortion fuzz boxes, but comes with an extra mode selector knob that gives you four different overall tone and gain selections. In the “off” position, the Tone knob is disengaged, giving you a bright and trashy fuzz/distortion sound. In the “1” position you have a mid-scooped sound that will give you a Big Muff-style buzz for a rounded sound reminiscent of fine mozzarella that sits just right on your pizza but doesn’t get in the way. The “2” position is a mid-boost sound that will cut through a mix like a hot knife through Velveeta. Finally, the “3” position gives you a biting, gated fuzz tone that, when cranked, spits, spats, and bites like gorgonzola naturale. The Cheese Ball runs on 9V DC negative center power The JHS Cheese Ball is an homage to one of the most excellent fuzz/distortion pedals ever created. Rediscover the finest aged cheese in the pedal world. | JHS Pedals Cheese Ball Fuzz Effects Pedal"
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Get my Guitar found the latest prices on the JHS Pedals Charlie Brown V4 Overdrive Effects Pedal.
Every guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45.Vintage British Crunch for Your PedalboardMore and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4.Marshall-Style Tone StackTo really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive. Turns any amp into a gritty JTM45 stackGo from ‘60s-style crunch to thick and liquid rock tones with a twist of the Drive knobDrive and Volume control interact the same as a master volume amp headBack off your guitar’s volume to control your gain levels without losing clarityFine-tune your tone with controls for Bass, Middle, and TrebleActive controls boost and cut their selected frequenciesStacks beautifully with overdrive pedals for even more shades of grit | JHS Pedals Charlie Brown V4 Overdrive Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Buffered Splitter Pedal.
Need to split your signal? Don’t want to settle for a passive device that will kill your tone and cause signal loss? This is what you need! This little box of magic takes your input signal and splits it into two always-on outputs that are buffered so you don’t lose clarity or tone in any way. Easily split your signal however you needUse one output to send your clean signal to a mixer, separate amp, etc... and send the other output through your board like normalUse one output to send a constant signal to your tuner and the other for your normal chain. This can help you defeat those volume pedal “tuner out” horrorsRequires standard 9V DC Negative power Consumes less than 100mAMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Buffered Splitter Pedal
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Get my Guitar found the latest prices on the JHS Pedals Bonsai 9-Way Screamer Overdrive Effects Pedal.
The Bonsai 9-way Screamer Overdrive Pedal from JHS Pedals is a tone chaser's dream come true. This innovative overdrive pedal packs nine classic overdrive pedals from the '70s through 2000s into one convenient stompbox. With the turn of a knob, you can switch between overdrive modes modeled after rare, vintage pedals like the Ibanez TS808, Maxon OD808, TS-10 and EXAR OD-1. JHS Pedals painstakingly analyzed and replicated each pedal to capture every nuance of the originals. Whether you're looking for subtle breakup, singing sustain or face-melting distortion, the Bonsai has you covered. Nine Legendary Overdrives in One PedalThe Bonsai lets you explore nine of the most sought-after overdrive pedals in history with the turn of a single knob. It provides spot-on replications of overdrive classics from Ibanez, Maxon, EXAR and JHS Pedals' own mods. Turn the knob to switch between modes like the warm, compressed TS808, the higher-gain TS-10 made famous by John Mayer or the searing hot mode of the TS-7. With so many modes to choose from, the Bonsai is an overdrive addict's dream. Painstakingly Recreated Vintage CircuitsJHS Pedals went to great lengths analyzing and recreating the components and circuitry of each overdrive pedal modeled in the Bonsai. They used audio precision analyzers and other methods to capture the sound and feel of the original pedals, accounting for component drift in the vintage units. The result is a pedal that provides the authentic experience of playing through rare, vintage overdrive pedals from decades past. Simple Interface, Enormous Tonal RangeDespite housing nine different overdrive pedals, the Bonsai features an incredibly simple interface. A single rotary knob lets you switch between modes, while standard Level, Tone and Drive knobs control your overdrive sound. The Bonsai gives you an enormous range of overdrive tones—from subtle breakup to all-out distortion—without complicated controls or menus to navigate. | JHS Pedals Bonsai 9-Way Screamer Overdrive Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black.
The Berkeley 1973 Fresh Fuzz Replica pedal from JHS is a recreation of the classic stompbox launched in 1973 by Seamoon Inc. Initially, a fragile plastic enclosure design caused these Bakelite pedals to shatter when guitarists stomped on them, so Seamoon began recasing them in metal enclosures within a few months. Despite inaccurate reviews that the Fresh Fuzz was “thin sounding,” it gained popularity and has been used extensively by artists like Tom Scholz (Boston) and guitar virtuoso Eric Johnson. This is a tribute to the rarer single op-amp 741 version. | JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals AT+ Andy Timmons Signature Overdrive Effects Pedal.
The JHS Pedals AT is Andy Timmons signature overdrive pedal that gives Andy his unmistakable lead and rhythm tone. Upon purchasing a JHS Angry Charlie in 2013, Andy began using it as his primary tone and soon after got in touch with Josh Scott about modifying it for his needs. Through going back and forth and tailoring it to Andy’s tastes, the “@“ was born and eventually released into production in 2016. This pedal gives you all the soaring overdrive and distortion that you hear from Andy with plenty of options to craft your tone with your rig. Does the AT+ sound the same as the original AT?Yes! The drive channel of the AT+ is identical to the company's original AT pedal. No changes were made whatsoever and the controls remain the same. They include Volume, EQ, Drive, Air, and a three-way toggle for 25-watt, 50-watt, or 100-watt modes. The Volume gives you plenty of headroom to play with, while the Drive control has a wide range from high gain blues to thunderous distortion. The tone controls work together to give you the ability to shape your tone and sit perfectly in a mix. The EQ works as a standard bright/dark tone control, while the Air control rolls in top end like a presence control so you can have just the right amount of brightness for articulation and clarity. The three-way toggle gives you the feel of different wattage amplifiers. The up position is the 25-watt setting with the most compression and saturation with the least amount of volume. The down position is the 50-watt setting for a good balance of compression and openness. The middle position is the 100-watt position for tons of volume and open crunch while being less focused. Two channels are better than oneNew to the AT+ is an independent foot-switchable Boost—essentially creating a second channel and gain stage for the pedal. The boost side of the AT+ is a slightly dirty and overdriven pre-boost that allows you to hit the front end of the AT drive channel and achieve more saturation and definition for applications where you need more. Since the Boost is independent, it can be used alone to drive your amp or other drive pedals in conjunction with the AT+ drive channel. | JHS Pedals AT+ Andy Timmons Signature Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Artificial Blonde Madison Cunningham Artist Signature Vibrato/Modulation Tone Effects Pedal Blue Nova.
The Artificial Blonde from JHS Pedals is the signature vibrato pedal of American guitarist Madison Cunningham. At its core, the Artificial Blonde is a very simplistic approach to Madison’s signature sound: a never off, always on, slightly 3D pitch vibrato sound. The secondary footswitch switches between the two speed/depth preset sections. It’s a true pitch vibrato modulation pedal with two easy-to-access modes for live use. Simply put, this is Madison Cunningham in a box: just add a clean Fender-style amp and tune your guitar strings down. | JHS Pedals Artificial Blonde Madison Cunningham Artist Signature Vibrato/Modulation Tone Effects Pedal Blue Nova
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal.
The Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life. Furious-Sounding Amp in a BoxTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.- Turns any amp into a screaming Marshall stack- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob- Drive and Volume control interact the same as a master volume amp head- Back off your guitar’s volume to control your gain levels without losing clarityMarshall-Style Tone StackAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!- Fine-tune your tone with controls for Bass, Middle, and Treble- Active controls boost and cut their selected frequencies | JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Active ABY Switcher Pedal.
The JHS Pedals Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly. Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged. Hit the right “Y” footswitch, and BOTH channels are engaged for full stereo output. Because the Active A/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum. With an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A/B/Y will be the one pedal that you can never leave home without! | JHS Pedals Active ABY Switcher Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Screamer Effects Pedal White.
The JHS Pedals 3 Series Screamer effects pedal delivers the best of the classic JHS Tube Screamer “Strong Mod” in an accessible package. Enjoy more clean headroom, better usability as a boost, more versatile drive and tone controls, as well as a more pleasing frequency response. The 3 Series Screamer has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. It runs on 9V DC negative center power and consumes 12mA. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and careful attention to every detail. | JHS Pedals 3 Series Screamer Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Reverb Effects Pedal.
The JHS Pedals 3 Series Reverb is an extremely versatile reverb pedal that lets guitarists explore a myriad of spacious sounds. With just three knobs—verb, EQ and decay—you have access to everything from subtle room effects to endless washes of ambiance. The EQ control allows you to sweep between bright, shimmering '80s-inspired sounds and darker, vintage-voiced textures. Engage the pre-delay switch to keep your initial pick attack from getting lost in the effect. Intuitive Controls, Maximum VersatilityDon't let its minimalist design fool you—the 3 Series Reverb packs a ton of tonal range into its compact stompbox form. The verb knob dials in the overall amount of reverb, allowing you to go from just a hint of space all the way to cavernous depths. The EQ knob shapes the tone, emphasizing high, mid or low frequencies. At its brightest settings, the 3 Series Reverb conjures classic '80s rack units, while darker tones evoke vintage spring reverb units. The decay knob determines how long the reverb effect sustains, ranging from short, slapback-like echoes to endlessly cascading ambiance. High-Quality Components, Affordable PriceJHS Pedals handmakes the 3 Series Reverb in Kansas City, USA, using premium components to ensure professional grade sound quality and road-worthy durability. Despite its high-end construction, the 3 Series Reverb comes at an extremely affordable price, putting lush, versatile reverb within reach of players at any level. Pre-Delay Switch Keeps Transients IntactThe 3 Series Reverb includes a pre-delay switch that adds a short delay before the reverb effect kicks in. Engaging the pre-delay switch helps preserve the clarity and attack of your initial pick stroke by preventing it from getting lost in the wash of reverb. Whether you want a subtle ambient shimmer or an all-encompassing cathedral-like echo, the 3 Series Reverb delivers. The EQ lets you perfectly adjust for a bright or dark texture to the reverb's overall tone. The Pre-Delay knob allows you to select a short delay before the reverb begins. This lets you explore effects ranging between slap-like singing in the shower sounds and spacey spring-like sounds. | JHS Pedals 3 Series Reverb Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Overdrive Effects Pedal White.
The JHS Pedals 3 Series Overdrive offers a wide range of overdrive sounds within straightforward design aesthetics. You can achieve anything from boost, transparent low gain, to huge amp-like medium overdrive sounds. The simple knob functions give you control over the Volume, Body (or EQ), and Drive. The Gain toggle gives you a choice between more saturated and compressed or more open and crunchy dynamics. This switch plays a big part in how the pedal responds to your playing and touch as a player. | JHS Pedals 3 Series Overdrive Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Octave Reverb Effects Pedal White.
The JHS Pedals 3 Series Octave Reverb draws its inspiration from the “Shimmer” effect invented by Brian Eno in the early 1980s, and popularized in U2’s The Unforgettable Fire. The effect mixes ambient reverb and octave effects in the reverb’s decay, allowing the guitar to create pads and textures that fill out ambient space. Toggle the Up switch to layer in upper octave sounds, while toggling Down layers in lower octave sounds. It runs on 9V DC negative center power and consumes 65 mA. The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at an approachable price point. Inspired by Brian Eno’s classic “Shimmer” effect of the ’80sMixes ambient reverb and octaveCreates pads and textures to fill the ambient spaceVerb, Octave and Decay controlsMade in Kansas City, Missouri | JHS Pedals 3 Series Octave Reverb Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Harmonic Trem Effects Pedal White.
"The JHS Pedals 3 Series Harmonic Trem celebrates the circuit introduced in 1960 by Leo Fender to the Bandmaster and Vibrasonic amps, which he called the “Harmonic Tremolo."" The amp’s signal was split into high-frequency and low-frequency components, with the output switching back and forth between the two, resulting in a dreamy effect similar to the Uni-Vibe. The 3 Series Harmonic Trem allows you to utilize Leo Fender’s revolutionary effect in a package much easier to tote than a vintage amplifier. Toggle the Up switch for a great-sounding amp trem, while toggling Down delivers a harmonic trem effect. It runs on 9V DC negative center power and consumes 65 mA. The JHS Pedals 3 Series is a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds, perfect for beginners and professionals alike. The JHS 3 Series will inspire your playing and help you explore new sounds at an approachable price point. Inspired by Leo Fender’s 1960 “Harmonic Tremolo” circuitToggle Up for amp trem; Toggle Down for harmonic tremVolume, Rate and Depth controlsOutput switches between high-frequency and low-frequency components for a dreamy effectMade in Kansas City, Missouri | JHS Pedals 3 Series Harmonic Trem Effects Pedal White"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Fuzz Effects Pedal White.
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. | JHS Pedals 3 Series Fuzz Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Distortion Effects Pedal White.
The JHS Pedals 3 Series Distortion is a massively versatile distortion pedal with the ability to achieve medium gain crunch, heavy overdrive, distortion, and even fuzz tones. The controls on the Distortion are Volume, Filter (or Tone), and Distort knobs that give you a wide range of usable sounds in any position. The Gain toggle gives you a choice between more saturated and compressed or a more open and crunchy distortion. This switch plays a big part in how the pedal responds to your playing and touch dynamics. | JHS Pedals 3 Series Distortion Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Delay Effects Pedal White.
The JHS Pedals 3 Series Delay is an analog delay effects pedal packed with a range of vintage and modern delay sounds in an easy-to-use package. Guitarists will love the intuitive controls that make dialing in rich, rhythmic echoes a breeze. Whether you're looking for warm, saturated repeats or clear, pristine delays, the 3 Series Delay delivers. With controls for Time, Repeats and Mix, you can go from subtle ambiance to wild self-oscillation with the turn of a knob. Vintage-Inspired Circuitry for Lush, Musical DelaysAt the heart of the 3 Series Delay is an all-analog delay circuit based on vintage designs from the '70s and '80s. This results in organic, lush echoes with a natural warmth and musicality modern digital delays can't match. The 3 Series Delay's delay time ranges from 30ms to 600ms, allowing for everything from tight slapback echoes to ambient washes of sound. Simple, Intuitive Controls for Crafting Your Perfect Delay SoundWith just three knobs, the 3 Series Delay is easy to dial in and tweak on the fly. The Time knob sets the delay interval from 30ms up to 600ms. The Repeats control determines how many echoes are heard, from a single repeat up to near-endless oscillations. The Mix knob blends the delayed signal with your direct tone, allowing you to set the delay as a subtle ambiance or make it the focus of your sound. Road-Ready Design Built to Withstand the Rigors of TouringDespite its affordable price, the 3 Series Delay is built to professional standards with a durable, powder-coated enclosure and high-quality components selected for maximum reliability. Footswitches and jacks are rated for over 100, 000 stomps and plugs, so this pedal is ready to handle the demands of touring and gigging musicians. Unbeatable Value from a Premier Boutique Pedal BuilderJHS Pedals is known worldwide for their premium quality effects pedals and the 3 Series Delay lives up to their reputation. With lush, musical delays, intuitive controls and a rugged build, the 3 Series Delay offers amazing performance and tone for its price point. Guitarists looking to add an inspiring analog delay to their setup need look no further than the JHS Pedals 3 Series Delay. The Delay gives you 80ms to 800ms of delay time, for everything from slapback to long ambient washes of pad-like echo. The Type toggle allows you to select between a clearer digital-voiced delay and darker analog-voiced delay. The Delay will give you classic bucket brigade runaway when you max out the Repeats knob when in the analog-voiced delay mode. | JHS Pedals 3 Series Delay Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Compressor Effects Pedal White.
The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. A powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. | JHS Pedals 3 Series Compressor Effects Pedal White
Store: Guitar Center
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