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Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Hall Reverb Effects Pedal White.
The JHS Pedals Hall Reverb effects pedal is inspired by the sounds of large spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing, and help you explore new sounds at an accessible price point. Massive reverberation effects for expansive, otherworldly soundThree simple controls and one toggleSuited for experts and beginners | JHS Pedals Hall Reverb Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Haunting Mids EQ Effects Pedal.
"Are you on the search for scary-good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, the designers at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective sweepable-mids EQ pedal that can turn any amp or pedal into a ghastly monster. With its ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo/Hi toggle is like a ""Q"" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. ""Lo"" is a softer and wider peak for slightly subtler affect as you tweak the Mids/Sweep knobs. ""Hi"" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids/Sweep knobs. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every ""djent,"" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig. The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost. So go and wake the undead with the ghostly sounds of the Haunting Mids! Simple yet effective tool to boost/cut the perfect amount of midrange frequenciesSweepable midrange frequency to find the perfect EQ to slice through any mixTurn any amp or pedal into a totally different ghastly monsterDon’t forget the Volume BOOOOOOst | JHS Pedals Haunting Mids EQ Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Black.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kilt V2 Overdrive Effects Pedal.
When the opportunity to work with Stu G came about (legendary guitarist, writer, producer and founding member of UK band Delirious), JHS Pedals engineers couldn’t pass it up. Right out of the gate, Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 JHS refined it to be a compact and versatile tone-machine. The Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora-style dirt box that gives you more tonal options than you might ever be able to use. The designers use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz/distortion and everything found in-between. When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup. G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything. For the V2 JHS added the ability to switch the G2 toggle with a Red Remote. This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact. | JHS Pedals Kilt V2 Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kodiak Tremolo Guitar Effects Pedal.
"Part of JHS Pedals' tap tempo series, the Kodiak Tremolo effects pedal features all the bells and whistles you need to create the biggest tremolo growl. Based around classic VOX and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap tempo and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. Let’s take a look at all the features this brown beast bears. The Kodiak has five simple controls: Volume, Speed, Mix, Ratio and Wave. The Volume control enables you to set the overall volume however you like it—either dialed back, at unity or boosted. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the onboard tap tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Ratio control gives you the ability to dial in faster speeds that are perfectly synced with the BPM of your tap. You can choose from quarter notes, eighth notes, ""triplets"" or sixteenth notes. The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time signatures for a different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey and spend lots of time with your new bear friend to really get to know what it has to offer. The Kodiak tremolo guitar effects pedal also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak. Requires standard 9V DC negative powerConsumes 10mADimensions: 2.6"" x 4.8"" x 1.6"" | JHS Pedals Kodiak Tremolo Guitar Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Little Black Amp Box Pedal.
If your amp has a “send/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the Little Black Amp Box to saturate your preamp section and get some cranked tube tone at bedroom levels! Connect the input to your SEND and the output to your RETURN to saturate your preamp sectionThis pedal does not require powerMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Little Black Amp Box Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Little Black Buffer Pedal.
There are so many reasons to add the JHS Pedals Little Black Buffer to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding the Little Black Buffer to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting the JHS Little Black Buffer on your board will give you your tone back. Simple and Effective Signal-Splitting DeviceThere are a ton of applications for adding a Little Black Buffer to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the this pedal, you’ll never be without one again. Here are just a few options. Keeps Your Tone Clear, Powerful and PristineYou’re going to want this quality buffer in your signal chain. The Little Black Buffer is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers. Convenient Low-Profile DesignA device such as the Little Black Buffer is content to be a workhorse piece of gear that quietly does its job in the background. That’s why JHS Pedals designed this little guy to be compact, sturdy, and simple to integrate into your rig. Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chainsRetains the original tone of your guitar without tone loss from other gear in your signal chainSmall size is ideal for saving pedalboard spaceCan easily be mounted underneath your boardBuilt ruggedBlack powder coating keeps the buffer hidden in the background | JHS Pedals Little Black Buffer Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black.
The Mary-K 1969 Kay Fuzz Tone Replica pedal from JHS is a reimagining of the original classic, likely released in late 1967 or early 1968. Initially designed as a low-cost-version of the Shin-ei/Univox Superfuzz, this fuzz is one of the Edge's go-to pedals. Fifty-four years later, JHS is releasing their spin on the Kay Fuzz Tone: the Mary-K. Knobs and an expression pedal output were also added for those who want to use it as it was originally intended. | JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals Mini A B Box Footswitch Pedal.
A good solid A/B box can be a guitarist's best friend. JHS makes their's from a Hammond 1.5 x 3.6 in. metal enclosure with high quality jacks and switch. They also include a dual color (red/blue) LED to let you know by sight if your using A or B. This is very practical in a live situation. Choose between two amps on the flyTake your guitar tuner out of your signal chainChoose between two guitars with no unplugging of cablesMute your guitar instantlyAnywhere you need to choose inputs or outputs | JHS Pedals Mini A B Box Footswitch Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Morning Glory V4 Overdrive Guitar Effects Pedal.
The JHS Pedals Morning Glory is undoubtedly the company's most well-known overdrive pedal, winning more awards and receiving more accolades than any of its other designs. Engineers worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly—you get the idea. Truly Transparent ToneThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone. So just plug into our Morning Glory overdrive for yourself. Then you’ll understand. On-the-Fly VersatilityAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package. Gain control sweeps from completely clean to rock ‘n’ rollTame high end on brighter rigs with the side-mounted bright-cut switchIncreased headroom and output for use as a full-frequency boostSwitch to a more powerful sound with enhanced low end and gritPlug in your JHS Red Remote for switching between the two voices with the tap of your toeHandy LED changes from blue to red, indicating the status of the boost circuit | JHS Pedals Morning Glory V4 Overdrive Guitar Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Muffuletta Distortion/Fuzz Guitar Effects Pedal Army Green.
The JHS Pedals Muffuletta distortion/fuzz effects pedal offers a host of holy grail fuzz tones in one pedal. In 1967, the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969, he created a circuit that has become one of the most legendary, collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its nearly half a century lifetime, the Big Muff Distortion/Fuzz has pioneered the sounds of some of the biggest bands and musical movements in history. The Muffuletta is a tribute to the legend and story of one of the greatest pedals ever invented. The heart of the Muffuletta is the fact that it replicates five classic Big Muff circuits from years gone by, as well as a new and original JHS version, for a total of six Muff modes, all executed without any digital signal processing or digital emulation. When you choose a mode, you are achieving analog tone that uses real components and values found in the original units. JHS has selected their favorite classic versions from the pages of history and made them available in one small format pedal that is easy to understand, operate and do what it should do: replicate rare, expensive, mythical and sought-after versions of this circuit with ease. The Muffuletta features four controls: Volume, Tone, Sustain and Mode. The Volume control works just like any other volume control; the Tone control lets you brighten or darken your overall tone; the Sustain control is best understood as a gain or distortion control as it gives more distortion to the circuit; and the Mode control lets you choose from the six different versions of the Big Muff on the fly. Produces rare, sought-after versions of Big Muff circuits with easeReplicates five classic Big Muff circuits, plus an original JHS version for a total of six modesAnalog tone using real components and values found in the original unitsVolume, Tone, Sustain and Mode controls | JHS Pedals Muffuletta Distortion/Fuzz Guitar Effects Pedal Army Green
Store: Guitar Center JHS Pedals Mute Switch Pedal
$65.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Mute Switch Pedal.
Simple, solid and very useful. Have you ever needed a simple mute switch with no frills? Just hit the footswitch and anything plugged into the input is made 100% silent. Has a dual color LED that shines green when signal is hot and red when the mute is on. NOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen. Requires standard 9V DC Negative for the LED to functionMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Mute Switch Pedal
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Get my Guitar found the latest prices on the JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black.
The JHS Pedals PackRat distortion stompbox brings you a palette of nine distinct distortion tones, all derived from analog circuitry for fluid, organic grit and growl. Based on the revered ProCo Rat distortion that's been a staple on pedalboards since the late 1970s, the PackRat distortion pedal gives you a wide range of gain levels and tones to suit any genre or playing style. Dial In Vintage to Modern Distortion With Nine ModesThe PackRat distortion effects pedal equips guitarists with an arsenal of distortion tones, from subtle crunch to heavy saturation. Access nine different distortion modes, each with its own EQ voicing and gain structure, putting a spectrum of distortion flavors at your feet. Ranging from a mild overdrive to a thick, stinging fuzz, the PackRat's modes give you tones ideal for blues, rock, metal, punk, garage rock and more. Whether you need light breakup, singing leads, chugging rhythm or searing solos, one of the PackRat's nine modes will get you there. All-Analog Circuitry Captures Organic ToneWithin the PackRat distortion pedal lies 100 percent analog circuitry, giving your tone a fluid, dynamic feel. Analog distortion interacts with your guitar's pickups for a warm, organic grit that compresses and sustains naturally. The PackRat captures the mojo of classic distortion boxes like the ProCo Rat, which used analog parts to create their distinctive sound. From smooth clipping to rich harmonics, the PackRat's analog design imparts distortion with vintage vibe and true amp-like responsiveness. Modeled After the Legendary ProCo Rat DistortionThe PackRat takes inspiration from the highly regarded ProCo Rat distortion pedal first introduced in 1978. Loved by countless iconic guitarists, the vintage Rat had a smooth, creamy distortion with plenty of sustain. The PackRat aims to expand on that tonal legacy with a wider range of distortion flavors. Its modes all use analog parts and design cues from the Rat, imparting that same touch-sensitive dynamic response. For guitarists who dig the Rat's signature sound, the PackRat provides more tonal variety while retaining the organic analog tone. True Bypass Preserves Your Natural ToneThe PackRat features a true bypass switching design that routes your signal around the distortion circuitry when disengaged. That means your guitar's unadulterated tone passes directly to your amp, unaffected by any electronic components in the signal chain. True bypass preserves your natural tone and dynamics when the PackRat is off, ensuring zero loss of high end or signal integrity. Stomp it on and the PackRat feeds your amp with organic, responsive analog distortion. Inspired by 40+ years of rodent evolutionUnique digital runway systemNine legendary and rare modesVolume, Distortion, Filter and Mode controls | JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals PG-14 Paul Gilbert Signature Distortion Guitar Effects Pedal Blue.
JHS Pedals teamed up with the legendary shredder Paul Gilbert to create the PG-14, a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud, stadium-level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice! Just hit the footswitch! The Paul Gilbert PG-14 runs on 9V DC negative center power. | JHS Pedals PG-14 Paul Gilbert Signature Distortion Guitar Effects Pedal Blue
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Get my Guitar found the latest prices on the JHS Pedals Phaser Effects Pedal White.
The JHS Pedals Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing, and help you explore new sounds at an accessible price point. Inspired by classic ’70s phaser circuitsThree simple controls and one toggleWider range of tone with the Blend control and Feedback toggleSuited for experts and beginners | JHS Pedals Phaser Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black.
"The Plug-in 1967 Boss Tone Replica pedal from JHS is a reimagining of the Boss Tone, the first commercially successful U.S.-based plug-in effect, which debuted at the 1966 NAMM show. At the time, fuzz was still a new frontier for most guitarists, but nothing else on the market looked or sounded quite like the Boss Tone. The original unit is a small 1-3/4"" by 2-1/4"" molded plastic box that plugs directly into the guitar’s output jack. Unfortunately, plug-in effects never quite captured the practicality of a good old-fashioned stompbox, so this floor-based pedal features the same unique tone. | JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black"
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Get my Guitar found the latest prices on the JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal.
If you haven’t experienced the joy of slamming the front end of your amplifier with a great-quality boost pedal, it’s time you add the JHS Pedals Prestige to your rig. Running it low transforms it into 3D-sounding buffer. You can nudge it up a bit to get a clear volume boost. Or maybe you want to keep turning the knob to punish your preamp into its most gorgeous harmonic overdrive. And for the sonically brave, try dimming the JHS Prestige buffer/booster pedal and listen as your amp begs for mercy. And all this power comes in an adorable mini enclosure that takes up minimal pedalboard real estate. Single knob couldn’t be any easier to useAt lowest settings, the Prestige makes a great buffer for driving long cables and pedal chainsUp to 27dB of gain on tap to drive any amplifier into thick, creamy, overdrive/fuzz/distortion | JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Pulp N Peel V4 Compressor Preamp.
The JHS Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s 1/4” and balanced XLR outputs have you covered. This compressor/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution. The Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note that blooms out of your amplifier. Onstage, in the studio, or anywhere elseNo matter what electric instrument you play, JHS outfitted the Pulp ‘N’ Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else. Warm studio-style grit to help you cut throughWhether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control. Improved detection circuit for smoother tones with added sustainActive EQ control that cuts or boosts high endParallel Blend control balances your compressed and uncompressed signalsDirt voiced to go from warm tone enhancement to gritty tonal foundationLow-profile gain control is safely located on the side of the pedalWorks especially great on bassIncreased output works as a fantastic full-frequency boost | JHS Pedals Pulp N Peel V4 Compressor Preamp
Store: Guitar Center JHS Pedals Red Remote Pedal
$45.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Red Remote Pedal.
"Use the new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote-equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:Morning Glory V4SuperBolt V2Twin Twelve V2When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's ""GAIN"" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch. To use the Red Remote, plug the remote into the jack of the pedal labeled ""REMOTE...""...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into. | JHS Pedals Red Remote Pedal"
Store: Guitar CenterJHS Pedals Summing Amp
$85.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Summing Amp.
"The JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output. Simply plug into the two marked inputs and then plug in your single output and you’re ready to go. From two signals, the Summing Amp creates one mono signal. This is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the '80s with his delays. When you have a quarter-note delay and a dotted eighth delay, and you place them in parallel, then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays."" This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression. The Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. This simple little box takes two inputs and creates one output but it adds up to a whole lot more! None"
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals The Clover Preamp Effects Pedal.
In early 1984, BOSS released two strange devices under the name, “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp/Boost is JHS' faithful interpretation of the FA-1 but with several additional features that make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig! The Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix. In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output. The Clover is an end all preamplifier / boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic, the Clover covers every base. Find your unforgettable tone with the luck of the Clover! | JHS Pedals The Clover Preamp Effects Pedal
Store: Guitar Center JHS Pedals The Crayon Pedal
$199.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals The Crayon Pedal.
"In 1968, a piercing guitar tone came through the speakers on the Beatles “Revolution 1.” This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the tone now referred to as “Direct-In Distortion."" That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that JHS released in May of 2014. JHS sought to recreate that same compressed bite and fuzz that you get when plugging directly into a British-style preamp but in a compact pedal. What they came up with was something even more than they imagined, and the Colour Box has become a staple among many producers, guitar players and multi-instrumentalists worldwide. Many players over the last few years have expressed their interest in a unit that is like the Colour Box, but more streamlined for the one basic application of a dirt box. No XLR function, no 3-band EQ… Just the dirt in an easy to use format for guitarists… So JHS decided to pull the Crayon out of the Colour Box. The Crayon's controls are Master, Pre, Tilt and Hi Pass. Master is your classic volume control that controls the overall output. Pre works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As you reach 75% and above, the fuzz will begin to gate out as you pick the strings harder when playing, it is very responsive to your input signal and touch. The Tilt acts as an active tone control that is flat when the knob is at 50%. When turned to the left, the Tilt control boosts bass and simultaneously cuts treble. When turned to the right, it boosts treble and cuts bass. This allows for some very unique and usable adjustments to the overall feel of the Crayon. The Hi Pass toggle switch lets you activate from two different frequencies located on the side of the pedal, 200Hz and 750Hz. These settings let only the high-band frequencies above them pass, and this allows for some amazing tone-shaping possibilities. The Crayon excels at Direct-In fuzz tones, but it truly covers more ground than you would first imagine. From subtle tube-like overdrive to classic rock distortion and all the way to spitting fuzz, the Crayon is much more than a one-trick pony. The Crayon also cleans up with your guitar's volume better than any other drive we make. It is exceptional for the player who want to access multiple dirt tones with the controls of their guitar. Versatile fuzz, distortion and overdrive tonesMaster, Pre-Vol and Tilt controlsHi-Pass switch | JHS Pedals The Crayon Pedal"
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals The Milkman Slap Echo Pedal.
"The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small-wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost/echo 2-in-1 that fits into any style players rig with ease. The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay. The controls are simple and it sounds good in every setting. The “Slap” knob is the amount of delay time. As you turn the knob up, you will get longer delay times. Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The “Mix” knob is the effect level. Full counter clockwise is all dry and full clockwise is full wet/effect. The “Repeat” knob controls how many echoes or repeats you get. The minimum is one and maximum is around 4.5 repeats. ""Repeat"" knob lets you fine tune how many delays you will get. Lastly is the “EQ” knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine. The footswitching is a two-in-one arrangement, in which either effect can be used separately or together. The foot switch on the left, the switch will turn the delay on/off and the footswitch on the right will turn the boost on/off. The Milkman uses standard 9v DC negative power only. | JHS Pedals The Milkman Slap Echo Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Tidewater Tremolo Effects Pedal.
"Have you ever ridden the sonic waves of a vintage Fender blackface or VOX tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht. The Tidewater Tremolo effects pedal faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. The controls are Volume, Mix and Speed. The Volume allows you to set the overall volume at unity, below unity or above unity for a boosted tone. With the Mix turned all the way down, you can use the Tidewater as a warm preamp boost. The Mix knob controls the depth of the tremolo while the Speed knob controls how fast the tremolo moves, indicated by the LED next to the Speed knob. Inside the pedal on the back of the PCB there are three small dip-switches. When all three switches are in the down position, the range of speed available is faster. When all three switches are in the up position, the available range of speed is slower. When you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice. This stompbox requires standard 9V DC Negative power, consumes 3 mA, and measures 3.6"" x 1.5” x 1"", | JHS Pedals Tidewater Tremolo Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Unicorn V2 Analog Uni-Vibe Effects Pedal.
"Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969,"" and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is the company's version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. And just like the originals, the designers included a toggle for choosing between a Uni-Vibe effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. It's the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. Sounds as good as you rememberThe Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units. In-depth tempo controlThere are other analog vibe pedals and there are pedals with tap-tempo control, but - if we’re allowed to gloat for a second - the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions - or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn - and you have one of the most versatile vibe pedals on the market. External tempo and expression controlBut wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects. Couldn’t be easier to useOne of the things we’re most proud of with the Unicorn Uni-vibe* Photocell Modulator is how easy it is to dial up the exact pulse of a mystical Unicorn running across a field of 4-leaf clovers… but only if you dare. What's new in the V2?The original Unicorn sounds great and works perfectly, so we didn't change a thing about it other than: its now half the size, and its a lower price point! Sounds like the originals because it’s built like the originalsAll-analog signal path delivers a warm, touch-sensitive toneDry/Wet toggle selects between a Uni-Vibe and vibrato effectControl the rate of the effect with the Speed knob or onboard tap-tempo footswitchWant quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knobLED indicator notifies you of the effect’s tempo, even when disengagedInternal Tap/Expression mini switch controls the side-mounted Tap/Exp TRS jackExpression pedal control of the Unicorn’s rate in the Exp settingUse an external source to control the rate in the Tap Out setting Four knobs and a mini toggle are all you need for a world of syrupy, modulated tonesLeft two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple | JHS Pedals Unicorn V2 Analog Uni-Vibe Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Black.
The JHS Pedals Violet distortion/overdrive pedal is a collaboration between Josh Scott and renowned Brazilian guitarist Lari Basilio. This pedal offers guitarists an ultraflexible distortion channel that can easily turn any clean amp into a powerful, expressive machine. With a three-band EQ designed to maximize tone-shaping capabilities, the Violet can take you from smooth overdrive to full-on modern distortion. The Midrange control, placed before the distortion circuit, provides powerful pre-distortion tone shaping, while the Treble and Bass controls allow for fine post-distortion adjustments. Whether you're looking for a transparent overdrive or thick, cutting distortion, the Violet is ready to deliver. Midrange Control for Unmatched FlexibilityThe Violet's unique midrange control sets it apart from other distortion pedals. By placing the Mid control before the distortion circuit, JHS has created a tool for shaping your tone before it hits the distortion, allowing for endless tonal possibilities. This innovative design allows you to boost or scoop the mids based on your needs, from cutting lead tones to rich rhythm sounds. The Mid Sweep control further enhances this flexibility, letting you dial in the exact midrange frequencies to shape your tone to perfection. Complete Tone Control With Three-Band EQIn addition to the powerful Midrange control, the Violet features traditional Bass and Treble controls for post-distortion shaping. This three-band EQ offers guitarists the ability to tailor their sound to fit any musical genre or style. The Violet excels at stacking with other drive pedals, making it an ideal addition to any pedalboard, whether you're using it as a primary overdrive or a secondary gain stage. This tonal flexibility ensures that the Violet can seamlessly integrate into any rig, whether you're playing blues, rock, or modern metal. Perfect for Stacking and Layering EffectsThe Violet distortion/overdrive pedal isn't just designed to stand alone—it's also a master at stacking with other drive, distortion and fuzz pedals. Whether you're looking for a new primary dirt pedal or a secondary layer to complement your existing gear, the Violet delivers smooth, dynamic responses across all frequencies. Lari Basilio herself endorses this pedal as a key component of her signature tone, allowing players to channel their creativity and give their guitar a unique, new voice. Midrange control placed before the distortion circuitTreble and Bass controls for post-distortion EQ adjustments Mid Sweep control to precisely target midrange frequencies Perfect for stacking with other overdrive, distortion or fuzz pedals | JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Purple.
The JHS Pedals Violet distortion/overdrive pedal is a collaboration between Josh Scott and renowned Brazilian guitarist Lari Basilio. This pedal offers guitarists an ultraflexible distortion channel that can easily turn any clean amp into a powerful, expressive machine. With a three-band EQ designed to maximize tone-shaping capabilities, the Violet can take you from smooth overdrive to full-on modern distortion. The Midrange control, placed before the distortion circuit, provides powerful pre-distortion tone shaping, while the Treble and Bass controls allow for fine post-distortion adjustments. Whether you're looking for a transparent overdrive or thick, cutting distortion, the Violet is ready to deliver. Midrange Control for Unmatched FlexibilityThe Violet's unique midrange control sets it apart from other distortion pedals. By placing the Mid control before the distortion circuit, JHS has created a tool for shaping your tone before it hits the distortion, allowing for endless tonal possibilities. This innovative design allows you to boost or scoop the mids based on your needs, from cutting lead tones to rich rhythm sounds. The Mid Sweep control further enhances this flexibility, letting you dial in the exact midrange frequencies to shape your tone to perfection. Complete Tone Control With Three-Band EQIn addition to the powerful Midrange control, the Violet features traditional Bass and Treble controls for post-distortion shaping. This three-band EQ offers guitarists the ability to tailor their sound to fit any musical genre or style. The Violet excels at stacking with other drive pedals, making it an ideal addition to any pedalboard, whether you're using it as a primary overdrive or a secondary gain stage. This tonal flexibility ensures that the Violet can seamlessly integrate into any rig, whether you're playing blues, rock, or modern metal. Perfect for Stacking and Layering EffectsThe Violet distortion/overdrive pedal isn't just designed to stand alone—it's also a master at stacking with other drive, distortion and fuzz pedals. Whether you're looking for a new primary dirt pedal or a secondary layer to complement your existing gear, the Violet delivers smooth, dynamic responses across all frequencies. Lari Basilio herself endorses this pedal as a key component of her signature tone, allowing players to channel their creativity and give their guitar a unique, new voice. Midrange control placed before the distortion circuitTreble and Bass controls for post-distortion EQ adjustments Mid Sweep control to precisely target midrange frequencies Perfect for stacking with other overdrive, distortion or fuzz pedals | JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Purple
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Volture 9V Voltage Sag Utility Pedal Black.
"The Volture voltage sag utility pedal from JHS is a modern day device for your vintage fuzz circuitry. Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery. Though it was specifically developed for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion. Standard 9V DC negative power required Dimensions: 3.6"" X 1.5"" X 1"" | JHS Pedals Volture 9V Voltage Sag Utility Pedal Black"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Whitey Tighty Mini Compressor Effects Pedal.
The Whitey Tighty compressor is JHS' take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1” x 3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty! | JHS Pedals Whitey Tighty Mini Compressor Effects Pedal
Store: Guitar Center
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Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal Blue
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White.
The JHS Flight Delay analog digital chorus vibrato effects pedal is designed to give players the essential delay effects without the hassle of complex settings or menu diving. With three distinct delay modes (Analog, Reverse and Digital) inspired by classic pedals like the EHX Memory Man and the Line 6 DL4, this pedal is versatile enough for any genre. Whether you want warm analog echoes, crisp digital repeats or unique reverse delay effects, the Flight Delay delivers them all in a simple, user-friendly package. The additional modulation controls further expand its tonal capabilities, making it an all-in-one solution for players seeking high-quality delay effects. Essential Controls for Maximum SimplicityThe Flight Delay features intuitive controls that make dialing in your desired delay sound effortless. The Mix knob adjusts the balance between your dry and delayed signal, while the Repeats knob controls the feedback level, ranging from subtle echoes to infinite repeats. The Time control offers delay times from 50ms to 1 second, covering everything from tight slapback echoes to expansive, long delays. Additionally, the EQ knob allows you to shape the tone of the delay, from dark and warm to bright and crisp. Modulation Options for Added TextureAlong with its versatile delay modes, the Flight Delay includes modulation controls for adding chorus or vibrato to the delayed signal. The Mod Depth and Mod Rate knobs let you adjust the intensity and speed of the modulation, giving you the ability to recreate the warble of vintage tape echoes or the shimmering modulation of analog delay pedals. This feature adds another layer of depth and character to your sound, making the Flight Delay a powerful tool for both live performances and studio sessions. Tap Tempo and Expression Control for On-the-Fly AdjustmentsThe Flight Delay offers tap tempo functionality through the right footswitch, allowing you to easily sync your delay to the tempo of your music. For added flexibility, an external tap or expression pedal can be connected to the TAP/EXP jack, giving you hands-free control over the delay time. Whether you're locking in a delay time or manipulating the modulation on the fly, these features ensure that the Flight Delay adapts to your playing style and needs in real time. Three delay modes (Analog, Reverse, Digital) inspired by iconic pedals Modulation options for chorus, vibrato and tape-like warble Tap tempo and expression control for hands-free adjustments Trails Bypass mode for smooth delay trails when bypassed | JHS Pedals Flight Delay Reverse Analog Digital Chorus Vibrato Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Hall Reverb Effects Pedal White.
The JHS Pedals Hall Reverb effects pedal is inspired by the sounds of large spaces, cathedrals and halls where the decay of natural reverb seemingly goes on forever. This pedal is perfect for players who are searching for massive, infinite and even otherworldly reverb. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing, and help you explore new sounds at an accessible price point. Massive reverberation effects for expansive, otherworldly soundThree simple controls and one toggleSuited for experts and beginners | JHS Pedals Hall Reverb Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Haunting Mids EQ Effects Pedal.
"Are you on the search for scary-good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, the designers at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective sweepable-mids EQ pedal that can turn any amp or pedal into a ghastly monster. With its ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo/Hi toggle is like a ""Q"" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. ""Lo"" is a softer and wider peak for slightly subtler affect as you tweak the Mids/Sweep knobs. ""Hi"" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids/Sweep knobs. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every ""djent,"" blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig. The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost. So go and wake the undead with the ghostly sounds of the Haunting Mids! Simple yet effective tool to boost/cut the perfect amount of midrange frequenciesSweepable midrange frequency to find the perfect EQ to slice through any mixTurn any amp or pedal into a totally different ghastly monsterDon’t forget the Volume BOOOOOOst | JHS Pedals Haunting Mids EQ Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Black.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan.
The JHS Hard Drive distortion effects pedal provides a fresh approach to achieving high-gain distortion. Designed from scratch by JHS Pedals, the Hard Drive lets you dial in everything from tube amp crunch to a crushing wall of distortion. With controls for volume, mid frequency, drive, bass, midrange and treble, you can shape your tone to cut through any mix. A Modern, Custom Distortion CircuitThe Hard Drive is JHS Pedals' first full-blown distortion pedal not based on a previous circuit. Released in 2021, the Hard Drive aims to capture the heavy distortion tones of '90s and 2000s alternative rock. The Hard Drive's circuitry cascades multiple gain stages and a hard limiting circuit, followed by an AB amplifier section with a sweepable midrange EQ. This custom design gives you access to a wide range of high-gain tones from chunky crunch to saturated distortion. A Tribute to a Master EngineerThe Hard Drive pedal holds special significance as the final design work of former JHS Pedals engineer Cliff Smith. Smith spent years experimenting to develop the Hard Drive's complex circuitry. The Hard Drive embodies Smith's passion for high-gain tones and making solid-state electronics sound like tube amplifiers. As Smith's last major project before his passing, the Hard Drive is a tribute to his expertise and artistry as an engineer. Shape Your ToneWith six controls, the Hard Drive provides flexibility in crafting your tone. The volume control adjusts the overall output level, while the drive control adds more distortion. The bass, midrange and treble controls act as a three-band EQ to adjust the tonal balance. The mid frequency control selects which midrange frequencies are boosted or cut by the midrange control. Using the Hard Drive's controls, you can go from a crunchy overdrive to an blistering distortion that will cut through any mix. Dial in tube amp crunch to crushing wall of distortion Six controls for volume, drive, bass, midrange, treble and mid frequency Cascading gain stages and hard limiting circuit for high-gain tones Tribute to JHS engineer Cliff Smith's passion for high-gain tones | JHS Pedals JHS Hard Drive Distortion Effects Pedal Tan
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kilt V2 Overdrive Effects Pedal.
When the opportunity to work with Stu G came about (legendary guitarist, writer, producer and founding member of UK band Delirious), JHS Pedals engineers couldn’t pass it up. Right out of the gate, Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 JHS refined it to be a compact and versatile tone-machine. The Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora-style dirt box that gives you more tonal options than you might ever be able to use. The designers use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz/distortion and everything found in-between. When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup. G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything. For the V2 JHS added the ability to switch the G2 toggle with a Red Remote. This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact. | JHS Pedals Kilt V2 Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kodiak Tremolo Guitar Effects Pedal.
"Part of JHS Pedals' tap tempo series, the Kodiak Tremolo effects pedal features all the bells and whistles you need to create the biggest tremolo growl. Based around classic VOX and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap tempo and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. Let’s take a look at all the features this brown beast bears. The Kodiak has five simple controls: Volume, Speed, Mix, Ratio and Wave. The Volume control enables you to set the overall volume however you like it—either dialed back, at unity or boosted. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the onboard tap tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Ratio control gives you the ability to dial in faster speeds that are perfectly synced with the BPM of your tap. You can choose from quarter notes, eighth notes, ""triplets"" or sixteenth notes. The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time signatures for a different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey and spend lots of time with your new bear friend to really get to know what it has to offer. The Kodiak tremolo guitar effects pedal also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak. Requires standard 9V DC negative powerConsumes 10mADimensions: 2.6"" x 4.8"" x 1.6"" | JHS Pedals Kodiak Tremolo Guitar Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Little Black Amp Box Pedal.
If your amp has a “send/return” effects loop simply connect the input to your SEND and the output to your RETURN. You can use the Little Black Amp Box to saturate your preamp section and get some cranked tube tone at bedroom levels! Connect the input to your SEND and the output to your RETURN to saturate your preamp sectionThis pedal does not require powerMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Little Black Amp Box Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Little Black Buffer Pedal.
There are so many reasons to add the JHS Pedals Little Black Buffer to your pedalboard. But the most important one is great tone. If you’ve ever split your guitar’s signal with a passive device, adapter or even certain effects pedals, you know that the results can sometimes be less than stellar. This happens because many of those products simply cut your tone in two, sending one half one way and the other half the other way. You can end up with a tone that is muddy and lifeless. Adding the Little Black Buffer to your chain not only avoids these issues, but it will perfectly drive your long cable runs and pedalboard chains as well. Trust us on this one. If you need to split your signal for any host of reasons, putting the JHS Little Black Buffer on your board will give you your tone back. Simple and Effective Signal-Splitting DeviceThere are a ton of applications for adding a Little Black Buffer to your signal chain. Whether moving a tuner out of line or running a dual-amp setup, once you use the this pedal, you’ll never be without one again. Here are just a few options. Keeps Your Tone Clear, Powerful and PristineYou’re going to want this quality buffer in your signal chain. The Little Black Buffer is like giving each output a shot of adrenaline, ensuring they hit your amp with the same strength and character as they left your fingers. Convenient Low-Profile DesignA device such as the Little Black Buffer is content to be a workhorse piece of gear that quietly does its job in the background. That’s why JHS Pedals designed this little guy to be compact, sturdy, and simple to integrate into your rig. Converts your guitar’s hi-Z signal to lo-Z for driving long cables and pedal chainsRetains the original tone of your guitar without tone loss from other gear in your signal chainSmall size is ideal for saving pedalboard spaceCan easily be mounted underneath your boardBuilt ruggedBlack powder coating keeps the buffer hidden in the background | JHS Pedals Little Black Buffer Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black.
The Mary-K 1969 Kay Fuzz Tone Replica pedal from JHS is a reimagining of the original classic, likely released in late 1967 or early 1968. Initially designed as a low-cost-version of the Shin-ei/Univox Superfuzz, this fuzz is one of the Edge's go-to pedals. Fifty-four years later, JHS is releasing their spin on the Kay Fuzz Tone: the Mary-K. Knobs and an expression pedal output were also added for those who want to use it as it was originally intended. | JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals Mini A B Box Footswitch Pedal.
A good solid A/B box can be a guitarist's best friend. JHS makes their's from a Hammond 1.5 x 3.6 in. metal enclosure with high quality jacks and switch. They also include a dual color (red/blue) LED to let you know by sight if your using A or B. This is very practical in a live situation. Choose between two amps on the flyTake your guitar tuner out of your signal chainChoose between two guitars with no unplugging of cablesMute your guitar instantlyAnywhere you need to choose inputs or outputs | JHS Pedals Mini A B Box Footswitch Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Morning Glory V4 Overdrive Guitar Effects Pedal.
The JHS Pedals Morning Glory is undoubtedly the company's most well-known overdrive pedal, winning more awards and receiving more accolades than any of its other designs. Engineers worked hard to make it one of the most transparent overdrives out there. When you want to add some mid- to low-level grit to your crystal-clean tone, use your Morning Glory. When you want to boost a crunchy tone into thicker sustain, use your Morning Glory. When you need to add tube-like touch response to a less-than-ideal amp, use your Morning Glory. When you need to switch between two gain levels on the fly—you get the idea. Truly Transparent ToneThe best way to explain the Morning Glory is that it delivers all the tonal and responsive nuance that your amp is missing, and nothing that your tone already has. It’s difficult describing a pedal that can be set to have little effect on your tone. So just plug into our Morning Glory overdrive for yourself. Then you’ll understand. On-the-Fly VersatilityAn update for the Morning Glory V4 is moving the original's front-mounted bright-cut switch to the side of the pedal and replacing it with a powerful boost circuit. And by pairing your Morning Glory V4 with the JHS Red Remote (sold separately), you’re able to access the boost mid-song. It’s like having two Morning Glorys in one pedalboard-friendly package. Gain control sweeps from completely clean to rock ‘n’ rollTame high end on brighter rigs with the side-mounted bright-cut switchIncreased headroom and output for use as a full-frequency boostSwitch to a more powerful sound with enhanced low end and gritPlug in your JHS Red Remote for switching between the two voices with the tap of your toeHandy LED changes from blue to red, indicating the status of the boost circuit | JHS Pedals Morning Glory V4 Overdrive Guitar Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Muffuletta Distortion/Fuzz Guitar Effects Pedal Army Green.
The JHS Pedals Muffuletta distortion/fuzz effects pedal offers a host of holy grail fuzz tones in one pedal. In 1967, the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969, he created a circuit that has become one of the most legendary, collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its nearly half a century lifetime, the Big Muff Distortion/Fuzz has pioneered the sounds of some of the biggest bands and musical movements in history. The Muffuletta is a tribute to the legend and story of one of the greatest pedals ever invented. The heart of the Muffuletta is the fact that it replicates five classic Big Muff circuits from years gone by, as well as a new and original JHS version, for a total of six Muff modes, all executed without any digital signal processing or digital emulation. When you choose a mode, you are achieving analog tone that uses real components and values found in the original units. JHS has selected their favorite classic versions from the pages of history and made them available in one small format pedal that is easy to understand, operate and do what it should do: replicate rare, expensive, mythical and sought-after versions of this circuit with ease. The Muffuletta features four controls: Volume, Tone, Sustain and Mode. The Volume control works just like any other volume control; the Tone control lets you brighten or darken your overall tone; the Sustain control is best understood as a gain or distortion control as it gives more distortion to the circuit; and the Mode control lets you choose from the six different versions of the Big Muff on the fly. Produces rare, sought-after versions of Big Muff circuits with easeReplicates five classic Big Muff circuits, plus an original JHS version for a total of six modesAnalog tone using real components and values found in the original unitsVolume, Tone, Sustain and Mode controls | JHS Pedals Muffuletta Distortion/Fuzz Guitar Effects Pedal Army Green
Store: Guitar Center JHS Pedals Mute Switch Pedal
$65.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Mute Switch Pedal.
Simple, solid and very useful. Have you ever needed a simple mute switch with no frills? Just hit the footswitch and anything plugged into the input is made 100% silent. Has a dual color LED that shines green when signal is hot and red when the mute is on. NOTE that this is NOT a momentary switch. When clicked, the signal stays in the position chosen. Requires standard 9V DC Negative for the LED to functionMeasures 3.6 x 1.5 x 1 in. | JHS Pedals Mute Switch Pedal
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black.
The JHS Pedals PackRat distortion stompbox brings you a palette of nine distinct distortion tones, all derived from analog circuitry for fluid, organic grit and growl. Based on the revered ProCo Rat distortion that's been a staple on pedalboards since the late 1970s, the PackRat distortion pedal gives you a wide range of gain levels and tones to suit any genre or playing style. Dial In Vintage to Modern Distortion With Nine ModesThe PackRat distortion effects pedal equips guitarists with an arsenal of distortion tones, from subtle crunch to heavy saturation. Access nine different distortion modes, each with its own EQ voicing and gain structure, putting a spectrum of distortion flavors at your feet. Ranging from a mild overdrive to a thick, stinging fuzz, the PackRat's modes give you tones ideal for blues, rock, metal, punk, garage rock and more. Whether you need light breakup, singing leads, chugging rhythm or searing solos, one of the PackRat's nine modes will get you there. All-Analog Circuitry Captures Organic ToneWithin the PackRat distortion pedal lies 100 percent analog circuitry, giving your tone a fluid, dynamic feel. Analog distortion interacts with your guitar's pickups for a warm, organic grit that compresses and sustains naturally. The PackRat captures the mojo of classic distortion boxes like the ProCo Rat, which used analog parts to create their distinctive sound. From smooth clipping to rich harmonics, the PackRat's analog design imparts distortion with vintage vibe and true amp-like responsiveness. Modeled After the Legendary ProCo Rat DistortionThe PackRat takes inspiration from the highly regarded ProCo Rat distortion pedal first introduced in 1978. Loved by countless iconic guitarists, the vintage Rat had a smooth, creamy distortion with plenty of sustain. The PackRat aims to expand on that tonal legacy with a wider range of distortion flavors. Its modes all use analog parts and design cues from the Rat, imparting that same touch-sensitive dynamic response. For guitarists who dig the Rat's signature sound, the PackRat provides more tonal variety while retaining the organic analog tone. True Bypass Preserves Your Natural ToneThe PackRat features a true bypass switching design that routes your signal around the distortion circuitry when disengaged. That means your guitar's unadulterated tone passes directly to your amp, unaffected by any electronic components in the signal chain. True bypass preserves your natural tone and dynamics when the PackRat is off, ensuring zero loss of high end or signal integrity. Stomp it on and the PackRat feeds your amp with organic, responsive analog distortion. Inspired by 40+ years of rodent evolutionUnique digital runway systemNine legendary and rare modesVolume, Distortion, Filter and Mode controls | JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals PG-14 Paul Gilbert Signature Distortion Guitar Effects Pedal Blue.
JHS Pedals teamed up with the legendary shredder Paul Gilbert to create the PG-14, a new and unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier. This circuitry allows the player to have the dynamics and tone of loud, stadium-level amplifier at low/moderate volume levels. A second unique and essential feature of the design is that an active mid-frequency preamp is located at the front of the FET distortion circuitry. This design feature gives the user a vast sweep of tonal possibilities with any amp or guitar combination. The PG-14 is an end-all pedal for adding the ultimate dirt channel to your amplifier. A bonus feature is that it gives you all of Paul Gilbert's talent, decades of experience, and countless years of practice! Just hit the footswitch! The Paul Gilbert PG-14 runs on 9V DC negative center power. | JHS Pedals PG-14 Paul Gilbert Signature Distortion Guitar Effects Pedal Blue
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Get my Guitar found the latest prices on the JHS Pedals Phaser Effects Pedal White.
The JHS Pedals Phaser is a versatile and easy to use six-stage phaser pedal inspired by the classic phaser circuits of the 1970s. It has all the standard phase tones you would expect, but because of its unique Blend control and Feedback toggle, you can achieve an even wider range of modern and experimental tones. It is part of the JHS Pedals 3 Series, a collection of pedals designed to give you affordability and simplicity without compromising quality. Each 3 Series pedal is made in Kansas City, MO, using high-quality parts, quality control and attention to every detail. Each pedal has three simple controls and one toggle that offer a wide range of sounds—perfect for beginners and professionals alike. The JHS Pedals 3 Series will inspire your playing, and help you explore new sounds at an accessible price point. Inspired by classic ’70s phaser circuitsThree simple controls and one toggleWider range of tone with the Blend control and Feedback toggleSuited for experts and beginners | JHS Pedals Phaser Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black.
"The Plug-in 1967 Boss Tone Replica pedal from JHS is a reimagining of the Boss Tone, the first commercially successful U.S.-based plug-in effect, which debuted at the 1966 NAMM show. At the time, fuzz was still a new frontier for most guitarists, but nothing else on the market looked or sounded quite like the Boss Tone. The original unit is a small 1-3/4"" by 2-1/4"" molded plastic box that plugs directly into the guitar’s output jack. Unfortunately, plug-in effects never quite captured the practicality of a good old-fashioned stompbox, so this floor-based pedal features the same unique tone. | JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black"
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Get my Guitar found the latest prices on the JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal.
If you haven’t experienced the joy of slamming the front end of your amplifier with a great-quality boost pedal, it’s time you add the JHS Pedals Prestige to your rig. Running it low transforms it into 3D-sounding buffer. You can nudge it up a bit to get a clear volume boost. Or maybe you want to keep turning the knob to punish your preamp into its most gorgeous harmonic overdrive. And for the sonically brave, try dimming the JHS Prestige buffer/booster pedal and listen as your amp begs for mercy. And all this power comes in an adorable mini enclosure that takes up minimal pedalboard real estate. Single knob couldn’t be any easier to useAt lowest settings, the Prestige makes a great buffer for driving long cables and pedal chainsUp to 27dB of gain on tap to drive any amplifier into thick, creamy, overdrive/fuzz/distortion | JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Pulp N Peel V4 Compressor Preamp.
The JHS Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s 1/4” and balanced XLR outputs have you covered. This compressor/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution. The Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note that blooms out of your amplifier. Onstage, in the studio, or anywhere elseNo matter what electric instrument you play, JHS outfitted the Pulp ‘N’ Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else. Warm studio-style grit to help you cut throughWhether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control. Improved detection circuit for smoother tones with added sustainActive EQ control that cuts or boosts high endParallel Blend control balances your compressed and uncompressed signalsDirt voiced to go from warm tone enhancement to gritty tonal foundationLow-profile gain control is safely located on the side of the pedalWorks especially great on bassIncreased output works as a fantastic full-frequency boost | JHS Pedals Pulp N Peel V4 Compressor Preamp
Store: Guitar Center JHS Pedals Red Remote Pedal
$45.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Red Remote Pedal.
"Use the new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote-equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:Morning Glory V4SuperBolt V2Twin Twelve V2When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's ""GAIN"" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch. To use the Red Remote, plug the remote into the jack of the pedal labeled ""REMOTE...""...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into. | JHS Pedals Red Remote Pedal"
Store: Guitar CenterJHS Pedals Summing Amp
$85.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Summing Amp.
"The JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output. Simply plug into the two marked inputs and then plug in your single output and you’re ready to go. From two signals, the Summing Amp creates one mono signal. This is perfect for putting effects in parallel so that they are not affected by one another. The Edge used this technique in the '80s with his delays. When you have a quarter-note delay and a dotted eighth delay, and you place them in parallel, then sum them back together, the effect is that both delays come through more clearly and are not “delaying the delays."" This can also be used with overdrives so that they are not pushing each other as in series, but sit atop one another in parallel. Another use is combining fuzz and compression in parallel so the fuzz isn’t getting choked by the compression. The Summing Amp gives you the ability to use effects together in completely new ways that you may never have imagined and can open up new and inspiring sounds with your old effects. This simple little box takes two inputs and creates one output but it adds up to a whole lot more! None"
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals The Clover Preamp Effects Pedal.
In early 1984, BOSS released two strange devices under the name, “The Pocket Series”. One of those devices was the FA-1 FET Preamp and it quickly found its rightful place among the legends of tone when The Edge of U2 used it on the recording of “Unforgettable Fire” as well as placing it in his following touring rigs. The Clover Preamp/Boost is JHS' faithful interpretation of the FA-1 but with several additional features that make this amazing circuit even better. You won’t want to be without your lucky tone-shaper at any gig! The Clover has four standard controls and one rotary switch on the top. The Volume control allows you to set your volume at unity or as a boost to push your amp or dirt pedals. There are three EQ controls to give you tons of control to cut or boost Bass, Mids, and Treble. The rotary switch has three settings: Full EQ, No Mid, and No EQ. When set to Full EQ all three EQ controls are in operation, giving you full control over the full range of EQ available. The No Mid setting is an exact replica of the original FA-1, removing the ability to control the Mids and leaving them in a fixed setting. When in the No EQ mode all the EQ settings are removed and the Clover becomes a straight FET boost, perfect for pushing an amp. On the right side of the pedal there is a Low Cut dip switch. This removes some of the lows if you feel your tone is too muddy and can help you cut through a mix. In addition to the standard 1/4” input and output, the Clover has an XLR output for using as an acoustic or bass preamp. These can be used individually or simultaneously if you want to go to a sound board or interface as well as an amplifier. The XLR output was designed with acoustic and bass players in mind as the Clover is a wonderful preamp that gives you a great amount of control over your sound. There is also a ground lift if you experience some hum when using the XLR output. The Clover is an end all preamplifier / boost circuit for any electric, acoustic, or bass player. The EQ is simple, powerful and doesn’t allow a bad sound. No matter what style of music you play or amp that you use, the Clover will prove to be an indispensable tool. While the Clover excels at being a preamp / boost for dirt pedals, the magic is in pushing your tube amplifier into natural overdrive. The EQ lets you hit the exact spot that your amp is naturally prone to give in at. Push your small wattage amp into natural rich overdrive and distortion or find sounds in your larger more powerful wattage amp that you have never heard before. Strat and Tele players can use the Clover to create extra punch, depth and dynamics that single coil pickups can’t normally achieve, while Les Paul and humbucker players can find clarity, bite and definition galore! From country, rock, metal and even acoustic, the Clover covers every base. Find your unforgettable tone with the luck of the Clover! | JHS Pedals The Clover Preamp Effects Pedal
Store: Guitar Center JHS Pedals The Crayon Pedal
$199.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals The Crayon Pedal.
"In 1968, a piercing guitar tone came through the speakers on the Beatles “Revolution 1.” This is one of the most famous uses of plugging a guitar straight into a mixing console and creating the tone now referred to as “Direct-In Distortion."" That tone is one of the most recognizable and unique guitar tones of the last 60 years and was one of the inspirations for the JHS Colour Box that JHS released in May of 2014. JHS sought to recreate that same compressed bite and fuzz that you get when plugging directly into a British-style preamp but in a compact pedal. What they came up with was something even more than they imagined, and the Colour Box has become a staple among many producers, guitar players and multi-instrumentalists worldwide. Many players over the last few years have expressed their interest in a unit that is like the Colour Box, but more streamlined for the one basic application of a dirt box. No XLR function, no 3-band EQ… Just the dirt in an easy to use format for guitarists… So JHS decided to pull the Crayon out of the Colour Box. The Crayon's controls are Master, Pre, Tilt and Hi Pass. Master is your classic volume control that controls the overall output. Pre works as a drive or fuzz control like turning up the pre-volume on a preamp to send it in to overdrive. As you reach 75% and above, the fuzz will begin to gate out as you pick the strings harder when playing, it is very responsive to your input signal and touch. The Tilt acts as an active tone control that is flat when the knob is at 50%. When turned to the left, the Tilt control boosts bass and simultaneously cuts treble. When turned to the right, it boosts treble and cuts bass. This allows for some very unique and usable adjustments to the overall feel of the Crayon. The Hi Pass toggle switch lets you activate from two different frequencies located on the side of the pedal, 200Hz and 750Hz. These settings let only the high-band frequencies above them pass, and this allows for some amazing tone-shaping possibilities. The Crayon excels at Direct-In fuzz tones, but it truly covers more ground than you would first imagine. From subtle tube-like overdrive to classic rock distortion and all the way to spitting fuzz, the Crayon is much more than a one-trick pony. The Crayon also cleans up with your guitar's volume better than any other drive we make. It is exceptional for the player who want to access multiple dirt tones with the controls of their guitar. Versatile fuzz, distortion and overdrive tonesMaster, Pre-Vol and Tilt controlsHi-Pass switch | JHS Pedals The Crayon Pedal"
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals The Milkman Slap Echo Pedal.
"The Milkman is a collaborative idea between Josh Scott of JHS Pedals and Tim Marcus of Milkman Sound. The concept is simple; a single pedal that offers up an echo/slap delay and a boost that can be used as an always-on enhancer or as an overdrive for small-wattage amplifiers. Josh designed the circuit in late 2016 and here we are, a small footprint, easy to use boost/echo 2-in-1 that fits into any style players rig with ease. The right side of the pedal is the boost side. This boost is a discreet amplifier based circuit with tons of power and character. Simply set it low at unity gain for an always-on enhancer that fattens up and clarifies your tone, or turn more clockwise to push your tube amplifier into sweet natural overdrive. The left side of the pedal is the echo/slap delay circuit. This circuit is designed to be a hybrid of tape echo and analog BBD delay. The controls are simple and it sounds good in every setting. The “Slap” knob is the amount of delay time. As you turn the knob up, you will get longer delay times. Keep in mind, this pedal is designed for shorter vintage slap-back delay times. The “Mix” knob is the effect level. Full counter clockwise is all dry and full clockwise is full wet/effect. The “Repeat” knob controls how many echoes or repeats you get. The minimum is one and maximum is around 4.5 repeats. ""Repeat"" knob lets you fine tune how many delays you will get. Lastly is the “EQ” knob. This control only affects the repeat delay signal so that you can perfectly adjust the brightness or darkness of your echo. When fully counter clockwise the repeats are at their darkest much like an old BBD analog delay. When fully clockwise the repeats are the brightest they will be with more grit, this is much like a classic tape delay machine. The footswitching is a two-in-one arrangement, in which either effect can be used separately or together. The foot switch on the left, the switch will turn the delay on/off and the footswitch on the right will turn the boost on/off. The Milkman uses standard 9v DC negative power only. | JHS Pedals The Milkman Slap Echo Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Tidewater Tremolo Effects Pedal.
"Have you ever ridden the sonic waves of a vintage Fender blackface or VOX tremolo flowing like water from the speaker? Then you know that this kind of tone can make you feel like you’re sailing on a million dollar yacht. The Tidewater Tremolo effects pedal faithfully recreates this beloved amp tremolo with a warmth and character you would only expect from a vintage amp. With simple controls and a small footprint, you’ll be sailing the high seas of tone with the Tidewater Tremolo. The controls are Volume, Mix and Speed. The Volume allows you to set the overall volume at unity, below unity or above unity for a boosted tone. With the Mix turned all the way down, you can use the Tidewater as a warm preamp boost. The Mix knob controls the depth of the tremolo while the Speed knob controls how fast the tremolo moves, indicated by the LED next to the Speed knob. Inside the pedal on the back of the PCB there are three small dip-switches. When all three switches are in the down position, the range of speed available is faster. When all three switches are in the up position, the available range of speed is slower. When you want a simple amp-like tremolo that doesn’t take up much space, the Tidewater Tremolo is your vessel of choice. This stompbox requires standard 9V DC Negative power, consumes 3 mA, and measures 3.6"" x 1.5” x 1"", | JHS Pedals Tidewater Tremolo Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Unicorn V2 Analog Uni-Vibe Effects Pedal.
"Pink Floyd’s “Breathe,” Jimi Hendrix’s “Star Spangled Banner live at Woodstock 1969,"" and Robin Trower’s “Bridge of Sighs” cemented the sound of a photocell-based vibe effect as an electric guitar standard. The JHS Pedals Unicorn is the company's version of this heralded effect, continuing the inspiring modulation/phasing/rotary sounds that never fail to push musical boundaries. And just like the originals, the designers included a toggle for choosing between a Uni-Vibe effect and a traditional vibrato setting. What sets Unicorn apart from all other vibe-style circuits is that it is the first-ever fully analog, photocell-based vibe with tap tempo as well as ratio, external tap control, and external rate control via expression pedal (optional). And the Unicorn does it all with only four knobs and a mini-toggle switch. It's the first-ever, 100% analog vibe photocell modulator with onboard tap tempo. Sounds as good as you rememberThe Unicorn is bursting with all the lush and washy pulsations that changed what the electric guitar could sound like in the 1960s. And this is no digital emulation. The Unicorn sports the real-deal, analog photocell topology of the original units. In-depth tempo controlThere are other analog vibe pedals and there are pedals with tap-tempo control, but - if we’re allowed to gloat for a second - the JHS Unicorn is the first to put ‘em together. Add optional external speed control and a ratio knob that determines the rhythmic subdivisions - or as we like to say, how much fairy dust enters into the flux capacitor of the Unicorn - and you have one of the most versatile vibe pedals on the market. External tempo and expression controlBut wait, there’s more! One of the things that makes the vintage Shin-ei* Uni-Vibes* so desirable is your ability to control the effect’s rate in real time with an external expression pedal. How could we not include that!? And to go one step further, you can slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects. Couldn’t be easier to useOne of the things we’re most proud of with the Unicorn Uni-vibe* Photocell Modulator is how easy it is to dial up the exact pulse of a mystical Unicorn running across a field of 4-leaf clovers… but only if you dare. What's new in the V2?The original Unicorn sounds great and works perfectly, so we didn't change a thing about it other than: its now half the size, and its a lower price point! Sounds like the originals because it’s built like the originalsAll-analog signal path delivers a warm, touch-sensitive toneDry/Wet toggle selects between a Uni-Vibe and vibrato effectControl the rate of the effect with the Speed knob or onboard tap-tempo footswitchWant quarter note, dotted eighth, or triplet rhythms? They’re all found on the Ratio knobLED indicator notifies you of the effect’s tempo, even when disengagedInternal Tap/Expression mini switch controls the side-mounted Tap/Exp TRS jackExpression pedal control of the Unicorn’s rate in the Exp settingUse an external source to control the rate in the Tap Out setting Four knobs and a mini toggle are all you need for a world of syrupy, modulated tonesLeft two controls are your tone, right two controls are your speed, toggle is your effect. It’s that simple | JHS Pedals Unicorn V2 Analog Uni-Vibe Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Black.
The JHS Pedals Violet distortion/overdrive pedal is a collaboration between Josh Scott and renowned Brazilian guitarist Lari Basilio. This pedal offers guitarists an ultraflexible distortion channel that can easily turn any clean amp into a powerful, expressive machine. With a three-band EQ designed to maximize tone-shaping capabilities, the Violet can take you from smooth overdrive to full-on modern distortion. The Midrange control, placed before the distortion circuit, provides powerful pre-distortion tone shaping, while the Treble and Bass controls allow for fine post-distortion adjustments. Whether you're looking for a transparent overdrive or thick, cutting distortion, the Violet is ready to deliver. Midrange Control for Unmatched FlexibilityThe Violet's unique midrange control sets it apart from other distortion pedals. By placing the Mid control before the distortion circuit, JHS has created a tool for shaping your tone before it hits the distortion, allowing for endless tonal possibilities. This innovative design allows you to boost or scoop the mids based on your needs, from cutting lead tones to rich rhythm sounds. The Mid Sweep control further enhances this flexibility, letting you dial in the exact midrange frequencies to shape your tone to perfection. Complete Tone Control With Three-Band EQIn addition to the powerful Midrange control, the Violet features traditional Bass and Treble controls for post-distortion shaping. This three-band EQ offers guitarists the ability to tailor their sound to fit any musical genre or style. The Violet excels at stacking with other drive pedals, making it an ideal addition to any pedalboard, whether you're using it as a primary overdrive or a secondary gain stage. This tonal flexibility ensures that the Violet can seamlessly integrate into any rig, whether you're playing blues, rock, or modern metal. Perfect for Stacking and Layering EffectsThe Violet distortion/overdrive pedal isn't just designed to stand alone—it's also a master at stacking with other drive, distortion and fuzz pedals. Whether you're looking for a new primary dirt pedal or a secondary layer to complement your existing gear, the Violet delivers smooth, dynamic responses across all frequencies. Lari Basilio herself endorses this pedal as a key component of her signature tone, allowing players to channel their creativity and give their guitar a unique, new voice. Midrange control placed before the distortion circuitTreble and Bass controls for post-distortion EQ adjustments Mid Sweep control to precisely target midrange frequencies Perfect for stacking with other overdrive, distortion or fuzz pedals | JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Purple.
The JHS Pedals Violet distortion/overdrive pedal is a collaboration between Josh Scott and renowned Brazilian guitarist Lari Basilio. This pedal offers guitarists an ultraflexible distortion channel that can easily turn any clean amp into a powerful, expressive machine. With a three-band EQ designed to maximize tone-shaping capabilities, the Violet can take you from smooth overdrive to full-on modern distortion. The Midrange control, placed before the distortion circuit, provides powerful pre-distortion tone shaping, while the Treble and Bass controls allow for fine post-distortion adjustments. Whether you're looking for a transparent overdrive or thick, cutting distortion, the Violet is ready to deliver. Midrange Control for Unmatched FlexibilityThe Violet's unique midrange control sets it apart from other distortion pedals. By placing the Mid control before the distortion circuit, JHS has created a tool for shaping your tone before it hits the distortion, allowing for endless tonal possibilities. This innovative design allows you to boost or scoop the mids based on your needs, from cutting lead tones to rich rhythm sounds. The Mid Sweep control further enhances this flexibility, letting you dial in the exact midrange frequencies to shape your tone to perfection. Complete Tone Control With Three-Band EQIn addition to the powerful Midrange control, the Violet features traditional Bass and Treble controls for post-distortion shaping. This three-band EQ offers guitarists the ability to tailor their sound to fit any musical genre or style. The Violet excels at stacking with other drive pedals, making it an ideal addition to any pedalboard, whether you're using it as a primary overdrive or a secondary gain stage. This tonal flexibility ensures that the Violet can seamlessly integrate into any rig, whether you're playing blues, rock, or modern metal. Perfect for Stacking and Layering EffectsThe Violet distortion/overdrive pedal isn't just designed to stand alone—it's also a master at stacking with other drive, distortion and fuzz pedals. Whether you're looking for a new primary dirt pedal or a secondary layer to complement your existing gear, the Violet delivers smooth, dynamic responses across all frequencies. Lari Basilio herself endorses this pedal as a key component of her signature tone, allowing players to channel their creativity and give their guitar a unique, new voice. Midrange control placed before the distortion circuitTreble and Bass controls for post-distortion EQ adjustments Mid Sweep control to precisely target midrange frequencies Perfect for stacking with other overdrive, distortion or fuzz pedals | JHS Pedals Violet Lari Basilio Signature Distortion/Overdrive Effects Pedal Purple
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Volture 9V Voltage Sag Utility Pedal Black.
"The Volture voltage sag utility pedal from JHS is a modern day device for your vintage fuzz circuitry. Simply place it in between your power supply and your pedal, and you can precisely trim the input voltage and perfectly replicate the tone of a dying battery. Though it was specifically developed for vintage fuzz circuits, the Volture will work on any fully analog pedal. In fact, you might be surprised by the trippy sounds you find lurking in your favorite overdrive or distortion. Standard 9V DC negative power required Dimensions: 3.6"" X 1.5"" X 1"" | JHS Pedals Volture 9V Voltage Sag Utility Pedal Black"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Whitey Tighty Mini Compressor Effects Pedal.
The Whitey Tighty compressor is JHS' take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1” x 3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty! | JHS Pedals Whitey Tighty Mini Compressor Effects Pedal
Store: Guitar Center
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