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Get my Guitar found the latest prices on the Quilter Labs OverDrive 202 Guitar Head Black.
The OverDrive 202 guitar head combines the best features of prior 200-series models with many new enhancements. It delivers serious tone for the discerning metalist or any guitarist looking for that pricey yet unreachable tone. Despite its small size and streamlined controls, this little powerhouse can replace almost any stage amp ever made. The INPUT has a high impedance for maximum pickup response. The OverDrive Channel GAIN adjusts a wide range of signals from clean to overdrive. Turning up the LIMITER progressively cushions overdrive distortion while maintaining low-level sustain and is effective on both channels. The OUTPUT sets a level that is also controlled by the MASTER VOLUME. On the Clean Channel, a traditional 3-BAND EQ provides full control of the instrument’s tonal balance and affects both the Clean and OverDrive channel. A VOICE switch selects 3 distinct personalities that can be further adjusted with the wide-range EQ controls. VOICE 1 is a flat response with added treble sparkle. VOICE 2 provides a unique bell-like tone, and VOICE 3 channels the classic “blackface” mid-scoop. Each of these voices lends a distinct sound to their respective Overdrive voices. The VERB is post FX LOOP and expands your sound stage with a nicely voiced wash of smooth decay. The MASTER control adjusts the breakup threshold of the clean channel from 0 to 200 watts, offering clean headroom and/or rich layered overdrive at will. The SIG OUT is a dual purpose TRS Balanced Line Out or headphone jack, depending on the PRE/POST switch setting. On the rear you will find the UNIVERSAL AC INLET, twin SPEAKER outputs (4-8 ohms), and a traditional RJ-45 connector, allowing a Quilter footswitch to control overdrive channel switching, limiter, and reverb. Quilter Labs uses modern high-efficiency power technology to maximize warmth and dynamics without the weight and drawbacks of classic tube technology. Advised by musicians, their constant goal is to make products that they are proud to use. The result is a serious professional tool with performance that meets your needs. | Quilter Labs OverDrive 202 Guitar Head Black
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Get my Guitar found the latest prices on the Quilter Labs SuperBlock US 25W Guitar Amp Head Black.
The SuperBlock US packs three vintage amplifiers into the most extensible system you can fit on your pedalboard. Featuring '57 Tweed, '61 Blonde, and '65 Blackface voicings, the SuperBlock US has all of your classic California amp needs covered. For the first time, you get all of these tonal secrets in a pedal format. Fitting into a slot about the size of a double-width pedal, the SuperBlock fits the power of a 25-watt tube amp right on your pedalboard when powered by Quilter Labs' PS-24 (sold separately). For quieter applications, you can also power it with a conventional 9V power supply for 1 watt of power. Features include two Cab Sims and an FRFR mode on the XLR Out and headphone out, three classic voices, Limiter, Reverb and an effects loop. Two cab sims FRFR mode on the XLR out and headphone outThree classic voicesLimiter, reverb and an effects loop | Quilter Labs SuperBlock US 25W Guitar Amp Head Black
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Get my Guitar found the latest prices on the Quilter Labs Tone Block 202 200W Guitar Amp Head.
The Tone Block 202 200W amp head combines a major update to the Quilter 200 power plant, plus everything they’ve learned about direct-out connectivity, to deliver the ultimate single channel amp head — a complete tool kit for stage and studio. Quilter's play-anywhere power supply, enhanced speaker drive options, new voicings, and the company's latest direct-out interface enhance studio recording and direct PA connections for both loud and silent stages. Brings any good speaker to life; even better when paired with the BlockDock 12 speaker. Quilter went all-out to make the Tone Block 202 the ultimate gigging amp. Seven powerful controls, 3-way voicing switch, pre/post signal/headphone jack, Cab-Sim that automatically tracks output settings, a new FR voice option with tight solid-state damping for use with modelers, plus FullQ and Vintage voices with traditional Quilter warmth, all add up to unmatched tonal versatility. You'll quickly notice that notes feel bigger and hit harder! | Quilter Labs Tone Block 202 200W Guitar Amp Head
Store: Guitar Center - Get my Guitar found the latest prices on the Quilter SuperBlock UK Pedalboard Amp 25 Watts.
Fitting into a slot about the size of a double width pedal, the SuperBlock fits the power of a 25 watt tube amp right on your pedalboard when powered by Quilter's PS-24 power supply (included). For quieter applications, you can also power it with a conventional 9v power supply for 1 watt of power. Features include two Cab Sims and an FRFR mode on the XLR Out and headphone out, three classic voices, Limiter, Reverb, and an effects loop.
Store: zZounds - Get my Guitar found the latest prices on the Quilter SuperBlock US Pedalboard Amp 25 Watts.
Fitting into a slot about the size of a double width pedal, the SuperBlock fits the power of a 25 watt tube amp right on your pedalboard when powered by Quilter's PS-24 power supply (included). For quieter applications, you can also power the SuperBlock US with a conventional 9v power supply for 1 watt of power. Features include two cabinet simulators and an FRFR mode on the XLR Out and headphone out, three classic voices, Limiter, Reverb, and an effects loop.
Store: zZounds - Get my Guitar found the latest prices on the Quilter TB202 Travis Toy Steel Amplifier 200 Watts.
The Quilter Travis Toy 12 is the ultimate 12-inch steel guitar amplifier modular combo. It is powered by a removable Tone Block 202 head for isolation room work, and featuring tilt back legs for live stage use. Developed in conjunction with Quilter and Eminence, it represents the culmination of Travis' lifetime effort to build a legacy of great tone, honest value, and effortless performance for the steel guitarist.
Store: zZounds - Get my Guitar found the latest prices on the Quilter Tone Block 202 Amplifier Head 200 Watts.
In creating the Tone Block 202 Quilter wanted to design the ultimate amp for gigging musicians today. Their wattage-calibrated Master Volume allows for any saturation level at any volume. The universal switching power supply self-adjusts to worldwide voltages, including "nightclub voltage" or generator powered stages without any tonal change.
Store: zZounds - Get my Guitar found the latest prices on the Qulter Gino Matteo TB202 BlockDock 12 200 Watts.
This Gino Matteo signature edition combo amp features all the power of the Quilter Tone Block 202 overlaid on the intricate beauty of the Celestion CopperBack. With tilt legs for stage and performance monitoring, this is Gino's choice for his performance and recording amplifier.
Store: zZounds - Get my Guitar found the latest prices on the Radial AC Driver Compact Acoustic Pedal.
The AC-Driver allows you to obtain great sounding results in a short amount of time, with powerful easy-to-use controls that allow you to set your levels and reduce on-stage feedback. An adjustable low cut filter removes excessive low frequencies, while a 180* phase switch helps correct feedback build-up from hot spots on stage.
Store: zZounds - Get my Guitar found the latest prices on the Radial Big Shot Effects Loop Selector Pedal.
The BigShot EFX is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain. This means that noisy pedals or tone-robbing non true-bypass pedals that you 'love to hate' can now be used and completely taken out of the signal path when they are not needed.
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Get my Guitar found the latest prices on the Radial Engineering AC-Driver Acoustic Instrument Preamp.
"The Tonebone AC-Driver is a compact acoustic instrument preamp designed for use on stage, with helpful features to streamline your performance and ensure the best possible tone from your instrument. Radial’s Class-A buffer circuit ensures pristine audio quality, and allows you to connect to longer cables or pedal chains without signal loss or degradation. A 1/4"" amp output provides you with a way to monitor yourself onstage, as well as a balanced line to feed the PA system or a powered speaker for the audience. When you need to tune silently or switch between instruments without causing clicking or popping, simply hit the mute footswitch to silence everything but the tuner output on the AC-Driver. This makes the AC-Driver perfect for live performances, especially if you don’t have a dedicated sound engineer and need to switch instruments or tune silently on stage, or for shows where you want more control over your sound than a typical DI box might provide. The AC-Driver also includes an adjustable low cut filer to remove excessive low frequency content, along with powerful feedback-reducing features. A 180° phase adjustment switch allows you to correct feedback build-up from hot spots on stage, while a notch filter helps target and remove specific frequencies that are causing problems. You can easily power the AC-Driver using typical 9V adapters or multi-pedal power bricks, and its 14-gauge steel chassis and military grade circuit board ensure that it will endure the most punishing touring environments. Studio-quality preamp and class A buffer circuitMute footswitch for silent tuning or instrument changeoversNotch filter and 180-degree phase switch to reduce feedback onstageBalanced output to feed a PA or powered speaker | Radial Engineering AC-Driver Acoustic Instrument Preamp"
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Get my Guitar found the latest prices on the Radial Engineering Bassbone OD Bass Preamp With Overdrive.
"The Radial Bassbone is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance making it the ideal front end for both live and studio recording. Designed as a bass command center, the Bassbone lets you connect two basses and seamlessly toggle between them using a footswitch. Each channel is equipped with a separate level control to balance the two instruments. This is augmented with a unique EQ that enables you to adjust the tone for each instrument to match with your bass amp. In fact, the EQ is so powerful that you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass! For added stage control, a second footswitch engages a power booster for soloing. This works double duty to turn on an effects loop. The Bassbone's highly acclaimed audio circuit features full sized discrete electronics for optimal signal flow to deliver the sound of your bass to your amp with minimal distortion or artifact. Outputs include a ¼"" instrument output for the stage amp, separate always-on tuner out, and a built-in Radial direct box to feed the PA or recording system. Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial direct box with low-Z balanced outCombination power boost and effects loopPowerful EQ and contour control for each bass | Radial Engineering Bassbone OD Bass Preamp With Overdrive"
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Get my Guitar found the latest prices on the Radial Engineering Bassbone V2 Bass Preamp and DI Box.
Like the original, the second generation Bassbone V2 features the same award-winning audio circuit that has made the Bassbone a top choice for many of the world's most prominent bass players, including Marcus Miller, John Patitucci, Rhonda Smith and Victor Wooten. Simply stated, the Bassbone V2 is a bass command center. Connect any two basses and seamlessly toggle between them using a footswitch. Each channel has a separate level control to balance the two instruments and is augmented with a unique EQ that enables you to adjust the tone to match your bass amp. In fact, the passive-interactive EQ is so powerful, you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass. A special PZB booster adds yet another dimension - allowing you to connect a piezo, such as used on an upright bass when doubling. With the Bassbone V2, you get even more: A boost footswitch can be used to either engage a power booster for solos or can be assigned as a mute switch for quiet on-stage tuning. A third footswitch lets you activate the effects loop which is equipped with a wet-dry control to retain the tone of the original instrument and then mix-in as much of the effect as you like. The effects can be assigned to either channel or both. Once processed, you can send your sound to a stage amp, tuner and to the PA system using the built-in Radial DI box. The Bassbone V2 is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance in a compact box. This makes it the ideal front end for both live and studio recording. Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial DI with low-Z balanced out for the PACombination power booster, effects loop and mutePowerful EQ and level controls for each bass | Radial Engineering Bassbone V2 Bass Preamp and DI Box
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Get my Guitar found the latest prices on the Radial Engineering BigShot ABY True Bypass Switch Pedal.
The Radial BigShot ABY is a compact ABY switcher that enables you to switch between two amplifiers or combine the signal when you want both amps to play at the same time. This true-bypass ABY switcher is completely passive meaning that there are no tone altering buffers between the guitar and the amplifier. With the BigShot ABY, you get the pure tone from your guitar plugged direct into your amp. To add versatility, the BigShot ABY is also equipped with a separate tuner out. This 'always on' output feeds your tuner for constant monitoring while keeping it out of the signal chain. Should you experience hum and buzz problems due to ground loops, the BigShot ABY comes to the rescue with a built-in isolation transformer and ground lift switch. Once engaged, you can toggle the polarity of the second amplifier to ensure both amps play in absolute phase. In use, the BigShot ABY is simple to use and efficient on stage. When powered by an external 9V supply or pedalboard power brick, full size super-bright LEDs spring to life to provide instant on-stage amplifier status readout. When power is unavailable, the passive audio signal path still works, unaffected. The compact yet ultra-rugged design makes the BigShot ABY ideal for pedalboards where space is always at a premium. True-bypass ABY amp selector with LED indicatorsOn-board transformer to eliminate hum & buzz180° polarity reverse to phase-match amps100% passive audio path, does not require power | Radial Engineering BigShot ABY True Bypass Switch Pedal
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Get my Guitar found the latest prices on the Radial Engineering BigShot EFX Effects Loop Switcher Pedal.
The BigShot EFX is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain. This means that noisy pedals or tone-robbing non true-bypass pedals that you 'love to hate' can now be used and completely taken out of the signal path when they are not needed. Better yet, while you are using the EFX loop-A, you can turn on and off a series of pedals with the EFX loop-B to prepare your next sound effect – and do so without affecting what is happening live. Then, with one foot stomp, a whole chain of pedals can be activated! All of a sudden, your performance becomes seamless and professional - as if you had a custom made switcher. Since both loops are in series, you can feed loop-A into loop-B to add even more creative options to your tone. Super bright LED indicators turn on to let you know when the loops are activated or are off when on standby mode. The compact yet ultra rugged design makes the BigShot EFX ideal for pedalboards where space is always at a premium. Furthermore, because the audio path does not require any power to make it work, the EFX can be used with or without a power supply. Simply plug in and begin to play. The BigShot EFX opens the door to professional pedal management and lets you do it all right at your feet! Switch between two separate effects loopsTake noisy pedals out of the signal chainCreate true-bypass signal path with all pedalsSuper-bright LEDs for instant status update | Radial Engineering BigShot EFX Effects Loop Switcher Pedal
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Get my Guitar found the latest prices on the Radial Engineering Cab-Link Passive Speaker Cabinet Merger.
The Tonebone Cab-Link provides a simple and compact solution for players who have a single speaker output on their amplifier but want to connect two cabinets simultaneously. Completely passive with no need for power, the Cab-Link combines two cabinets in either series or parallel configuration, which allows their total impedance to match the output impedance of the amp. Both cabinets are connected via speaker cables to outputs A and B and an easy-to-use guide on the top of the Cab-Link lets you know which input to connect your amp to, depending on the impedance ratings of your cabinets. For example, if you have two 8 Ohm speaker cabinets, they can be combined in series for a 16 Ohm amplifier or in parallel for use with a 4 Ohm amp. The output of your amplifier connects to one of two input jacks; use either the series or parallel input depending on which configuration is required. The Cab-Link also features a line out, which provides additional functionality and can be used to feed another amplifier or an effects unit. A dedicated level control allows for fine-tuning of this output. The Cab-Link can easily handle amp outputs of up to 400 watts with a military-grade circuit board and a solid-steel chassis to ensure years of trouble-free operation. Connect one amplifier output to two speaker cabinetsCan use in series or parallel configurationCompact and completely passive, no need for powerAdditional line output with level control | Radial Engineering Cab-Link Passive Speaker Cabinet Merger
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Get my Guitar found the latest prices on the Radial Engineering EXTC Stereo Guitar Effects Interface.
The EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities. A secret weapon for mixing engineersThe EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection. Connect stereo guitar pedals to balanced recording gearFront panel 1/4″ inputs and outputs for pedalsSend & Receive controls to optimize gain stagingUtilize your pedal collection in new & unique ways | Radial Engineering EXTC Stereo Guitar Effects Interface
Store: Guitar Center - Get my Guitar found the latest prices on the Radial Engineering EXTC Stereo Mixer Effects Loop.
The EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection.
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Get my Guitar found the latest prices on the Radial Engineering Headbone VT Amp Head Switcher for Tube Amps.
As part of the growing line of Tonebone foot pedals, Radial introduces the Headbone VT, a guitar amplifier head switcher that allows the player to transition from, for example, a Mesa Boogie Dual-Rectifier to a Marshall JCM800 while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained. Amp head switcherEmploys a series of photocells for noise-free switchingHigh cycle relays switch between the 2 heads and the speakerDigital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching systemControls the transition between equipment to ensure proper amp loads | Radial Engineering Headbone VT Amp Head Switcher for Tube Amps
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Get my Guitar found the latest prices on the Radial Engineering Headload Prodigy Combination Load Box and DI 8 Ohm.
"Like the larger Headload, the Prodigy employs custom-made, cement-encrusted, ceramic-coated resister coils to convert the excessive power from the amplifier to heat and is able to comfortably withstand up to 100-watts RMS. The Prodigy may be used in three different ways, depending on the need: First, it may be used as a direct box via the built-in Radial JDX Reactor. The hugely popular JDX combines a reactive load with a proprietary filter bank to emulate the tone of a 4x12 half stack. This features 100% discrete class-A circuitry for optimal tone and transformer isolation to eliminate hum and buzz caused by ground loops. Designed to replace a microphone, the JDX delivers greater consistency while eliminating concerns such as stage resonance, bleed from other instruments and problematic room acoustics which can play havoc on the tone. Second, the Prodigy may be used as a load box where you can attenuate the output from 100% down to 50% or to 25% to drive your amp harder while keeping the volume down to a comfortable level. Finally, the prodigy can be used without a speaker cabinet for completely silent recording. This is particularly useful in small venues where the speaker cabinet on stage may conflict with the sound in the room. It is also great for silent recording where you want to take advantage of ""high power"" amp distortion without upsetting the neighbors. In order to optimize the playing experience for in-ear monitors, a dual-band EQ lets you optimize bass and treble settings. Two additional 1/4"" outputs enhance connectivity: The first is direct from the amp while the second is post-EQ - post-JDX. These are used to feed additional amplifiers or effects and adjusted using the front panel-level control. A second-level control is used to adjust the built-in headphone amplifier for silent practicing. Housed in 14-gauge steel to help keep magnetic radiation at bay, the Headload Prodigy features a handy carry handle plus Radial's unique book-end design that creates a protective zone around the switches and controls. The internal I-beam construction adds tremendous rigidity, protecting the sensitive PC board from being torqued which could lead to solder joints going cold prematurely. One or two Prodigies may be rack-mounted into a single 19"" rack space using an optional rack kit and power is supplied by an external 15VDC supply with a cable clamp to prevent accidental disconnection. Available in the 8 ohm model. Load box with 100%, 50% and 25% silent attenuationLets you drive your amp hard for best toneCustom-made, cement-encrusted ceramic-coated resisters Headphone variable control Line out variable control to adjust the level going to the unbalanced 1/4 in. JDX outputs2-band EQ so you can fine tune the tone of the JDX outputLo-Z balanced mic level output used to feed the PA system, microphone, or recorderGround Lift lifts pin-1 on the XLR output to eliminate hum and buzz caused by ground loopsPre-JDX direct output sends unaffected direct signal from your amo to another stage am or effects pedal1/4 in. output to go to your amp, 1/4 in. input for your amp speaker's outputClass-A audio signal path for natural tone and optimal signal transferMil-SPEC-PCB for noise-free performance with double-sided durabilityI-Beam reinforced steel case with book-end design to protect it during transport and on stageCable clamp secures the DC adapter cable and prevents accidental power disconnectDurable powdercoat finish, rackmountable | Radial Engineering Headload Prodigy Combination Load Box and DI 8 Ohm"
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Get my Guitar found the latest prices on the Radial Engineering Highline Stereo Passive Line Is.
Amp simulators are more popular than ever, but they present a unique set of problems for guitar and bass players who want to interface them with a PA system. While amp sims can produce line-level outputs, they often have 1/4" unbalanced connectors that aren't designed for long cable runs, and they encounter hum and buzz from ground loops when connected directly to the PA.
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Get my Guitar found the latest prices on the Radial Engineering JDX Direct-Drive Amp Simulator and DI Box Guitar Effects.
"The Radial JDX Direct-Drive is a unique and powerful device that emulates the sound of a guitar amplifier while doubling as a direct box. Unlike a typical direct box that merely transfers the sound of the pedals to the PA, the Direct-Drive simulates the tone and feel of a real guitar amp, producing a much more realistic sound. In other words, with the Direct-Drive on your pedalboard, you can do a gig without carrying an amp to the club. The design begins with a traditional .25 in. guitar input and passive thru-put to feed a stage amp. This is then followed by a dedicated tuner output that is buffered in order to eliminate loading on the pickup or noise from the quartz clock. The guitar signal is then passed through a series of carefully sculpted filters to create Radial’s signature JDX tone. This is modeled after the sound of a Shure SM57™ in front of a Marshall™ 4x12 cabinet. The Direct-Drive goes further with two more voicing settings: the first adds a vintage Marshall tube head character to the signal path while the second delivers a tone reminiscent of an early Fender Twin. The two amp tones can be further tailored using a presence switch for extra sparkle. The guitar signal exits the Direct-Drive via either a 1/4"" guitar-level output or via a balanced XLR to feed the PA. The direct box output is outfitted with a 180° polarity reverse switch to help phase-align monitors with the stage amp along with a ground lift switch to help eliminate hum and buzz caused by ground loops. The Direct-Drive may be powered using a standard 9V power supply or typical pedalboard power brick. As with all Radial products, the Direct-Drive is made to handle the rigors of professional touring with 14-gauge steel throughout. This not only helps prevent damage to the internal PCB, it also reduces susceptibility to noise from external magnetic fields. Guitar amp simulator for pedalboardsEliminates need to bring an amp to the gig4 x 12 half-stack and open back combo tonesEmploys Radial’s popular JDX tone shaping | Radial Engineering JDX Direct-Drive Amp Simulator and DI Box Guitar Effects"
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Get my Guitar found the latest prices on the Radial Engineering JX42 V2 4 Input, 2 Output Guitar and Amp Switcher.
The Radial JX42 V2 is a four-instrument, two-amp switching device designed to streamline any stage setup to ensure professional changeovers and zero downtime should problems arise. Four instrument inputs are provided on both the front and rear panels, with large toggle switches and bright LED indicators for immediate visual feedback. Multiple instruments can be active simultaneously to prevent cutting off the performance when handing off a live guitar, and all inactive instruments feed an always-on tuner output for silent tune-ups at a moment’s notice. Dual amplifier outputs are available to switch between stage amps at will or as a redundancy in case of failure during a performance. The front panel controls can also be accessed using the optional JR-5 and JR-2 remotes, or MIDI controllers can be used to activate all features of the JX42 V2. Select between 4 guitars and 2 ampsIndividual input trims and Drag Control load correctionRemote footswitch control with optional JR-2 and JR-5 switchesTransformer isolated to eliminate ground loops | Radial Engineering JX42 V2 4 Input, 2 Output Guitar and Amp Switcher
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Get my Guitar found the latest prices on the Radial Engineering JX44 V2 Guitar, Amp, & FX Signal Manager.
The Radial JX44 V2TM is a guitar & amp switching and routing system for professional concert touring, providing you with the ability to connect and manage up to four guitars and four amplifiers, a stereo effects chain and a remote pedalboard with seamless integration throughout. Optional JR-5 remote footswitches or MIDI controllers can be used to select the inputs and outputs or activate FX. A local stereo effects loop can be used to connect rackmount signal processors and assign each channel to individual amplfiers, and an SGI line driver is built-in to feed distant pedalboards with ease when used with the SGI-44 remote guitar interface. An assignable direct box output is also featured for simultaneous studio-quality recording during a live performance, while a switching 120/240V power supply allows for easy international use with world touring acts. The JX44 V2 gives you full control over even the most complex touring rigs. Switch between four inputs and route the signals to up to four amplifiers simultaneously. Connect effects locally in stereo or use a remote pedalboard with the optional SGI-44, and route FX to each amp output individually for wet-dry-wet setups. Utilize the JR-5 for remote guitar or amp switching, or connect a MIDI controller to integrate with existing setups. Finally, feed a direct output to FOH or a recording interface to capture the performance. Buffered gold-contact inputs for unbalanced instruments such as guitars and bassesReverses signal polarity at the corresponding amplifier output to help correct phase issues when using multiple amps simultaneouslyThe front panel jacks take priority over the rear panel instrument inputsLarge switches with green LED indicators turn each instrument input on/offMultiple inputs can be on simultaneouslyStandard 5-pin MIDI connector allows MIDI controllers to activate the inputs and outputs of the JX44 V2Eight dip switches con gure channel, program, and control changesCan be used in conjunction with the JR-5 remoteSelects whether the left or right EFX loop inputs feed the corresponding amplifier outputWhen ‘dry’ is selected, the EFX Loop will not feed the amp outputDisconnects the shield on the corresponding amplifier output to eliminate hum and buzz caused by ground loopsSwitch with red LED indicator cuts all outputs except for the Tuner outBuffered unbalanced output to feed a tuner pedal-this output is fed by all inactive instrument inputs, and will always be active even if the Mute switch is engagedBuffered and Jensen-transformer isolated gold-contact outputs for feeding up to four stage amplifiersBalanced XLRM output to feed a mixer or recording interfaceLift switch disconnects pin-1 to eliminate hum and buzzAssign switch selects whether the Direct Out is fed a pre or post EFX signal, or instrument input 4 exclusivelyConnections for unbalanced instruments, wired in parallel with front panel connectionsConnection for standard IEC power cable. 120V/240V operation for international useXLRM allows connection to the optional JR-5 remote for footswitch control of either the instrument inputs or the amplifier outputsTwo JR-5 remotes can be used simultaneously1/4” TS jack for connection to standard momentary footswitches such as the JR1-M to turn on/off the EFX Loop remotely1/4” TS send and receive connections for local effects pedal chainsBalanced SGI loop works with the optional SGI-44 to drive long cable runs to and from a remote pedalboard | Radial Engineering JX44 V2 Guitar, Amp, & FX Signal Manager
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Get my Guitar found the latest prices on the Radial Engineering PZ-Deluxe Acoustic Preamp / Direct Box Guitar Pedal.
The Radial PZ-Deluxe is a studio-quality instrument preamp that works well with a wide variety of pickups and transducers. Apart from its studio applications, it packs a full array of features into a compact pedal that is great for live stage use. And like most studio preamps, the PZ-Deluxe begins with a low noise front end that is capable of exceptional dynamics to adapt to all instruments including acoustic guitar, upright bass, mandolin and violin no matter what type of pickup system is being used. For piezo transducers, a special PZB gain stage may be engaged that increases the input impedance to 10 meg-Ohms to eliminate squawk and explosive peaks that are common with other systems. This eliminates the need for a separate preamp - which is of particular importance for those that do not want to cut a hole into their vintage guitar. The control panel is well appointed with input gain, 3-band semi-parametric EQ with variable mid-frequency, three position low frequency resonance filter and 180-degree polarity reverse switches to eliminate acoustic hot spots that cause runaway resonant feedback. A guitar level output delivers the sound to the artist's stage amp while the built-in Radial direct box feeds the PA system. This balanced low impedance output enables the PZ-Deluxe to drive long cable runs of over 100 meters (300 feet) without noise. A separate tuner output enables quiet on-stage adjustments by depressing the mute switch. And for solos, a variable power booster with set & forget level control lets you punch through the mix when needed. The Radial PZ-Deluxe is compact for easy transportation, made tough to handle the road, plug & play easy to use and delivers exceptional studio quality audio. Acoustic guitarThe PZ-Deluxe 15V supply delivers more headroom than typical 9V devices for greater dynamics, less distortion and more natural tone. This makes the PZ-Deluxe the perfect front end for acoustic guitars with built-in active systems, electric violin and magnetic pickups. Direct piezo hook-upThe PZ-deluxe eliminates the need for a preamp. Simply activate the PZB gain stage and the PZ-Deluxe automatically elevates the input impedance to 10 meg Ohms and connect the guitar directly to the studio quality preamp for smooth, natural performance. Upright bassThe studio quality preamp delivers exceptional performance no matter what instrument you plug in. This makes the PZ-Deluxe a great choice for acoustic bass, viola, mandolin, banjo or just about any acoustic instrument. Bypass your external preamp by turning on the PZB for optimum performance. Combination instrument preamp and direct boxExceptionally quiet audio performanceWorks on all types of pickups and transducersFootswitches for muting and power booster | Radial Engineering PZ-Deluxe Acoustic Preamp / Direct Box Guitar Pedal
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Get my Guitar found the latest prices on the Radial Engineering PZ-Pro 2-Channel Acoustic Instrumental Preamp.
The PZ-Pro is a two channel instrument preamp, switcher, and performance control station designed for stage musicians who are serious about their tone and like being in the driver's seat. Dual input channels allow you to switch between two sources or blend them together, with full control over the sound of each instrument, and the ability to bring effects pedals and a signal booster into the mix with a single footswitch. Each channel on the PZ-Pro has its own semi-parametric equalizer section and input level, along with individual filter controls to reduce feedback on stage. Channel-B also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics or even vocal microphones. An FX Loop with a wet/dryknob provides the ability to blend in as much or as little pedal effects as desired, with a footswitch to bring them in and out of the signal chain at a moment's notice. Finally, once your tone is completely dialed-in, balanced XLR direct outs feed the PA system or a recording interface, with both Pre-EQ and Post-EQ outputs available. Technical Specifcations: * Two independent input channels with separate EQsMicrophone input on channel-B with 48V phantom powerEFX Loop and clean Boost with footswitch controlBalanced pre and post-EQ outputs to feed PA/MonitorsSwitch/Combine instruments with a clip-on or vocal micPZ Boost circuit to optimize for use with piezo transducersSelectable High-Pass/Notch filter to reduce on-stage feedbackReconfigure the EFX/Boost footswitch to suit your setup | Radial Engineering PZ-Pro 2-Channel Acoustic Instrumental Preamp
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Get my Guitar found the latest prices on the Radial Engineering R15DC-UNIVERSAL 15VDC Switching Power Supply.
The Radial R15DC-UNIVERSAL switching power supply comes with multiple adaptors to connect to outlets in the USA, Europe, the United Kingdom, and Australia. This unit supplies 15V DC at 400mA with a center-pin positive barrel connection and can be used with any power grid where the mains voltage range is 100-240V, 50-60Hz. This switching power supply is designed for use with all 15V DC Radial products, except the legacy Tonebone tube-based guitar pedals and the JD7. | Radial Engineering R15DC-UNIVERSAL 15VDC Switching Power Supply
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Get my Guitar found the latest prices on the Radial Engineering Shotgun 4-Channel Amp Driver.
"The Shotgun is a compact guitar-level signal buffer designed to drive up to four amplifiers simultaneously and fit nicely on any pedalboard. It features two inputs with a switching jack on input 2 that—when connected—changes the architecture from a 1x4 mono distribution system to a 2x2 stereo setup. The Shotgun is equipped with CLC—Radial's unique Consistent Load Compensation circuit—that retains a stable input impedance to ensure the character of the signal remains unchanged, no matter if you use one or two sources. Inside, a carefully designed low noise buffer circuit with a full-surface ground plane delivers your tone farther—up to 50' (15 meters) without noise. This is augmented with isolation transformers on outputs 2, 3 and 4 to help eliminate the nasty buzz and hum caused by ground loops when multiple amps are connected together. And like all Radial products, the Shotgun is made tough to handle the rigors of professional touring. Powering is done using standard 9V supply or multi-pedal power brick. When used in the 1x4 mono-mode, the Shotgun will effortlessly drive multiple amplifiers, direct box outputs and modeling amplifiers at the same time. In 2x2 stereo-mode, you can connect the output from your stereo chorus to the Shotgun and drive two or four amps in stereo, in phase, without noise. Inputs: Two 1/4""Outputs: Four 1/4""Configurable for 1x4 mono or 2x2 stereoIsolated outputs eliminate ground loopsBuffered outputs drive extra-long cablesCLC (Consistent Load Compensation circuit)Made in Canada | Radial Engineering Shotgun 4-Channel Amp Driver"
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Get my Guitar found the latest prices on the Radial Engineering Switchbone V2 ABY/C Amp Selector and Booster Pedal.
The Switchbone V2 is an ABY/C guitar amp switcher that lets you switch and combine up to three guitar amplifiers without introducing distortion, switching noise or hum into the signal path. Most importantly, the Switchbone V2 will retain the natural tone and feel of your instrument so your playing style shines through. Unlike other switchers that employ integrated circuits to buffer the signal, the Switchbone features Radial's award winning Class-A audio circuit with 100% discrete components throughout. Class-A circuits are preferred by audiophiles and guitarists due to the purity of the signal path and warm sounding even-order harmonics that they produce. This is augmented with Drag™ control load correction that lets you dial-in the tone and feel as if connected directly to your amp. This clever combination lowers the impedance to allow runs of up to 15 meters (50') without susceptibility to noise using standard coaxial cables. To eliminate troublesome switching pops caused by mechanical footswitches and relays, the Switchbone employs high performance opto-couplers that essentially use light to emit and receive the command. These devices ramp-up and ramp-down the signal for smooth, controlled switching even with high gain amps. To eliminate the hum and buzz that is common with other switchers, the Switchbone V2 is equipped with transformer isolated outputs to eliminate nasty ground loops and is augmented with ground lift switches to further aid in noise elimination. Polarity reverse switches on outputs B and C ensure all amps are aligned to absolute phase. The Switchbone V2 may be used as a standard ABY switcher with both A and B outputs used separately or together. When two amps are on, ToggleMode™ LED indicators flash to let you know which amp was selected last so that you can either turn that one off or change the selection on the fly. When three amps are needed, the tuner output can be repurposed along with the third footswitch for clean rhythm and lead setups. In play, the Switchbone V2 elevates your setup with a variable Baseline™ buffer control that lets you juice up the front end of your amp for extra punch. A built-in power booster at the output delivers up to +18db of ultra-clean boost with the option to add mid-boost for extra sustain when playing lead. The Boost footswitch may also be reassigned to a tuner output for quiet on stage adjustments. To add even more control to your performance, the Slingshot™ remote control output can be used to turn on effects, change speakers when combined with the Tonebone™ Cabbone™ or even reroute effects using the Twinline™. 100% discrete Class-A signal path for exceptional audioDrag™ control load correction for natural toneOpto-coupler for noiseless switchingTransformer isolated to eliminate buzz and hum | Radial Engineering Switchbone V2 ABY/C Amp Selector and Booster Pedal
Store: Guitar Center
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Get my Guitar found the latest prices on the Quilter Labs OverDrive 202 Guitar Head Black.
The OverDrive 202 guitar head combines the best features of prior 200-series models with many new enhancements. It delivers serious tone for the discerning metalist or any guitarist looking for that pricey yet unreachable tone. Despite its small size and streamlined controls, this little powerhouse can replace almost any stage amp ever made. The INPUT has a high impedance for maximum pickup response. The OverDrive Channel GAIN adjusts a wide range of signals from clean to overdrive. Turning up the LIMITER progressively cushions overdrive distortion while maintaining low-level sustain and is effective on both channels. The OUTPUT sets a level that is also controlled by the MASTER VOLUME. On the Clean Channel, a traditional 3-BAND EQ provides full control of the instrument’s tonal balance and affects both the Clean and OverDrive channel. A VOICE switch selects 3 distinct personalities that can be further adjusted with the wide-range EQ controls. VOICE 1 is a flat response with added treble sparkle. VOICE 2 provides a unique bell-like tone, and VOICE 3 channels the classic “blackface” mid-scoop. Each of these voices lends a distinct sound to their respective Overdrive voices. The VERB is post FX LOOP and expands your sound stage with a nicely voiced wash of smooth decay. The MASTER control adjusts the breakup threshold of the clean channel from 0 to 200 watts, offering clean headroom and/or rich layered overdrive at will. The SIG OUT is a dual purpose TRS Balanced Line Out or headphone jack, depending on the PRE/POST switch setting. On the rear you will find the UNIVERSAL AC INLET, twin SPEAKER outputs (4-8 ohms), and a traditional RJ-45 connector, allowing a Quilter footswitch to control overdrive channel switching, limiter, and reverb. Quilter Labs uses modern high-efficiency power technology to maximize warmth and dynamics without the weight and drawbacks of classic tube technology. Advised by musicians, their constant goal is to make products that they are proud to use. The result is a serious professional tool with performance that meets your needs. | Quilter Labs OverDrive 202 Guitar Head Black
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Get my Guitar found the latest prices on the Quilter Labs SuperBlock US 25W Guitar Amp Head Black.
The SuperBlock US packs three vintage amplifiers into the most extensible system you can fit on your pedalboard. Featuring '57 Tweed, '61 Blonde, and '65 Blackface voicings, the SuperBlock US has all of your classic California amp needs covered. For the first time, you get all of these tonal secrets in a pedal format. Fitting into a slot about the size of a double-width pedal, the SuperBlock fits the power of a 25-watt tube amp right on your pedalboard when powered by Quilter Labs' PS-24 (sold separately). For quieter applications, you can also power it with a conventional 9V power supply for 1 watt of power. Features include two Cab Sims and an FRFR mode on the XLR Out and headphone out, three classic voices, Limiter, Reverb and an effects loop. Two cab sims FRFR mode on the XLR out and headphone outThree classic voicesLimiter, reverb and an effects loop | Quilter Labs SuperBlock US 25W Guitar Amp Head Black
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Get my Guitar found the latest prices on the Quilter Labs Tone Block 202 200W Guitar Amp Head.
The Tone Block 202 200W amp head combines a major update to the Quilter 200 power plant, plus everything they’ve learned about direct-out connectivity, to deliver the ultimate single channel amp head — a complete tool kit for stage and studio. Quilter's play-anywhere power supply, enhanced speaker drive options, new voicings, and the company's latest direct-out interface enhance studio recording and direct PA connections for both loud and silent stages. Brings any good speaker to life; even better when paired with the BlockDock 12 speaker. Quilter went all-out to make the Tone Block 202 the ultimate gigging amp. Seven powerful controls, 3-way voicing switch, pre/post signal/headphone jack, Cab-Sim that automatically tracks output settings, a new FR voice option with tight solid-state damping for use with modelers, plus FullQ and Vintage voices with traditional Quilter warmth, all add up to unmatched tonal versatility. You'll quickly notice that notes feel bigger and hit harder! | Quilter Labs Tone Block 202 200W Guitar Amp Head
Store: Guitar Center - Get my Guitar found the latest prices on the Quilter SuperBlock UK Pedalboard Amp 25 Watts.
Fitting into a slot about the size of a double width pedal, the SuperBlock fits the power of a 25 watt tube amp right on your pedalboard when powered by Quilter's PS-24 power supply (included). For quieter applications, you can also power it with a conventional 9v power supply for 1 watt of power. Features include two Cab Sims and an FRFR mode on the XLR Out and headphone out, three classic voices, Limiter, Reverb, and an effects loop.
Store: zZounds - Get my Guitar found the latest prices on the Quilter SuperBlock US Pedalboard Amp 25 Watts.
Fitting into a slot about the size of a double width pedal, the SuperBlock fits the power of a 25 watt tube amp right on your pedalboard when powered by Quilter's PS-24 power supply (included). For quieter applications, you can also power the SuperBlock US with a conventional 9v power supply for 1 watt of power. Features include two cabinet simulators and an FRFR mode on the XLR Out and headphone out, three classic voices, Limiter, Reverb, and an effects loop.
Store: zZounds - Get my Guitar found the latest prices on the Quilter TB202 Travis Toy Steel Amplifier 200 Watts.
The Quilter Travis Toy 12 is the ultimate 12-inch steel guitar amplifier modular combo. It is powered by a removable Tone Block 202 head for isolation room work, and featuring tilt back legs for live stage use. Developed in conjunction with Quilter and Eminence, it represents the culmination of Travis' lifetime effort to build a legacy of great tone, honest value, and effortless performance for the steel guitarist.
Store: zZounds - Get my Guitar found the latest prices on the Quilter Tone Block 202 Amplifier Head 200 Watts.
In creating the Tone Block 202 Quilter wanted to design the ultimate amp for gigging musicians today. Their wattage-calibrated Master Volume allows for any saturation level at any volume. The universal switching power supply self-adjusts to worldwide voltages, including "nightclub voltage" or generator powered stages without any tonal change.
Store: zZounds - Get my Guitar found the latest prices on the Qulter Gino Matteo TB202 BlockDock 12 200 Watts.
This Gino Matteo signature edition combo amp features all the power of the Quilter Tone Block 202 overlaid on the intricate beauty of the Celestion CopperBack. With tilt legs for stage and performance monitoring, this is Gino's choice for his performance and recording amplifier.
Store: zZounds - Get my Guitar found the latest prices on the Radial AC Driver Compact Acoustic Pedal.
The AC-Driver allows you to obtain great sounding results in a short amount of time, with powerful easy-to-use controls that allow you to set your levels and reduce on-stage feedback. An adjustable low cut filter removes excessive low frequencies, while a 180* phase switch helps correct feedback build-up from hot spots on stage.
Store: zZounds - Get my Guitar found the latest prices on the Radial Big Shot Effects Loop Selector Pedal.
The BigShot EFX is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain. This means that noisy pedals or tone-robbing non true-bypass pedals that you 'love to hate' can now be used and completely taken out of the signal path when they are not needed.
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Get my Guitar found the latest prices on the Radial Engineering AC-Driver Acoustic Instrument Preamp.
"The Tonebone AC-Driver is a compact acoustic instrument preamp designed for use on stage, with helpful features to streamline your performance and ensure the best possible tone from your instrument. Radial’s Class-A buffer circuit ensures pristine audio quality, and allows you to connect to longer cables or pedal chains without signal loss or degradation. A 1/4"" amp output provides you with a way to monitor yourself onstage, as well as a balanced line to feed the PA system or a powered speaker for the audience. When you need to tune silently or switch between instruments without causing clicking or popping, simply hit the mute footswitch to silence everything but the tuner output on the AC-Driver. This makes the AC-Driver perfect for live performances, especially if you don’t have a dedicated sound engineer and need to switch instruments or tune silently on stage, or for shows where you want more control over your sound than a typical DI box might provide. The AC-Driver also includes an adjustable low cut filer to remove excessive low frequency content, along with powerful feedback-reducing features. A 180° phase adjustment switch allows you to correct feedback build-up from hot spots on stage, while a notch filter helps target and remove specific frequencies that are causing problems. You can easily power the AC-Driver using typical 9V adapters or multi-pedal power bricks, and its 14-gauge steel chassis and military grade circuit board ensure that it will endure the most punishing touring environments. Studio-quality preamp and class A buffer circuitMute footswitch for silent tuning or instrument changeoversNotch filter and 180-degree phase switch to reduce feedback onstageBalanced output to feed a PA or powered speaker | Radial Engineering AC-Driver Acoustic Instrument Preamp"
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Get my Guitar found the latest prices on the Radial Engineering Bassbone OD Bass Preamp With Overdrive.
"The Radial Bassbone is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance making it the ideal front end for both live and studio recording. Designed as a bass command center, the Bassbone lets you connect two basses and seamlessly toggle between them using a footswitch. Each channel is equipped with a separate level control to balance the two instruments. This is augmented with a unique EQ that enables you to adjust the tone for each instrument to match with your bass amp. In fact, the EQ is so powerful that you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass! For added stage control, a second footswitch engages a power booster for soloing. This works double duty to turn on an effects loop. The Bassbone's highly acclaimed audio circuit features full sized discrete electronics for optimal signal flow to deliver the sound of your bass to your amp with minimal distortion or artifact. Outputs include a ¼"" instrument output for the stage amp, separate always-on tuner out, and a built-in Radial direct box to feed the PA or recording system. Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial direct box with low-Z balanced outCombination power boost and effects loopPowerful EQ and contour control for each bass | Radial Engineering Bassbone OD Bass Preamp With Overdrive"
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Get my Guitar found the latest prices on the Radial Engineering Bassbone V2 Bass Preamp and DI Box.
Like the original, the second generation Bassbone V2 features the same award-winning audio circuit that has made the Bassbone a top choice for many of the world's most prominent bass players, including Marcus Miller, John Patitucci, Rhonda Smith and Victor Wooten. Simply stated, the Bassbone V2 is a bass command center. Connect any two basses and seamlessly toggle between them using a footswitch. Each channel has a separate level control to balance the two instruments and is augmented with a unique EQ that enables you to adjust the tone to match your bass amp. In fact, the passive-interactive EQ is so powerful, you can toggle between channels to emulate switching from a P-Bass to a Rickey using the same bass. A special PZB booster adds yet another dimension - allowing you to connect a piezo, such as used on an upright bass when doubling. With the Bassbone V2, you get even more: A boost footswitch can be used to either engage a power booster for solos or can be assigned as a mute switch for quiet on-stage tuning. A third footswitch lets you activate the effects loop which is equipped with a wet-dry control to retain the tone of the original instrument and then mix-in as much of the effect as you like. The effects can be assigned to either channel or both. Once processed, you can send your sound to a stage amp, tuner and to the PA system using the built-in Radial DI box. The Bassbone V2 is a power-packed bass preamp that combines on-stage efficiency, amazing tonal control and superb audio performance in a compact box. This makes it the ideal front end for both live and studio recording. Two-channel bass preamp for 1 or 2 bassesBuilt-in Radial DI with low-Z balanced out for the PACombination power booster, effects loop and mutePowerful EQ and level controls for each bass | Radial Engineering Bassbone V2 Bass Preamp and DI Box
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Get my Guitar found the latest prices on the Radial Engineering BigShot ABY True Bypass Switch Pedal.
The Radial BigShot ABY is a compact ABY switcher that enables you to switch between two amplifiers or combine the signal when you want both amps to play at the same time. This true-bypass ABY switcher is completely passive meaning that there are no tone altering buffers between the guitar and the amplifier. With the BigShot ABY, you get the pure tone from your guitar plugged direct into your amp. To add versatility, the BigShot ABY is also equipped with a separate tuner out. This 'always on' output feeds your tuner for constant monitoring while keeping it out of the signal chain. Should you experience hum and buzz problems due to ground loops, the BigShot ABY comes to the rescue with a built-in isolation transformer and ground lift switch. Once engaged, you can toggle the polarity of the second amplifier to ensure both amps play in absolute phase. In use, the BigShot ABY is simple to use and efficient on stage. When powered by an external 9V supply or pedalboard power brick, full size super-bright LEDs spring to life to provide instant on-stage amplifier status readout. When power is unavailable, the passive audio signal path still works, unaffected. The compact yet ultra-rugged design makes the BigShot ABY ideal for pedalboards where space is always at a premium. True-bypass ABY amp selector with LED indicatorsOn-board transformer to eliminate hum & buzz180° polarity reverse to phase-match amps100% passive audio path, does not require power | Radial Engineering BigShot ABY True Bypass Switch Pedal
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Get my Guitar found the latest prices on the Radial Engineering BigShot EFX Effects Loop Switcher Pedal.
The BigShot EFX is a true-bypass effects loop switcher that lets you set up two separate effects loops and insert them into your pedal chain. This means that noisy pedals or tone-robbing non true-bypass pedals that you 'love to hate' can now be used and completely taken out of the signal path when they are not needed. Better yet, while you are using the EFX loop-A, you can turn on and off a series of pedals with the EFX loop-B to prepare your next sound effect – and do so without affecting what is happening live. Then, with one foot stomp, a whole chain of pedals can be activated! All of a sudden, your performance becomes seamless and professional - as if you had a custom made switcher. Since both loops are in series, you can feed loop-A into loop-B to add even more creative options to your tone. Super bright LED indicators turn on to let you know when the loops are activated or are off when on standby mode. The compact yet ultra rugged design makes the BigShot EFX ideal for pedalboards where space is always at a premium. Furthermore, because the audio path does not require any power to make it work, the EFX can be used with or without a power supply. Simply plug in and begin to play. The BigShot EFX opens the door to professional pedal management and lets you do it all right at your feet! Switch between two separate effects loopsTake noisy pedals out of the signal chainCreate true-bypass signal path with all pedalsSuper-bright LEDs for instant status update | Radial Engineering BigShot EFX Effects Loop Switcher Pedal
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Get my Guitar found the latest prices on the Radial Engineering Cab-Link Passive Speaker Cabinet Merger.
The Tonebone Cab-Link provides a simple and compact solution for players who have a single speaker output on their amplifier but want to connect two cabinets simultaneously. Completely passive with no need for power, the Cab-Link combines two cabinets in either series or parallel configuration, which allows their total impedance to match the output impedance of the amp. Both cabinets are connected via speaker cables to outputs A and B and an easy-to-use guide on the top of the Cab-Link lets you know which input to connect your amp to, depending on the impedance ratings of your cabinets. For example, if you have two 8 Ohm speaker cabinets, they can be combined in series for a 16 Ohm amplifier or in parallel for use with a 4 Ohm amp. The output of your amplifier connects to one of two input jacks; use either the series or parallel input depending on which configuration is required. The Cab-Link also features a line out, which provides additional functionality and can be used to feed another amplifier or an effects unit. A dedicated level control allows for fine-tuning of this output. The Cab-Link can easily handle amp outputs of up to 400 watts with a military-grade circuit board and a solid-steel chassis to ensure years of trouble-free operation. Connect one amplifier output to two speaker cabinetsCan use in series or parallel configurationCompact and completely passive, no need for powerAdditional line output with level control | Radial Engineering Cab-Link Passive Speaker Cabinet Merger
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Get my Guitar found the latest prices on the Radial Engineering EXTC Stereo Guitar Effects Interface.
The EXTC Stereo allows you to connect guitar effects pedals to the inputs and outputs of pro audio equipment such as recording interfaces and mixing consoles, so you can incorporate stereo pedals into your recordings and explore new creative possibilities. A secret weapon for mixing engineersThe EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection. Connect stereo guitar pedals to balanced recording gearFront panel 1/4″ inputs and outputs for pedalsSend & Receive controls to optimize gain stagingUtilize your pedal collection in new & unique ways | Radial Engineering EXTC Stereo Guitar Effects Interface
Store: Guitar Center - Get my Guitar found the latest prices on the Radial Engineering EXTC Stereo Mixer Effects Loop.
The EXTC-Stereo gives you the ability to connect stereo effects pedals such as reverbs and delays to the line-level inputs and outputs of your console or recording interface. Use it to send drum overheads to a multi-tap delay, or breathe new life into a stale keyboard patch with a flanger or chorus pedal. Try it on vocals, strings, or any prerecorded track to add a new creative element to your mixes and revitalize your old pedal collection.
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Get my Guitar found the latest prices on the Radial Engineering Headbone VT Amp Head Switcher for Tube Amps.
As part of the growing line of Tonebone foot pedals, Radial introduces the Headbone VT, a guitar amplifier head switcher that allows the player to transition from, for example, a Mesa Boogie Dual-Rectifier to a Marshall JCM800 while using the same cabinet. The Headbone employs a series of photocells to assure noise-free guitar-to-head switching and a series of high cycle relays that switch between the 2 heads and the speaker. A digital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching system and controls the transition between equipment to ensure proper amplifier loads are always maintained. Amp head switcherEmploys a series of photocells for noise-free switchingHigh cycle relays switch between the 2 heads and the speakerDigital programmable interrupt controller receives commands from the onboard footswitch or the Slingshot remote switching systemControls the transition between equipment to ensure proper amp loads | Radial Engineering Headbone VT Amp Head Switcher for Tube Amps
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Get my Guitar found the latest prices on the Radial Engineering Headload Prodigy Combination Load Box and DI 8 Ohm.
"Like the larger Headload, the Prodigy employs custom-made, cement-encrusted, ceramic-coated resister coils to convert the excessive power from the amplifier to heat and is able to comfortably withstand up to 100-watts RMS. The Prodigy may be used in three different ways, depending on the need: First, it may be used as a direct box via the built-in Radial JDX Reactor. The hugely popular JDX combines a reactive load with a proprietary filter bank to emulate the tone of a 4x12 half stack. This features 100% discrete class-A circuitry for optimal tone and transformer isolation to eliminate hum and buzz caused by ground loops. Designed to replace a microphone, the JDX delivers greater consistency while eliminating concerns such as stage resonance, bleed from other instruments and problematic room acoustics which can play havoc on the tone. Second, the Prodigy may be used as a load box where you can attenuate the output from 100% down to 50% or to 25% to drive your amp harder while keeping the volume down to a comfortable level. Finally, the prodigy can be used without a speaker cabinet for completely silent recording. This is particularly useful in small venues where the speaker cabinet on stage may conflict with the sound in the room. It is also great for silent recording where you want to take advantage of ""high power"" amp distortion without upsetting the neighbors. In order to optimize the playing experience for in-ear monitors, a dual-band EQ lets you optimize bass and treble settings. Two additional 1/4"" outputs enhance connectivity: The first is direct from the amp while the second is post-EQ - post-JDX. These are used to feed additional amplifiers or effects and adjusted using the front panel-level control. A second-level control is used to adjust the built-in headphone amplifier for silent practicing. Housed in 14-gauge steel to help keep magnetic radiation at bay, the Headload Prodigy features a handy carry handle plus Radial's unique book-end design that creates a protective zone around the switches and controls. The internal I-beam construction adds tremendous rigidity, protecting the sensitive PC board from being torqued which could lead to solder joints going cold prematurely. One or two Prodigies may be rack-mounted into a single 19"" rack space using an optional rack kit and power is supplied by an external 15VDC supply with a cable clamp to prevent accidental disconnection. Available in the 8 ohm model. Load box with 100%, 50% and 25% silent attenuationLets you drive your amp hard for best toneCustom-made, cement-encrusted ceramic-coated resisters Headphone variable control Line out variable control to adjust the level going to the unbalanced 1/4 in. JDX outputs2-band EQ so you can fine tune the tone of the JDX outputLo-Z balanced mic level output used to feed the PA system, microphone, or recorderGround Lift lifts pin-1 on the XLR output to eliminate hum and buzz caused by ground loopsPre-JDX direct output sends unaffected direct signal from your amo to another stage am or effects pedal1/4 in. output to go to your amp, 1/4 in. input for your amp speaker's outputClass-A audio signal path for natural tone and optimal signal transferMil-SPEC-PCB for noise-free performance with double-sided durabilityI-Beam reinforced steel case with book-end design to protect it during transport and on stageCable clamp secures the DC adapter cable and prevents accidental power disconnectDurable powdercoat finish, rackmountable | Radial Engineering Headload Prodigy Combination Load Box and DI 8 Ohm"
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Get my Guitar found the latest prices on the Radial Engineering Highline Stereo Passive Line Is.
Amp simulators are more popular than ever, but they present a unique set of problems for guitar and bass players who want to interface them with a PA system. While amp sims can produce line-level outputs, they often have 1/4" unbalanced connectors that aren't designed for long cable runs, and they encounter hum and buzz from ground loops when connected directly to the PA.
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Get my Guitar found the latest prices on the Radial Engineering JDX Direct-Drive Amp Simulator and DI Box Guitar Effects.
"The Radial JDX Direct-Drive is a unique and powerful device that emulates the sound of a guitar amplifier while doubling as a direct box. Unlike a typical direct box that merely transfers the sound of the pedals to the PA, the Direct-Drive simulates the tone and feel of a real guitar amp, producing a much more realistic sound. In other words, with the Direct-Drive on your pedalboard, you can do a gig without carrying an amp to the club. The design begins with a traditional .25 in. guitar input and passive thru-put to feed a stage amp. This is then followed by a dedicated tuner output that is buffered in order to eliminate loading on the pickup or noise from the quartz clock. The guitar signal is then passed through a series of carefully sculpted filters to create Radial’s signature JDX tone. This is modeled after the sound of a Shure SM57™ in front of a Marshall™ 4x12 cabinet. The Direct-Drive goes further with two more voicing settings: the first adds a vintage Marshall tube head character to the signal path while the second delivers a tone reminiscent of an early Fender Twin. The two amp tones can be further tailored using a presence switch for extra sparkle. The guitar signal exits the Direct-Drive via either a 1/4"" guitar-level output or via a balanced XLR to feed the PA. The direct box output is outfitted with a 180° polarity reverse switch to help phase-align monitors with the stage amp along with a ground lift switch to help eliminate hum and buzz caused by ground loops. The Direct-Drive may be powered using a standard 9V power supply or typical pedalboard power brick. As with all Radial products, the Direct-Drive is made to handle the rigors of professional touring with 14-gauge steel throughout. This not only helps prevent damage to the internal PCB, it also reduces susceptibility to noise from external magnetic fields. Guitar amp simulator for pedalboardsEliminates need to bring an amp to the gig4 x 12 half-stack and open back combo tonesEmploys Radial’s popular JDX tone shaping | Radial Engineering JDX Direct-Drive Amp Simulator and DI Box Guitar Effects"
Store: Guitar Center - Deal found on the:
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Get my Guitar found the latest prices on the Radial Engineering JX42 V2 4 Input, 2 Output Guitar and Amp Switcher.
The Radial JX42 V2 is a four-instrument, two-amp switching device designed to streamline any stage setup to ensure professional changeovers and zero downtime should problems arise. Four instrument inputs are provided on both the front and rear panels, with large toggle switches and bright LED indicators for immediate visual feedback. Multiple instruments can be active simultaneously to prevent cutting off the performance when handing off a live guitar, and all inactive instruments feed an always-on tuner output for silent tune-ups at a moment’s notice. Dual amplifier outputs are available to switch between stage amps at will or as a redundancy in case of failure during a performance. The front panel controls can also be accessed using the optional JR-5 and JR-2 remotes, or MIDI controllers can be used to activate all features of the JX42 V2. Select between 4 guitars and 2 ampsIndividual input trims and Drag Control load correctionRemote footswitch control with optional JR-2 and JR-5 switchesTransformer isolated to eliminate ground loops | Radial Engineering JX42 V2 4 Input, 2 Output Guitar and Amp Switcher
Store: Guitar Center - Deal found on the:
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Get my Guitar found the latest prices on the Radial Engineering JX44 V2 Guitar, Amp, & FX Signal Manager.
The Radial JX44 V2TM is a guitar & amp switching and routing system for professional concert touring, providing you with the ability to connect and manage up to four guitars and four amplifiers, a stereo effects chain and a remote pedalboard with seamless integration throughout. Optional JR-5 remote footswitches or MIDI controllers can be used to select the inputs and outputs or activate FX. A local stereo effects loop can be used to connect rackmount signal processors and assign each channel to individual amplfiers, and an SGI line driver is built-in to feed distant pedalboards with ease when used with the SGI-44 remote guitar interface. An assignable direct box output is also featured for simultaneous studio-quality recording during a live performance, while a switching 120/240V power supply allows for easy international use with world touring acts. The JX44 V2 gives you full control over even the most complex touring rigs. Switch between four inputs and route the signals to up to four amplifiers simultaneously. Connect effects locally in stereo or use a remote pedalboard with the optional SGI-44, and route FX to each amp output individually for wet-dry-wet setups. Utilize the JR-5 for remote guitar or amp switching, or connect a MIDI controller to integrate with existing setups. Finally, feed a direct output to FOH or a recording interface to capture the performance. Buffered gold-contact inputs for unbalanced instruments such as guitars and bassesReverses signal polarity at the corresponding amplifier output to help correct phase issues when using multiple amps simultaneouslyThe front panel jacks take priority over the rear panel instrument inputsLarge switches with green LED indicators turn each instrument input on/offMultiple inputs can be on simultaneouslyStandard 5-pin MIDI connector allows MIDI controllers to activate the inputs and outputs of the JX44 V2Eight dip switches con gure channel, program, and control changesCan be used in conjunction with the JR-5 remoteSelects whether the left or right EFX loop inputs feed the corresponding amplifier outputWhen ‘dry’ is selected, the EFX Loop will not feed the amp outputDisconnects the shield on the corresponding amplifier output to eliminate hum and buzz caused by ground loopsSwitch with red LED indicator cuts all outputs except for the Tuner outBuffered unbalanced output to feed a tuner pedal-this output is fed by all inactive instrument inputs, and will always be active even if the Mute switch is engagedBuffered and Jensen-transformer isolated gold-contact outputs for feeding up to four stage amplifiersBalanced XLRM output to feed a mixer or recording interfaceLift switch disconnects pin-1 to eliminate hum and buzzAssign switch selects whether the Direct Out is fed a pre or post EFX signal, or instrument input 4 exclusivelyConnections for unbalanced instruments, wired in parallel with front panel connectionsConnection for standard IEC power cable. 120V/240V operation for international useXLRM allows connection to the optional JR-5 remote for footswitch control of either the instrument inputs or the amplifier outputsTwo JR-5 remotes can be used simultaneously1/4” TS jack for connection to standard momentary footswitches such as the JR1-M to turn on/off the EFX Loop remotely1/4” TS send and receive connections for local effects pedal chainsBalanced SGI loop works with the optional SGI-44 to drive long cable runs to and from a remote pedalboard | Radial Engineering JX44 V2 Guitar, Amp, & FX Signal Manager
Store: Guitar Center - Deal found on the:
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Get my Guitar found the latest prices on the Radial Engineering PZ-Deluxe Acoustic Preamp / Direct Box Guitar Pedal.
The Radial PZ-Deluxe is a studio-quality instrument preamp that works well with a wide variety of pickups and transducers. Apart from its studio applications, it packs a full array of features into a compact pedal that is great for live stage use. And like most studio preamps, the PZ-Deluxe begins with a low noise front end that is capable of exceptional dynamics to adapt to all instruments including acoustic guitar, upright bass, mandolin and violin no matter what type of pickup system is being used. For piezo transducers, a special PZB gain stage may be engaged that increases the input impedance to 10 meg-Ohms to eliminate squawk and explosive peaks that are common with other systems. This eliminates the need for a separate preamp - which is of particular importance for those that do not want to cut a hole into their vintage guitar. The control panel is well appointed with input gain, 3-band semi-parametric EQ with variable mid-frequency, three position low frequency resonance filter and 180-degree polarity reverse switches to eliminate acoustic hot spots that cause runaway resonant feedback. A guitar level output delivers the sound to the artist's stage amp while the built-in Radial direct box feeds the PA system. This balanced low impedance output enables the PZ-Deluxe to drive long cable runs of over 100 meters (300 feet) without noise. A separate tuner output enables quiet on-stage adjustments by depressing the mute switch. And for solos, a variable power booster with set & forget level control lets you punch through the mix when needed. The Radial PZ-Deluxe is compact for easy transportation, made tough to handle the road, plug & play easy to use and delivers exceptional studio quality audio. Acoustic guitarThe PZ-Deluxe 15V supply delivers more headroom than typical 9V devices for greater dynamics, less distortion and more natural tone. This makes the PZ-Deluxe the perfect front end for acoustic guitars with built-in active systems, electric violin and magnetic pickups. Direct piezo hook-upThe PZ-deluxe eliminates the need for a preamp. Simply activate the PZB gain stage and the PZ-Deluxe automatically elevates the input impedance to 10 meg Ohms and connect the guitar directly to the studio quality preamp for smooth, natural performance. Upright bassThe studio quality preamp delivers exceptional performance no matter what instrument you plug in. This makes the PZ-Deluxe a great choice for acoustic bass, viola, mandolin, banjo or just about any acoustic instrument. Bypass your external preamp by turning on the PZB for optimum performance. Combination instrument preamp and direct boxExceptionally quiet audio performanceWorks on all types of pickups and transducersFootswitches for muting and power booster | Radial Engineering PZ-Deluxe Acoustic Preamp / Direct Box Guitar Pedal
Store: Guitar Center - Deal found on the:
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Get my Guitar found the latest prices on the Radial Engineering PZ-Pro 2-Channel Acoustic Instrumental Preamp.
The PZ-Pro is a two channel instrument preamp, switcher, and performance control station designed for stage musicians who are serious about their tone and like being in the driver's seat. Dual input channels allow you to switch between two sources or blend them together, with full control over the sound of each instrument, and the ability to bring effects pedals and a signal booster into the mix with a single footswitch. Each channel on the PZ-Pro has its own semi-parametric equalizer section and input level, along with individual filter controls to reduce feedback on stage. Channel-B also features a microphone input to allow any dynamic or condenser microphone to be used, including clip-on instrument mics or even vocal microphones. An FX Loop with a wet/dryknob provides the ability to blend in as much or as little pedal effects as desired, with a footswitch to bring them in and out of the signal chain at a moment's notice. Finally, once your tone is completely dialed-in, balanced XLR direct outs feed the PA system or a recording interface, with both Pre-EQ and Post-EQ outputs available. Technical Specifcations: * Two independent input channels with separate EQsMicrophone input on channel-B with 48V phantom powerEFX Loop and clean Boost with footswitch controlBalanced pre and post-EQ outputs to feed PA/MonitorsSwitch/Combine instruments with a clip-on or vocal micPZ Boost circuit to optimize for use with piezo transducersSelectable High-Pass/Notch filter to reduce on-stage feedbackReconfigure the EFX/Boost footswitch to suit your setup | Radial Engineering PZ-Pro 2-Channel Acoustic Instrumental Preamp
Store: Guitar Center - Deal found on the:
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Get my Guitar found the latest prices on the Radial Engineering R15DC-UNIVERSAL 15VDC Switching Power Supply.
The Radial R15DC-UNIVERSAL switching power supply comes with multiple adaptors to connect to outlets in the USA, Europe, the United Kingdom, and Australia. This unit supplies 15V DC at 400mA with a center-pin positive barrel connection and can be used with any power grid where the mains voltage range is 100-240V, 50-60Hz. This switching power supply is designed for use with all 15V DC Radial products, except the legacy Tonebone tube-based guitar pedals and the JD7. | Radial Engineering R15DC-UNIVERSAL 15VDC Switching Power Supply
Store: Guitar Center - Deal found on the:
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Get my Guitar found the latest prices on the Radial Engineering Shotgun 4-Channel Amp Driver.
"The Shotgun is a compact guitar-level signal buffer designed to drive up to four amplifiers simultaneously and fit nicely on any pedalboard. It features two inputs with a switching jack on input 2 that—when connected—changes the architecture from a 1x4 mono distribution system to a 2x2 stereo setup. The Shotgun is equipped with CLC—Radial's unique Consistent Load Compensation circuit—that retains a stable input impedance to ensure the character of the signal remains unchanged, no matter if you use one or two sources. Inside, a carefully designed low noise buffer circuit with a full-surface ground plane delivers your tone farther—up to 50' (15 meters) without noise. This is augmented with isolation transformers on outputs 2, 3 and 4 to help eliminate the nasty buzz and hum caused by ground loops when multiple amps are connected together. And like all Radial products, the Shotgun is made tough to handle the rigors of professional touring. Powering is done using standard 9V supply or multi-pedal power brick. When used in the 1x4 mono-mode, the Shotgun will effortlessly drive multiple amplifiers, direct box outputs and modeling amplifiers at the same time. In 2x2 stereo-mode, you can connect the output from your stereo chorus to the Shotgun and drive two or four amps in stereo, in phase, without noise. Inputs: Two 1/4""Outputs: Four 1/4""Configurable for 1x4 mono or 2x2 stereoIsolated outputs eliminate ground loopsBuffered outputs drive extra-long cablesCLC (Consistent Load Compensation circuit)Made in Canada | Radial Engineering Shotgun 4-Channel Amp Driver"
Store: Guitar Center - Deal found on the:
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Get my Guitar found the latest prices on the Radial Engineering Switchbone V2 ABY/C Amp Selector and Booster Pedal.
The Switchbone V2 is an ABY/C guitar amp switcher that lets you switch and combine up to three guitar amplifiers without introducing distortion, switching noise or hum into the signal path. Most importantly, the Switchbone V2 will retain the natural tone and feel of your instrument so your playing style shines through. Unlike other switchers that employ integrated circuits to buffer the signal, the Switchbone features Radial's award winning Class-A audio circuit with 100% discrete components throughout. Class-A circuits are preferred by audiophiles and guitarists due to the purity of the signal path and warm sounding even-order harmonics that they produce. This is augmented with Drag™ control load correction that lets you dial-in the tone and feel as if connected directly to your amp. This clever combination lowers the impedance to allow runs of up to 15 meters (50') without susceptibility to noise using standard coaxial cables. To eliminate troublesome switching pops caused by mechanical footswitches and relays, the Switchbone employs high performance opto-couplers that essentially use light to emit and receive the command. These devices ramp-up and ramp-down the signal for smooth, controlled switching even with high gain amps. To eliminate the hum and buzz that is common with other switchers, the Switchbone V2 is equipped with transformer isolated outputs to eliminate nasty ground loops and is augmented with ground lift switches to further aid in noise elimination. Polarity reverse switches on outputs B and C ensure all amps are aligned to absolute phase. The Switchbone V2 may be used as a standard ABY switcher with both A and B outputs used separately or together. When two amps are on, ToggleMode™ LED indicators flash to let you know which amp was selected last so that you can either turn that one off or change the selection on the fly. When three amps are needed, the tuner output can be repurposed along with the third footswitch for clean rhythm and lead setups. In play, the Switchbone V2 elevates your setup with a variable Baseline™ buffer control that lets you juice up the front end of your amp for extra punch. A built-in power booster at the output delivers up to +18db of ultra-clean boost with the option to add mid-boost for extra sustain when playing lead. The Boost footswitch may also be reassigned to a tuner output for quiet on stage adjustments. To add even more control to your performance, the Slingshot™ remote control output can be used to turn on effects, change speakers when combined with the Tonebone™ Cabbone™ or even reroute effects using the Twinline™. 100% discrete Class-A signal path for exceptional audioDrag™ control load correction for natural toneOpto-coupler for noiseless switchingTransformer isolated to eliminate buzz and hum | Radial Engineering Switchbone V2 ABY/C Amp Selector and Booster Pedal
Store: Guitar Center
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