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JHS Morning Glory V4 Overdrive
$199.00Get my Guitar found the latest prices on the JHS Morning Glory V4 Overdrive.
The JHS Morning Glory is undoubtedly JHS's most well-known overdrive pedal, winning more awards and receiving more accolades than any of their other designs. JHS worked hard to make it one of the most transparent overdrives out there.
Store: zZounds- Get my Guitar found the latest prices on the JHS Muffuletta Fuzz Pedal Army Green.
The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but JHS couldn't come to a consensus about which Muff was king. With the Muffuletta, JHS' indecision is your gain. JHS crammed five all-analog re-creations of the pedal's most beloved tones into this box. JHS even threw in a JHS-exclusive tone that is JHS' take on the historic stomp. No matter what Big Muff era you prefer, you can get 'em all in the JHS Muffuletta fuzz pedal.
Store: zZounds JHS Overdrive Preamp
$179.00Get my Guitar found the latest prices on the JHS Overdrive Preamp.
The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD's most loved pedal. The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up "Gain" creates more clipping as it pushes the op-amp and hard clipping into overdrive. JHS also added a slider switch to this production version which wasn't included with the original DOD 250. While researching the #75 "Big Box" pedal, JHS acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself.
Store: zZounds- Get my Guitar found the latest prices on the JHS PackRat Distorion Pedal White.
In 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn't exist in the then mainstream throes of MXR, DOD and even BOSS's product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.
Store: zZounds JHS Packrat Distortion Pedal
$249.00Get my Guitar found the latest prices on the JHS Packrat Distortion Pedal.
In 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn't exist in the then mainstream throes of MXR, DOD and even BOSS's product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.
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Get my Guitar found the latest prices on the JHS PackRat Distortion/Fuzz Effects Pedal White.
The JHS Pedals PackRat distortion stompbox lets you explore a wide range of gritty tones inspired by over 40 years of distortion evolution. With nine different analog distortion modes to choose from, the PackRat has a flavor for every genre and playing style. Whether you need light breakup, singing leads, chugging rhythm or searing solos, the PackRat has you covered. Dial in Vintage to Modern DistortionThe PackRat distortion effects pedal puts a spectrum of distortion flavors at your feet. Choose from nine distortion modes, each with its own EQ voicing and gain structure. Modes range from a mild overdrive to a thick, stinging fuzz, giving you tones ideal for blues, rock, metal, punk, garage rock and more. With the PackRat, you'll have an arsenal of distortion tones to suit any musical need. All-Analog Circuitry Captures Organic ToneThe PackRat distortion pedal features 100% analog circuitry, giving your tone a fluid, dynamic feel. Analog distortion interacts with your guitar's pickups to produce a warm, organic grit that compresses and sustains naturally. The PackRat captures the vintage mojo of classic distortion boxes, imparting distortion with a vintage vibe and true amp-like responsiveness. From smooth clipping to rich harmonics, the PackRat's analog design gives your tone vintage-inspired distortion with authentic feel and dynamics. Modeled After the Legendary ProCo RatThe PackRat takes inspiration from the iconic ProCo Rat distortion pedal first introduced in 1978. Loved by countless guitar legends, the vintage Rat had a creamy distortion with plenty of sustain. The PackRat aims to expand on that tonal legacy with a wider range of distortion flavors. Its modes use analog parts and design cues from the Rat, imparting that same touch-sensitive dynamic response and harmonic richness. For guitarists who dig the Rat's signature sound, the PackRat provides more tonal variety while retaining an organic analog tone. True Bypass Preserves Your Natural ToneThe PackRat features a true bypass design that routes your signal around the distortion circuitry when disengaged. That means your guitar's natural tone passes directly to your amp, unaffected by any electronic components. True bypass preserves your tone and dynamics when the PackRat is off. Stomp it on and the PackRat feeds your amp organic, responsive analog distortion. Nine modes of analog distortion from overdrive to fuzzTrue bypass preserves toneInspired by ProCo Rat, with wider range of gainVolume, distortion, filter and mode controls | JHS PackRat Distortion/Fuzz Effects Pedal White
Store: Guitar Center - Get my Guitar found the latest prices on the JHS Paul Gilbert PG14 Signature Distortion Pedal.
The Paul Gilbert signature distortion PG-14 is a unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET-based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier.
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Get my Guitar found the latest prices on the JHS Pedals 3 Series Chorus Effects Pedal White.
The JHS Pedals 3 Series Chorus pedal is a premium pedal providing lush, dimensional chorus effects with intuitive control over your tone. Perfect for guitarists and bassists looking to add depth and movement to their sound, the 3 Series Chorus features high quality components and a simple, straightforward design. Simple, Intuitive Controls With just three knobs—Rate, Depth and Volume—the 3 Series Chorus is easy to dial in and adjust on the fly. The rate and depth knobs control the speed and intensity of the effect, allowing you to create subtle pulses or seasick warbles, while the volume knob controls the overall output level. A vibe switch allows for a fully wet signal to take over providing true pitch vibrato with no dry signal. Rugged and Road-ReadyThe 3 Series Chorus is built to handle the rigors of the road. Its durable aluminum enclosure protects the sensitive circuitry within, and the rugged footswitch will withstand thousands of stomps. Powered by a 9V DC power supply, the 3 Series Chorus can provide pristine chorus tones for years of performance and practice. Premium Components and Lifetime Warranty JHS Pedals hand selects premium components to ensure the highest quality and tone. Each 3 Series Chorus pedal is handmade in Kansas City, MO. When you buy the 3 Series Chorus, you're getting a pedal built to last a lifetime. Classic chorus and vibrato modulation sounds. | JHS Pedals 3 Series Chorus Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Compressor Effects Pedal White.
The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. A powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. | JHS Pedals 3 Series Compressor Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals 3 Series Fuzz Effects Pedal White.
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. | JHS Pedals 3 Series Fuzz Effects Pedal White
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Get my Guitar found the latest prices on the JHS Pedals Active ABY Switcher Pedal.
The JHS Pedals Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly. Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged. Hit the right “Y” footswitch, and BOTH channels are engaged for full stereo output. Because the Active A/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum. With an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A/B/Y will be the one pedal that you can never leave home without! | JHS Pedals Active ABY Switcher Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal.
The Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life. Furious-Sounding Amp in a BoxTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.- Turns any amp into a screaming Marshall stack- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob- Drive and Volume control interact the same as a master volume amp head- Back off your guitar’s volume to control your gain levels without losing clarityMarshall-Style Tone StackAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!- Fine-tune your tone with controls for Bass, Middle, and Treble- Active controls boost and cut their selected frequencies | JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black.
The Berkeley 1973 Fresh Fuzz Replica pedal from JHS is a recreation of the classic stompbox launched in 1973 by Seamoon Inc. Initially, a fragile plastic enclosure design caused these Bakelite pedals to shatter when guitarists stomped on them, so Seamoon began recasing them in metal enclosures within a few months. Despite inaccurate reviews that the Fresh Fuzz was “thin sounding,” it gained popularity and has been used extensively by artists like Tom Scholz (Boston) and guitar virtuoso Eric Johnson. This is a tribute to the rarer single op-amp 741 version. | JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Charlie Brown V4 Overdrive Effects Pedal.
Every guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45.Vintage British Crunch for Your PedalboardMore and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4.Marshall-Style Tone StackTo really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive. Turns any amp into a gritty JTM45 stackGo from ‘60s-style crunch to thick and liquid rock tones with a twist of the Drive knobDrive and Volume control interact the same as a master volume amp headBack off your guitar’s volume to control your gain levels without losing clarityFine-tune your tone with controls for Bass, Middle, and TrebleActive controls boost and cut their selected frequenciesStacks beautifully with overdrive pedals for even more shades of grit | JHS Pedals Charlie Brown V4 Overdrive Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Colour Box V2 Preamp Pedal.
"The Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The most significant improvements are:• Addition of an Output transformer• Safely Passes 48v Phantom Power• EQ Shift Knobs for precision EQ control• Hi/Lo Switch for ultra clean headroom• 100% available clean signal even on acoustic guitar• Silent switching, aka no ""switch-pop""• Runs on standard 9V DC Neg power• Let's take a look at the features and controls of the Colour Box V2The Gain section in red has three controls: Master, Pre-Vol and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a ""drive"" or ""gain"" control, adding more grit, distortion and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18dB, 2nd is +23dB, 3rd is +28dB, 4th is +33dB, 5th is +39dB. The Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion and fuzz sounds. In addition to the Hi/Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high-output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz and Bass 120Hz, while the Treble, Middle and Bass knobs boost or cut with +/- 17dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above, and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4"" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.""In 2012, I had a crazy idea for a tone-shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of ""direct-in"" electric guitar recordings that I loved. Bands like the Beatles, Spoon, Wilco and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.""I wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation and re-works, this concept evolved into something far beyond what we had imagined.""In 2014, as we filmed the first demo videos at Abbey Road Studios in London, and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so muc | JHS Pedals Colour Box V2 Preamp Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal.
There are two ways to look at the JHS Pedals Emperor Analog Chorus/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1, but it's also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of '80s-style analog chorus pedals and the designers added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig, or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all. So Much ModulationThe designers call the Emperor an analog chorus/vibrato. That’s just because calling it a true analog chorus/pitch vibrato with tap tempo/waveform selection/rotary speaker simulation/true stereo output/and more pedal would have been a pain to write every time. Updated Tone Shaping CapabilitiesMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. JHS replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus/vibrato pedals. In-Depth Tempo ControlTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects. A Few ExtrasWhen designing the Emperor, JHS conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation. The glorious tones of a real-deal, 3207 chipset bucket brigade topologyMini toggle switch selects between chorus and vibrato effectsThree available waveform types (sine, square, and triangle)Intuitive controls for Volume, EQ, Speed, and DepthControl the rate with the onboard Speed knob or tap tempo footswitchInternal Tap/Exp mini switch controls the side-mounted Tap/Exp TRS jackUse an external source to control the rate in the Tap Out setting LED indicator notifies you of the effect’s tempo, even when disengagedPlugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the EmperorInternal switch changes from buffered to true-bypass operationHigh-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss | JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Kilt V2 Overdrive Effects Pedal.
When the opportunity to work with Stu G came about (legendary guitarist, writer, producer and founding member of UK band Delirious), JHS Pedals engineers couldn’t pass it up. Right out of the gate, Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 JHS refined it to be a compact and versatile tone-machine. The Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora-style dirt box that gives you more tonal options than you might ever be able to use. The designers use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz/distortion and everything found in-between. When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup. G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything. For the V2 JHS added the ability to switch the G2 toggle with a Red Remote. This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact. | JHS Pedals Kilt V2 Overdrive Effects Pedal
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Get my Guitar found the latest prices on the JHS Pedals Kodiak Tremolo Guitar Effects Pedal.
"Part of JHS Pedals' tap tempo series, the Kodiak Tremolo effects pedal features all the bells and whistles you need to create the biggest tremolo growl. Based around classic VOX and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap tempo and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. Let’s take a look at all the features this brown beast bears. The Kodiak has five simple controls: Volume, Speed, Mix, Ratio and Wave. The Volume control enables you to set the overall volume however you like it—either dialed back, at unity or boosted. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the onboard tap tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Ratio control gives you the ability to dial in faster speeds that are perfectly synced with the BPM of your tap. You can choose from quarter notes, eighth notes, ""triplets"" or sixteenth notes. The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time signatures for a different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey and spend lots of time with your new bear friend to really get to know what it has to offer. The Kodiak tremolo guitar effects pedal also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak. Requires standard 9V DC negative powerConsumes 10mADimensions: 2.6"" x 4.8"" x 1.6"" | JHS Pedals Kodiak Tremolo Guitar Effects Pedal"
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Get my Guitar found the latest prices on the JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black.
The Mary-K 1969 Kay Fuzz Tone Replica pedal from JHS is a reimagining of the original classic, likely released in late 1967 or early 1968. Initially designed as a low-cost-version of the Shin-ei/Univox Superfuzz, this fuzz is one of the Edge's go-to pedals. Fifty-four years later, JHS is releasing their spin on the Kay Fuzz Tone: the Mary-K. Knobs and an expression pedal output were also added for those who want to use it as it was originally intended. | JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black.
The JHS Pedals PackRat distortion stompbox brings you a palette of nine distinct distortion tones, all derived from analog circuitry for fluid, organic grit and growl. Based on the revered ProCo Rat distortion that's been a staple on pedalboards since the late 1970s, the PackRat distortion pedal gives you a wide range of gain levels and tones to suit any genre or playing style. Dial In Vintage to Modern Distortion With Nine ModesThe PackRat distortion effects pedal equips guitarists with an arsenal of distortion tones, from subtle crunch to heavy saturation. Access nine different distortion modes, each with its own EQ voicing and gain structure, putting a spectrum of distortion flavors at your feet. Ranging from a mild overdrive to a thick, stinging fuzz, the PackRat's modes give you tones ideal for blues, rock, metal, punk, garage rock and more. Whether you need light breakup, singing leads, chugging rhythm or searing solos, one of the PackRat's nine modes will get you there. All-Analog Circuitry Captures Organic ToneWithin the PackRat distortion pedal lies 100 percent analog circuitry, giving your tone a fluid, dynamic feel. Analog distortion interacts with your guitar's pickups for a warm, organic grit that compresses and sustains naturally. The PackRat captures the mojo of classic distortion boxes like the ProCo Rat, which used analog parts to create their distinctive sound. From smooth clipping to rich harmonics, the PackRat's analog design imparts distortion with vintage vibe and true amp-like responsiveness. Modeled After the Legendary ProCo Rat DistortionThe PackRat takes inspiration from the highly regarded ProCo Rat distortion pedal first introduced in 1978. Loved by countless iconic guitarists, the vintage Rat had a smooth, creamy distortion with plenty of sustain. The PackRat aims to expand on that tonal legacy with a wider range of distortion flavors. Its modes all use analog parts and design cues from the Rat, imparting that same touch-sensitive dynamic response. For guitarists who dig the Rat's signature sound, the PackRat provides more tonal variety while retaining the organic analog tone. True Bypass Preserves Your Natural ToneThe PackRat features a true bypass switching design that routes your signal around the distortion circuitry when disengaged. That means your guitar's unadulterated tone passes directly to your amp, unaffected by any electronic components in the signal chain. True bypass preserves your natural tone and dynamics when the PackRat is off, ensuring zero loss of high end or signal integrity. Stomp it on and the PackRat feeds your amp with organic, responsive analog distortion. Inspired by 40+ years of rodent evolutionUnique digital runway systemNine legendary and rare modesVolume, Distortion, Filter and Mode controls | JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black
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Get my Guitar found the latest prices on the JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black.
"The Plug-in 1967 Boss Tone Replica pedal from JHS is a reimagining of the Boss Tone, the first commercially successful U.S.-based plug-in effect, which debuted at the 1966 NAMM show. At the time, fuzz was still a new frontier for most guitarists, but nothing else on the market looked or sounded quite like the Boss Tone. The original unit is a small 1-3/4"" by 2-1/4"" molded plastic box that plugs directly into the guitar’s output jack. Unfortunately, plug-in effects never quite captured the practicality of a good old-fashioned stompbox, so this floor-based pedal features the same unique tone. | JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black"
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Get my Guitar found the latest prices on the JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal.
If you haven’t experienced the joy of slamming the front end of your amplifier with a great-quality boost pedal, it’s time you add the JHS Pedals Prestige to your rig. Running it low transforms it into 3D-sounding buffer. You can nudge it up a bit to get a clear volume boost. Or maybe you want to keep turning the knob to punish your preamp into its most gorgeous harmonic overdrive. And for the sonically brave, try dimming the JHS Prestige buffer/booster pedal and listen as your amp begs for mercy. And all this power comes in an adorable mini enclosure that takes up minimal pedalboard real estate. Single knob couldn’t be any easier to useAt lowest settings, the Prestige makes a great buffer for driving long cables and pedal chainsUp to 27dB of gain on tap to drive any amplifier into thick, creamy, overdrive/fuzz/distortion | JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal
Store: Guitar Center JHS Pedals Red Remote Pedal
$45.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Red Remote Pedal.
"Use the new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote-equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:Morning Glory V4SuperBolt V2Twin Twelve V2When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's ""GAIN"" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch. To use the Red Remote, plug the remote into the jack of the pedal labeled ""REMOTE...""...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into. | JHS Pedals Red Remote Pedal"
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Whitey Tighty Mini Compressor Effects Pedal.
The Whitey Tighty compressor is JHS' take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1” x 3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty! | JHS Pedals Whitey Tighty Mini Compressor Effects Pedal
Store: Guitar Center JHS Plugin Fuzz
$180.95Get my Guitar found the latest prices on the JHS Plugin Fuzz.
In the mid-'60s, the world's first nuclear company, Victoreen Instruments, launched Jordan Electronics. Though they started out manufacturing transistorized guitar amps, they released the first commercially successful U.S. based plug-in effect at the 1966 NAMM Show: the Boss Tone.
Store: zZoundsJHS Prestige Boost
$129.00JHS Pulp n Peel V4 Compressor
$229.00Get my Guitar found the latest prices on the JHS Pulp n Peel V4 Compressor.
The JHS Pulp 'N' Peel V4 is the truly transparent compressor pedal you've been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal.
Store: zZoundsJHS Red Remote Footswitch
$45.00Get my Guitar found the latest prices on the JHS Red Remote Footswitch.
Use the Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1/4" instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals: Morning Glory V4, SuperBolt V2, Twin Twelve V2, Double Barrel V4, Kilt V2.
Store: zZoundsJHS Smiley Fuzz Pedal
$181.95Get my Guitar found the latest prices on the JHS Smiley Fuzz Pedal.
In 1966, a salesman named Ivor Arbiter saw the rising British rock scene demanding the effect of fuzz. He decided that his company Arbiter Electronics needed to join the other London guitar product companies and release his own take on this trending sound. After seeing the circular base of a mic stand, he came up with the idea to put the effect in a similar round enclosure and give it a face: two eyes made of knobs, a foot switch nose, and a brand label mouth.
Store: zZoundsJHS Summing Amp
$85.00Get my Guitar found the latest prices on the JHS Summing Amp.
The JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output. Simply plug into the two marked inputs and then plug in your single output and you're ready to go. From two signals the Summing Amp creates one mono signal.
Store: zZoundsJHS Supreme Fuzz Pedal
$125.95Get my Guitar found the latest prices on the JHS Supreme Fuzz Pedal.
In the late 1960's, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey Baby Crying Effect.
Store: zZounds
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JHS Morning Glory V4 Overdrive
$199.00Get my Guitar found the latest prices on the JHS Morning Glory V4 Overdrive.
The JHS Morning Glory is undoubtedly JHS's most well-known overdrive pedal, winning more awards and receiving more accolades than any of their other designs. JHS worked hard to make it one of the most transparent overdrives out there.
Store: zZounds- Get my Guitar found the latest prices on the JHS Muffuletta Fuzz Pedal Army Green.
The Big Muff fuzz has been around so long, been on so many classic recordings, and been through so many variations that every guitarist out there has a favorite version of its iconic tone. JHS wanted to pay tribute to that undeniably classic fuzz pedal, but JHS couldn't come to a consensus about which Muff was king. With the Muffuletta, JHS' indecision is your gain. JHS crammed five all-analog re-creations of the pedal's most beloved tones into this box. JHS even threw in a JHS-exclusive tone that is JHS' take on the historic stomp. No matter what Big Muff era you prefer, you can get 'em all in the JHS Muffuletta fuzz pedal.
Store: zZounds JHS Overdrive Preamp
$179.00Get my Guitar found the latest prices on the JHS Overdrive Preamp.
The JHS Overdrive Preamp is a faithful replication of the unobtainable V1 of DOD's most loved pedal. The controls are simple. The Level control adjusts the overall output of the circuit and lets you cut or boost the signal. The level control of this version has been modified (corrected) from the original wiring of the #75 unit, giving this pedal much more volume on tap. The Gain control adjusts the amount of gain inside the overdrive circuit. Turning up "Gain" creates more clipping as it pushes the op-amp and hard clipping into overdrive. JHS also added a slider switch to this production version which wasn't included with the original DOD 250. While researching the #75 "Big Box" pedal, JHS acquired a second early big-box unit which used a completely different clipping arrangement. It only seemed fair to offer this switch so that you could explore these two variations for yourself.
Store: zZounds- Get my Guitar found the latest prices on the JHS PackRat Distorion Pedal White.
In 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn't exist in the then mainstream throes of MXR, DOD and even BOSS's product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.
Store: zZounds JHS Packrat Distortion Pedal
$249.00Get my Guitar found the latest prices on the JHS Packrat Distortion Pedal.
In 1978, the most versatile and influential distortion pedal of all time was invented in Kalamazoo, MI. Scott Burnham and Steve Kiraly first had the idea after playing, repairing and modifying all the available distortion pedals on the market. They wanted something that didn't exist in the then mainstream throes of MXR, DOD and even BOSS's product line; they wanted a pedal that could go from overdrive to distortion and then all the way to fuzz. By 1979 Scott had perfected the circuit in his RAT-infested basement workshop, and the rest is history.
Store: zZounds- Deal found on the: website.
Get my Guitar found the latest prices on the JHS PackRat Distortion/Fuzz Effects Pedal White.
The JHS Pedals PackRat distortion stompbox lets you explore a wide range of gritty tones inspired by over 40 years of distortion evolution. With nine different analog distortion modes to choose from, the PackRat has a flavor for every genre and playing style. Whether you need light breakup, singing leads, chugging rhythm or searing solos, the PackRat has you covered. Dial in Vintage to Modern DistortionThe PackRat distortion effects pedal puts a spectrum of distortion flavors at your feet. Choose from nine distortion modes, each with its own EQ voicing and gain structure. Modes range from a mild overdrive to a thick, stinging fuzz, giving you tones ideal for blues, rock, metal, punk, garage rock and more. With the PackRat, you'll have an arsenal of distortion tones to suit any musical need. All-Analog Circuitry Captures Organic ToneThe PackRat distortion pedal features 100% analog circuitry, giving your tone a fluid, dynamic feel. Analog distortion interacts with your guitar's pickups to produce a warm, organic grit that compresses and sustains naturally. The PackRat captures the vintage mojo of classic distortion boxes, imparting distortion with a vintage vibe and true amp-like responsiveness. From smooth clipping to rich harmonics, the PackRat's analog design gives your tone vintage-inspired distortion with authentic feel and dynamics. Modeled After the Legendary ProCo RatThe PackRat takes inspiration from the iconic ProCo Rat distortion pedal first introduced in 1978. Loved by countless guitar legends, the vintage Rat had a creamy distortion with plenty of sustain. The PackRat aims to expand on that tonal legacy with a wider range of distortion flavors. Its modes use analog parts and design cues from the Rat, imparting that same touch-sensitive dynamic response and harmonic richness. For guitarists who dig the Rat's signature sound, the PackRat provides more tonal variety while retaining an organic analog tone. True Bypass Preserves Your Natural ToneThe PackRat features a true bypass design that routes your signal around the distortion circuitry when disengaged. That means your guitar's natural tone passes directly to your amp, unaffected by any electronic components. True bypass preserves your tone and dynamics when the PackRat is off. Stomp it on and the PackRat feeds your amp organic, responsive analog distortion. Nine modes of analog distortion from overdrive to fuzzTrue bypass preserves toneInspired by ProCo Rat, with wider range of gainVolume, distortion, filter and mode controls | JHS PackRat Distortion/Fuzz Effects Pedal White
Store: Guitar Center - Get my Guitar found the latest prices on the JHS Paul Gilbert PG14 Signature Distortion Pedal.
The Paul Gilbert signature distortion PG-14 is a unique distortion pedal specifically designed to Paul's specifications. At the heart of the circuit is a FET-based distortion engine that emulates the touch, feel, and the response of a pushed tube amplifier.
Store: zZounds - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Chorus Effects Pedal White.
The JHS Pedals 3 Series Chorus pedal is a premium pedal providing lush, dimensional chorus effects with intuitive control over your tone. Perfect for guitarists and bassists looking to add depth and movement to their sound, the 3 Series Chorus features high quality components and a simple, straightforward design. Simple, Intuitive Controls With just three knobs—Rate, Depth and Volume—the 3 Series Chorus is easy to dial in and adjust on the fly. The rate and depth knobs control the speed and intensity of the effect, allowing you to create subtle pulses or seasick warbles, while the volume knob controls the overall output level. A vibe switch allows for a fully wet signal to take over providing true pitch vibrato with no dry signal. Rugged and Road-ReadyThe 3 Series Chorus is built to handle the rigors of the road. Its durable aluminum enclosure protects the sensitive circuitry within, and the rugged footswitch will withstand thousands of stomps. Powered by a 9V DC power supply, the 3 Series Chorus can provide pristine chorus tones for years of performance and practice. Premium Components and Lifetime Warranty JHS Pedals hand selects premium components to ensure the highest quality and tone. Each 3 Series Chorus pedal is handmade in Kansas City, MO. When you buy the 3 Series Chorus, you're getting a pedal built to last a lifetime. Classic chorus and vibrato modulation sounds. | JHS Pedals 3 Series Chorus Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Compressor Effects Pedal White.
The JHS Pedals 3 Series Compressor is a simple and powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. The Attack and Sustain knobs allow you to dial in the compression's overall feel and response to your playing, while the Volume knob enables you to set the overall volume at unity or boosted. A powerful compressor that will give you everything from subtle tone smoothing to a super squashed sound. | JHS Pedals 3 Series Compressor Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals 3 Series Fuzz Effects Pedal White.
The JHS Pedals 3 Series Fuzz is a versatile fuzz box that cleans up well with your guitar's volume knob. The Fuzz is the perfect balance of vintage and modern with soaring sustain and clear articulation. The controls allow you to create a wide variety of sounds via the Bias knob, which gives the Fuzz a more gated sound as you turn it up. Unlike many fuzz pedals, the fuzz knob is usable across 100% of the sweep for many different flavors not typically found in a fuzz, like distortion, and even pushed amp Esq overdrive tones. The Fat toggle engages a bass boost for an overall fatter, more powerful sound. | JHS Pedals 3 Series Fuzz Effects Pedal White
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Active ABY Switcher Pedal.
The JHS Pedals Active A/B/Y is the perfect solution when you need to send one signal to two outputs with the ability to choose either output (or both) on the fly. Just plug in your instrument cable (or patch cable) into the input, then use the outputs to send signal to any combination of amplifiers, interfaces, mixing board, or anywhere else you want to send your signal. Once hooked up, use the left footswitch to select between A and B channels. When the LED is red, the A channel is engaged. When the LED is green, the B channel is engaged. Hit the right “Y” footswitch, and BOTH channels are engaged for full stereo output. Because the Active A/B/Y has an output transformer on one of the outputs, there is no need for a ground lift as the transformer eliminates any hum. With an output transformer, FET transistors for completely silent switching, the capability to use one or both outputs simultaneously, the JHS Pedals Active A/B/Y will be the one pedal that you can never leave home without! | JHS Pedals Active ABY Switcher Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal.
The Angry Charlie has become a staple of the JHS line over the years, and it’s a force to be reckoned with in the high-gain pedal territory. Its ability to convincingly and accurately breathe JCM800 tones into any rig has made it a popular choice for guitarists of all genres. And unlike many other British amp-in-a-box pedals, the Angry Charlie V3 sports a 3-band tone stack, just like the Marshalls, helping nail those warm yet searing tones and boundless sustain. If you are a glutton for high-gain overdrive/distortion that has a British flavor, the Angry Charlie V3 will change your life. Well, your gear life. Furious-Sounding Amp in a BoxTurn the Drive control down, and you might be surprised how bluesy and vintage-like this pedal sounds. But through its different versions, our Angry Charlie distortion has always been one of the more aggressive British amp-in-a-box pedals out there. Either way, you’ll be injecting your amp with the grit and attitude of the UK amplifier heads that gave rock ‘n’ roll its teeth.- Turns any amp into a screaming Marshall stack- Go from bluesy Hendrix-like breakup to high-gain Brit tones with a twist of the Drive knob- Drive and Volume control interact the same as a master volume amp head- Back off your guitar’s volume to control your gain levels without losing clarityMarshall-Style Tone StackAfter a couple of extremely well-received versions of the Angry Charlie, we realized that to really nail the ultimate Marshall-style tone, we had to add Marshall-style control. So we gave you a finely tuned Marshall-style 3-band EQ. Enjoy!- Fine-tune your tone with controls for Bass, Middle, and Treble- Active controls boost and cut their selected frequencies | JHS Pedals Angry Charlie V3 Overdrive Guitar Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black.
The Berkeley 1973 Fresh Fuzz Replica pedal from JHS is a recreation of the classic stompbox launched in 1973 by Seamoon Inc. Initially, a fragile plastic enclosure design caused these Bakelite pedals to shatter when guitarists stomped on them, so Seamoon began recasing them in metal enclosures within a few months. Despite inaccurate reviews that the Fresh Fuzz was “thin sounding,” it gained popularity and has been used extensively by artists like Tom Scholz (Boston) and guitar virtuoso Eric Johnson. This is a tribute to the rarer single op-amp 741 version. | JHS Pedals Berkeley 1973 Fresh Fuzz Replica Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Charlie Brown V4 Overdrive Effects Pedal.
Every guitarist loves the sound and feel of a Marshall JTM45 amp head. And with the JHS Pedals Charlie Brown V4 amp-in-a-box, you can put that same thick, chewy, old-school rock tone onto your pedalboard. In fact, we even outfitted the pedal with a Marshall-style 3-band tone stack to achieve a tone that would please Clapton himself. Whether you’re trying to replicate the Woman Tone, the character of Hendrix’s cranked walls of Marshalls, or Gary Moore’s higher-gain sound, they’re all waiting for you in the Charlie Brown V4. Grab one today, and turn your rig into a legendary JTM45.Vintage British Crunch for Your PedalboardMore and more, guitarists like you are leaning on pedals to supply their overdriven tones. They need stompboxes that will completely change the character of their amplifiers on a dime. For vintage crunch and British attitude, there simply isn’t a better pedal than our Charlie Brown V4.Marshall-Style Tone StackTo really nail the ultimate JTM45 tone, we added Marshall-style control to the Charlie Brown V4 overdrive. Now, not only will this pedal mate perfectly with your current clean amp tone, but you’ll be able to find the exact JTM45 sound you need for your application. And because the Charlie Brown reacts just like a classic tube amp, it’s even a perfect candidate for stacking with another overdrive. Turns any amp into a gritty JTM45 stackGo from ‘60s-style crunch to thick and liquid rock tones with a twist of the Drive knobDrive and Volume control interact the same as a master volume amp headBack off your guitar’s volume to control your gain levels without losing clarityFine-tune your tone with controls for Bass, Middle, and TrebleActive controls boost and cut their selected frequenciesStacks beautifully with overdrive pedals for even more shades of grit | JHS Pedals Charlie Brown V4 Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Colour Box V2 Preamp Pedal.
"The Colour Box V2 has all the same functionality of the V1 with many new and improved additions like expanded EQ controls, a Hi/Lo switch for massive clean headroom, and the ability to pass phantom power to your condenser mics. The most significant improvements are:• Addition of an Output transformer• Safely Passes 48v Phantom Power• EQ Shift Knobs for precision EQ control• Hi/Lo Switch for ultra clean headroom• 100% available clean signal even on acoustic guitar• Silent switching, aka no ""switch-pop""• Runs on standard 9V DC Neg power• Let's take a look at the features and controls of the Colour Box V2The Gain section in red has three controls: Master, Pre-Vol and Step. The Master volume controls the overall volume of the unit. The Pre-Vol controls the amount of gain between the two internal gain stages. This acts as a ""drive"" or ""gain"" control, adding more grit, distortion and even fuzz as you increase the gain. The Step control increases the gain of each preamp stage in five stages. Rotating the Step knob from left-to-right will increase the gain by the following: 1st is +18dB, 2nd is +23dB, 3rd is +28dB, 4th is +33dB, 5th is +39dB. The Colour Box V2 has a new Hi/Lo switch to control the amount of clean headroom you have available. In the Lo mode, you will easily be able to get ultra clean sounds without breakup. Lo Mode is excellent for tone shaping when distortion is not needed. In the Hi mode, the Colour Box V2 will distort much more readily, giving you a broad spectrum of overdrive, distortion and fuzz sounds. In addition to the Hi/Lo gain switch, there is a -20dB pad switch on the right side of the Colour Box V2. This function only works when in XLR input mode and can help tame the volume for high-output microphones. The EQ section in blue has three new Shift controls correlating to its standard Treble, Middle and Bass controls. The Shift knobs adjust the range of frequencies that the Treble, Middle, and Bass knobs control. The center frequencies for the Shift knobs are Treble 10kHz, Middle 1kHz and Bass 120Hz, while the Treble, Middle and Bass knobs boost or cut with +/- 17dB of control. If you want to boost high-mid frequencies, turn the Mid Shift knob to 3 o'clock or above, and increase the Middle knob above 12 o'clock. If you want to cut upper treble frequencies, turn the Treble Shift knob to 3 o'clock or above and set the Treble knob below 12 o'clock. The Shift knobs give you precision control over the EQ for anything you put through the Colour Box V2.The Hi-Pass section is enabled by the toggle switch below the Hi-Pass knob. Just flip it up to engage the Hi-Pass knob, which spans from 60Hz to 800Hz with a 6dB per octave slope. The Colour Box V2 has a combination XLR and 1/4"" input jack to use either an instrument or microphone. Select your input with the input selector switch on the right side of the pedal labeled INST/XLR.""In 2012, I had a crazy idea for a tone-shaping device that had never been done before in the world of guitar pedals. I wanted to create an effects pedal that replicated the hard to achieve sounds of ""direct-in"" electric guitar recordings that I loved. Bands like the Beatles, Spoon, Wilco and Steely Dan had used this technique for years, but it was nearly impossible to recreate live.""I wanted this pedal to transform my guitar rig into the tonal equivalent of a Neve studio console, and that was no small task. After lots of trial and error, experimentation and re-works, this concept evolved into something far beyond what we had imagined.""In 2014, as we filmed the first demo videos at Abbey Road Studios in London, and this idea had evolved into the most unique product we had ever made. The Colour Box was a full-fledged studio-grade preamplifier, EQ, and distortion generator with multi-instrument compatibility. It did what I had always wanted it to do, but it did so muc | JHS Pedals Colour Box V2 Preamp Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal.
There are two ways to look at the JHS Pedals Emperor Analog Chorus/Vibrato pedal. The Emperor V2 is a vintage-correct effect that absolutely nails the hard-to-find sound of the Arion SCH-1, but it's also a do-it-all modulation solution whether you want a subtle sheen, convincing rotary simulation, or seasick vibrato. It utilizes a Bucket Brigade 3207 chipset to deliver the warmth of '80s-style analog chorus pedals and the designers added enough onboard and outboard control to put you in command of every aspect of the Emperor’s voice. Whether spreading its warm tones or icy sheen to a pristine-sounding stereo rig, or utilizing an external expression pedal to cop realistic rotary speaker sounds on a blues gig, the Emperor can do it all. So Much ModulationThe designers call the Emperor an analog chorus/vibrato. That’s just because calling it a true analog chorus/pitch vibrato with tap tempo/waveform selection/rotary speaker simulation/true stereo output/and more pedal would have been a pain to write every time. Updated Tone Shaping CapabilitiesMaking a good thing better? Yes please. The Emperor V1 had a Tone control which has now become the EQ control in the Emperor V2. JHS replaced the passive tone control in the V1 with an active EQ control that functions as a Tilt. You'll now have much more tone shaping capability in the V2. The overall EQ control is much improved in the Emperor V2 and you will not lose any low-end sometimes commonly found with chorus/vibrato pedals. In-Depth Tempo ControlTo control the rate of the Emperor’s effect, simply turn the Speed knob up and down or tap the tap tempo footswitch. Or for the more adventurous among us...plug in an expression pedal for variable control in real time. And you can even slave the pedal to other tap-controlled pedals for rhythmic consistency across all your effects. A Few ExtrasWhen designing the Emperor, JHS conveniently and inconspicuously tucked in stereo output and the ability to select between buffered or true-bypass operation. The glorious tones of a real-deal, 3207 chipset bucket brigade topologyMini toggle switch selects between chorus and vibrato effectsThree available waveform types (sine, square, and triangle)Intuitive controls for Volume, EQ, Speed, and DepthControl the rate with the onboard Speed knob or tap tempo footswitchInternal Tap/Exp mini switch controls the side-mounted Tap/Exp TRS jackUse an external source to control the rate in the Tap Out setting LED indicator notifies you of the effect’s tempo, even when disengagedPlugging TRS splitter cable into the output jack is all it takes to wring true stereo output from the EmperorInternal switch changes from buffered to true-bypass operationHigh-quality buffer helps drive long cable runs and in-depth pedal setups while restoring high-end loss | JHS Pedals Emperor V2 Analog Chorus/Vibrato Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kilt V2 Overdrive Effects Pedal.
When the opportunity to work with Stu G came about (legendary guitarist, writer, producer and founding member of UK band Delirious), JHS Pedals engineers couldn’t pass it up. Right out of the gate, Stu G wanted a dirt box that could essentially cover any-and-all ground he needed for his studio work and extensive touring gigs. From that request the Kilt was born, and for the V2 JHS refined it to be a compact and versatile tone-machine. The Kilt V2 still has the fantastic circuit at the heart of the version one: a heavily tweaked Expandora-style dirt box that gives you more tonal options than you might ever be able to use. The designers use a specifically chosen op-amplifier that offers super low noise, improved slew rate for a smoother structure, and a character that just feels better than the original Expandora. Then there are three toggles that enhance the tweak-ability even further. The cut/flat toggle gives you the option to cut the low end frequencies to better sit in the mix. When in the “flat” position, the bass response is much beefier than the original Expandora for those heavy guitar riffs or bass grit. The G1 and G2 toggles let you select various forms of distortion via select resistance values that switch in and out in the clipping section of the circuit. This method is very different than your normal diode clipping selectors that you commonly see on drive pedals. This gives you multiple configurations and tonal options, helping the Kilt V2 cover light transparent drive all the way to a wall of fat fuzz/distortion and everything found in-between. When both toggles are down, you are in the lightest gain setting. Amp-like chimey breakup. G1 flipped up adds a touch of drive for more riffy grit. G2 flipped up puts you almost into distortion land, with more saturation and sustain for lead tones. Both toggles flipped up sends the Kilt V2 into almost uncontrollable gated fuzz/distortion that will cut through anything. For the V2 JHS added the ability to switch the G2 toggle with a Red Remote. This gives you the ability to flip into heavy overdrive or fuzz with a footswitch on the fly, making the V2 just as versatile as the V1 but more compact. | JHS Pedals Kilt V2 Overdrive Effects Pedal
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Kodiak Tremolo Guitar Effects Pedal.
"Part of JHS Pedals' tap tempo series, the Kodiak Tremolo effects pedal features all the bells and whistles you need to create the biggest tremolo growl. Based around classic VOX and Black Face tremolo sounds, the Kodiak brings vintage tremolo into the modern era with four different wave patterns, onboard tap tempo and sub-divisions to give you total control as well as plenty of inspiration to bring your sound out of hibernation. Let’s take a look at all the features this brown beast bears. The Kodiak has five simple controls: Volume, Speed, Mix, Ratio and Wave. The Volume control enables you to set the overall volume however you like it—either dialed back, at unity or boosted. The Speed knob is a manual control for the speed of the tremolo, which you can also set with the onboard tap tempo switch. The Mix knob controls how deep the tremolo is perceived, from fully clean to fully wet. A great feature of the Kodiak is that you can turn the Mix knob all the way down and use the Volume to boost your amp or other pedals, acting as a preamp or slightly driven boost. The Ratio control gives you the ability to dial in faster speeds that are perfectly synced with the BPM of your tap. You can choose from quarter notes, eighth notes, ""triplets"" or sixteenth notes. The Wave control gives you four different wave variations to choose from: Sine, Rhythmic, Square and Ramp. The Sine wave is a classic amp-like tremolo sound, the Rhythmic wave gives you an interesting rhythmic pattern that can be used in many different time signatures for a different effect, the Square wave gives you a more choppy trem sound, and the Ramp wave gives you a warbly type of sound. With all these options, sit down, grab a jar of honey and spend lots of time with your new bear friend to really get to know what it has to offer. The Kodiak tremolo guitar effects pedal also features a Tap/Expression jack on the right side of the pedal. Plug in an external tap tempo or an expression pedal to control the speed of the tremolo. Select either TAP or EXP via the switch on the left side of the Kodiak. Requires standard 9V DC negative powerConsumes 10mADimensions: 2.6"" x 4.8"" x 1.6"" | JHS Pedals Kodiak Tremolo Guitar Effects Pedal"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black.
The Mary-K 1969 Kay Fuzz Tone Replica pedal from JHS is a reimagining of the original classic, likely released in late 1967 or early 1968. Initially designed as a low-cost-version of the Shin-ei/Univox Superfuzz, this fuzz is one of the Edge's go-to pedals. Fifty-four years later, JHS is releasing their spin on the Kay Fuzz Tone: the Mary-K. Knobs and an expression pedal output were also added for those who want to use it as it was originally intended. | JHS Pedals Mary-K 1969 Kay Fuzz Tone Replica Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black.
The JHS Pedals PackRat distortion stompbox brings you a palette of nine distinct distortion tones, all derived from analog circuitry for fluid, organic grit and growl. Based on the revered ProCo Rat distortion that's been a staple on pedalboards since the late 1970s, the PackRat distortion pedal gives you a wide range of gain levels and tones to suit any genre or playing style. Dial In Vintage to Modern Distortion With Nine ModesThe PackRat distortion effects pedal equips guitarists with an arsenal of distortion tones, from subtle crunch to heavy saturation. Access nine different distortion modes, each with its own EQ voicing and gain structure, putting a spectrum of distortion flavors at your feet. Ranging from a mild overdrive to a thick, stinging fuzz, the PackRat's modes give you tones ideal for blues, rock, metal, punk, garage rock and more. Whether you need light breakup, singing leads, chugging rhythm or searing solos, one of the PackRat's nine modes will get you there. All-Analog Circuitry Captures Organic ToneWithin the PackRat distortion pedal lies 100 percent analog circuitry, giving your tone a fluid, dynamic feel. Analog distortion interacts with your guitar's pickups for a warm, organic grit that compresses and sustains naturally. The PackRat captures the mojo of classic distortion boxes like the ProCo Rat, which used analog parts to create their distinctive sound. From smooth clipping to rich harmonics, the PackRat's analog design imparts distortion with vintage vibe and true amp-like responsiveness. Modeled After the Legendary ProCo Rat DistortionThe PackRat takes inspiration from the highly regarded ProCo Rat distortion pedal first introduced in 1978. Loved by countless iconic guitarists, the vintage Rat had a smooth, creamy distortion with plenty of sustain. The PackRat aims to expand on that tonal legacy with a wider range of distortion flavors. Its modes all use analog parts and design cues from the Rat, imparting that same touch-sensitive dynamic response. For guitarists who dig the Rat's signature sound, the PackRat provides more tonal variety while retaining the organic analog tone. True Bypass Preserves Your Natural ToneThe PackRat features a true bypass switching design that routes your signal around the distortion circuitry when disengaged. That means your guitar's unadulterated tone passes directly to your amp, unaffected by any electronic components in the signal chain. True bypass preserves your natural tone and dynamics when the PackRat is off, ensuring zero loss of high end or signal integrity. Stomp it on and the PackRat feeds your amp with organic, responsive analog distortion. Inspired by 40+ years of rodent evolutionUnique digital runway systemNine legendary and rare modesVolume, Distortion, Filter and Mode controls | JHS Pedals PackRat Distortion/Fuzz Effects Pedal Black
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black.
"The Plug-in 1967 Boss Tone Replica pedal from JHS is a reimagining of the Boss Tone, the first commercially successful U.S.-based plug-in effect, which debuted at the 1966 NAMM show. At the time, fuzz was still a new frontier for most guitarists, but nothing else on the market looked or sounded quite like the Boss Tone. The original unit is a small 1-3/4"" by 2-1/4"" molded plastic box that plugs directly into the guitar’s output jack. Unfortunately, plug-in effects never quite captured the practicality of a good old-fashioned stompbox, so this floor-based pedal features the same unique tone. | JHS Pedals Plug-in 1967 Boss Tone Replica Effects Pedal Black"
Store: Guitar Center - Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal.
If you haven’t experienced the joy of slamming the front end of your amplifier with a great-quality boost pedal, it’s time you add the JHS Pedals Prestige to your rig. Running it low transforms it into 3D-sounding buffer. You can nudge it up a bit to get a clear volume boost. Or maybe you want to keep turning the knob to punish your preamp into its most gorgeous harmonic overdrive. And for the sonically brave, try dimming the JHS Prestige buffer/booster pedal and listen as your amp begs for mercy. And all this power comes in an adorable mini enclosure that takes up minimal pedalboard real estate. Single knob couldn’t be any easier to useAt lowest settings, the Prestige makes a great buffer for driving long cables and pedal chainsUp to 27dB of gain on tap to drive any amplifier into thick, creamy, overdrive/fuzz/distortion | JHS Pedals Prestige Buffer/Booster Guitar Effects Pedal
Store: Guitar Center JHS Pedals Red Remote Pedal
$45.00Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Red Remote Pedal.
"Use the new Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote-equipped pedal with any 1/4” instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals:Morning Glory V4SuperBolt V2Twin Twelve V2When using the Red Remote, the remote itself will act as the toggle, therefore disabling the pedal's onboard toggle switch. For example, if you have our Red Remote plugged into the SuperBolt, the SuperBolt's ""GAIN"" toggle will be deactivated and the Red Remote will switch the toggle on/off as you step on the footswitch. To use the Red Remote, plug the remote into the jack of the pedal labeled ""REMOTE...""...this jack will have a red washer to denote it is the appropriate jack to plug the Red Remote into. | JHS Pedals Red Remote Pedal"
Store: Guitar Center- Deal found on the: website.
Get my Guitar found the latest prices on the JHS Pedals Whitey Tighty Mini Compressor Effects Pedal.
The Whitey Tighty compressor is JHS' take on the classic effect that no one may ever know is on, but when it’s off you feel like your pants are down. The Whitey Tighty is as simple as it gets while never getting in the way. At only 1” x 3”, you’ll save so much space on your pedal board that you’ll be able to add to your wardrobe of effects with ease. And with the ability to blend in compression and clean signal, you’ll be able to dial in the perfect sound that keeps everything in place. The Whitey Tighty is a FET compressor that has three simple controls: Volume, Compression, and Blend. The Volume control gives you the ability to set your volume at unity gain or slightly boosted to make up for any perceived loss from the compression. The Compression knob controls the amount of compression for everything from a subtle smoothing of your tone to a pleasing squash that’s perfect for country, blues, pop, and rock. Use the Blend knob to dial in the right amount of clean tone along with your compressed signal. This allows you to retain some of the natural feel of your clean tone while giving you the studio-quality compression that brings your sound to the next level. Tighten up your tone with the JHS Pedals Whitey Tighty! | JHS Pedals Whitey Tighty Mini Compressor Effects Pedal
Store: Guitar Center JHS Plugin Fuzz
$180.95Get my Guitar found the latest prices on the JHS Plugin Fuzz.
In the mid-'60s, the world's first nuclear company, Victoreen Instruments, launched Jordan Electronics. Though they started out manufacturing transistorized guitar amps, they released the first commercially successful U.S. based plug-in effect at the 1966 NAMM Show: the Boss Tone.
Store: zZoundsJHS Prestige Boost
$129.00JHS Pulp n Peel V4 Compressor
$229.00Get my Guitar found the latest prices on the JHS Pulp n Peel V4 Compressor.
The JHS Pulp 'N' Peel V4 is the truly transparent compressor pedal you've been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal.
Store: zZoundsJHS Red Remote Footswitch
$45.00Get my Guitar found the latest prices on the JHS Red Remote Footswitch.
Use the Red Remote with select JHS Pedals to remotely activate the on-board toggle found on the pedal itself. By connecting the Red Remote to a Red Remote equipped pedal with any 1/4" instrument cable, this essentially acts as an on-the-fly switcher to give you more tonal options in any setting. The Red Remote is currently compatible with the following JHS Pedals: Morning Glory V4, SuperBolt V2, Twin Twelve V2, Double Barrel V4, Kilt V2.
Store: zZoundsJHS Smiley Fuzz Pedal
$181.95Get my Guitar found the latest prices on the JHS Smiley Fuzz Pedal.
In 1966, a salesman named Ivor Arbiter saw the rising British rock scene demanding the effect of fuzz. He decided that his company Arbiter Electronics needed to join the other London guitar product companies and release his own take on this trending sound. After seeing the circular base of a mic stand, he came up with the idea to put the effect in a similar round enclosure and give it a face: two eyes made of knobs, a foot switch nose, and a brand label mouth.
Store: zZoundsJHS Summing Amp
$85.00Get my Guitar found the latest prices on the JHS Summing Amp.
The JHS Pedals Summing Amp gives you the ability to take two inputs and blend them into one output. Simply plug into the two marked inputs and then plug in your single output and you're ready to go. From two signals the Summing Amp creates one mono signal.
Store: zZoundsJHS Supreme Fuzz Pedal
$125.95Get my Guitar found the latest prices on the JHS Supreme Fuzz Pedal.
In the late 1960's, Japan was bursting at the seams with amazing guitar pedal companies and innovations. One of the most sought after effects from this time and place is the Univox Super-Fuzz. This effect is an octave fuzz that turns any note or chord into a thick and searing texture. Playing a high octave up alongside the distorted note, this is an effect that demands your attention. First produced inside of a large amp head sized multi-effect unit called the Honey Psychedelic Machine (1967) and then re-released a few months later as a standalone pedal called the Honey Baby Crying Effect.
Store: zZounds
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